Cheap Perfume (DVD) (Michael Rymer) Price

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Customer Reviews of Perfume

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This movie was absolutely terrible. They were trying to work the whole "artsy" angle, you know- New York and fashion mixed with culture. I didn't even know when I started to watch the movie that the actors were improving, but I didn't need to- it was a dead give-a-way! The actors had uncomfortable silences almost in a "Curb Your Enthusiasm" way, but no where near entertaining. Let me just roll my eyes and say "Find a (good) script and stick to it!"

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Excellent Film*****
Date: 3/2/2003
Summary: Incredible film; bears watching more than once!

A review in IMDB can't say it better! -

Quote-Excerpt:

If you've ever been around "the fashion world," or grown up reading "fashion magazines," you will understand EXACTLY what this film portrays: "Life, Exactly As They Know It!" The "choppiness" and "vagueness" objected to by other reviewers is EXACTLY why this is such a great film, why this is such a "Real" film: anyone who has ever been around "these people" will see exactly how the dialogue mirrors "real life" in the fashion / magazine biz. The "one real scene" between Hemmingway and the photographer (as described by another reviewer) is precisely showing how rare and difficult a "real" moment is to find. In fact, they are ALL "real scenes," wherein lies their power. The scene where the daughter, (not "drug addled," by the way, as described by another reviewer) who is the antithesis of "fashion," describes how reading magazines "makes her feel bad about herself" and her mother's instant rejection and leaving of the restaurant, is telling precisely the truth. And then any woman who rejects "fashion standards" is left alone at the table. The emptiness of the life and the constant ebb and flow of current, changing tides, makes any real or lasting connection impossible. This is even alluded to with Paul Sorvino in one discussion about going to the hip-hop look: something to the effect of "in Europe, classic can last... in America, you have to keep moving!" Then the hip hop boys point out that the baggy-pants hip hop look was born from poverty and "10 brothers and sisters, but the suburban kids will follow" even at an unaffordable $150.00 a pop! But that's the game!" Until I saw this film, I never understood why I was not accepted - could never connect with anyone in the "Fashion Crowd" when I lived in Paris and New York. Now I know why. What was there to connect to? People who "didn't want to be nothing" People who made their living preying on others creativity and beauty, at the cost of making everyone else feel like "less?" An industry that feeds on people's insecurities and wanting to "fit in?" I liked the daughter the best. She stood alone, sad and lost, but stayed true to herself in the end and went on home, wherever that might be. There are so many profound statements in the dialogue of this film that it would be worth printing every one of them here. Perhaps some film buff / college student might write a dissertation on this film alone. Who sang the beautiful music with hip hop and opera combined? I would love to have a music CD of the film, and am buying the DVD just so I can "listen to the film" again and again. Hope to see more. Thank you all! Great job!

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Um.... what is this movie about again?
I watched this movie not to long ago with one of the guys in my dorm and we were both at an extreme loss as to what the movie was all about. There quite literaly was NO plot what so ever. The acting was ok, no great or poor but ok however that does not make up for the very poor character development,lack of plot twists (aside from the dude dying from cancer there were none) and I was confused why they put Carmen Electra all over the over, the back and in the trailer when I only saw her for 15 secconds. I'm sorry but I don't think 15 secconds of Carmen is worth my time, I get more of her when I watch Battlebots before the first commercial break.

I'm sorry but I can only say what a flop this is and hope the producers think twice before releasing a script they deam to be 'artistic' to the unsuspecting general public. All in all a bad buy.