Cheap Once Upon a Time in America (Two-Disc Special Edition) Price

Cheap Once Upon a Time in America (Two-Disc Special Edition) (DVD) (Robert De Niro, James Woods) (Sergio Leone) Price

Once Upon a Time in America (Two-Disc Special Edition)

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ACTORS: Robert De Niro, James Woods
CATEGORY: DVD
DIRECTOR: Sergio Leone
THEATRICAL RELEASE DATE: 01 June, 1984
MANUFACTURER: Warner Home Video
MPAA RATING: R (Restricted)
FEATURES: Color, Closed-captioned, Widescreen, Dolby
TYPE: Feature Film-drama
MEDIA: DVD
# OF MEDIA: 2
UPC: 085392002627

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Customer Reviews of Once Upon a Time in America (Two-Disc Special Edition)

Restored director's edition allows America to shine
When Once Upon a Time in America was first released in the US, it was butchered. Director Sergio Leone's leisurely director's cut was set aside for a brisk, succinct edition that would allow theaters to get more patrons into seats for more shows. Luckily, the DVD revolution has allowed for more complete director's editions to become available thus restoring the director's vision of the finished product. Leone's America is every bit as powerful (although not quite as well written as)Coppola's Godfather 1 & 2.

DeNiro's performance as Noodles the Jewish gangster at the heart of the film. The explosion performances and violent confrontations make America an often compelling film. Although the director's version is a bit too slowly paced (even when compared to Coppola's Godfather 1 & 2 and Leone's famous Westerns), it would be difficult to determine what, exactly, to cut. Leone's films benefited from a combination of European art house length mixed with the American action genre.

For most folks the 139 minute version of this under rated minor classic may be enough but it's tough to argue with Leone's complete--if flawed--vision of the film. The commentary by film historian/critic Richard Schickel and the brief documentary on the making of the film provide added background on this important minor classic.

Although there are certainly better Leone films that have yet to receive this deluxe treatment, I'm thankful that OUTIA is available on DVD in widescreen at all (even if the matte looks incorrect to me--but I'm relying on memory here).
This isn't Leone's best film but it did have the epic scope the actors gave the film added depth that was missing from the simplistic script.


Brilliant
When "Once Upon A Time in America" was initially released, there wasn't much of a stir in America due to the well-documented excision of around an hour and half of footage. But, on its release to home video, the restored, uncut version was suddenly available to American viewers. Thank God. This is a deeply moving, emotionally-wrenching film that deserves its ranks in the annals of some of the greatest motion pictures ever filmed. Movie lovers will delight in this film from frame to frame. Top-notch performances, extended sequences with attention to detail that rival the best Kubrick films, and plot twists told through inventive flashback sequences make this a movie-lovers paradise.

I remember when it first came out, I was mesmerized by it for three reasons. Firstly, when it was released there was possibly never a more violent film than this one, with the possible exception of Scarface. Thus, the action is first-rate. Secondly, the performances were all compelling. One performance that went overlooked, I think, was Tuesday Weld's volatile performance as the damaged and emotionally scarred girlfriend of the equally volatile Woods. DeNiro, of course, holds every scene he's in; there's a great sequence in the film involving crooked cop Danny Aiello and a sick practical joke played on him by the gangsters seeking to influence him; additionally, a young Jennifer Connelly gives a fine performance as the childhood sweetheart of one of the gang-members. Thirdly, the pacing of the film was deliberately extended in several sequences to allow for Ennio Morricone's haunting, melancholic, and most deeply felt musical score. When Morricone's music swells, so collectively do we, and the play on the screen becomes the ultimate tragedy that can never have a happy ending.

Some of the visuals of the film are especially striking, not the least of which is the aerial shot of DeNiro lying under a mesh cover on a mattress in an opium den, grinning goofily while he allows the opium to take its effect, and wipe away the memories of his betrayal. Other standout visuals include the shot of a frisbee flying through the air to introduce yet another flashback sequence, the opening sequences of horrifying violence, and a final sequence involving a garbage truck.

All of this together creates an unforgettable movie experience, one that will stay with the viewer for a long time.


be warned.........
If you're like me and you are thinking of buying this film because it's a Deniro/gangster movie, think twice. Despite some of reviews, this is NOT a materpiece. It is true that the cinematography is brilliant and the production design is top-notch. It is a very authentic-looking, well-made made film. However, those things do not make a masterpiece. The story is so convoluted and moves at such a glacial pace you lose interest. The climactic scene is anything but climactic. Nothing happens. Literally. Deniro and Woods' characters have a conversation and just walk away. Whatever emotional impact thier words are supposed to have has long been drained away by the four-hour running time. The packaging declares that Deniro "smolders" and a New York Times review anoints it as "the definitive gangster picture". Neither is true. You can count on two fingers the number of times Deniro changes facial expressions. He practically sleepwalks through the film. The worst flaw of the movie is that you cant identify with, or even remotely like any of the characters. At the end we are supposed to be moved by the tragic turn of events between two life-long friends, but after witnessing four hours of sexual perversion, graphic murder, etc., you end up having no sympathy at all for them. It has all the emotional impact of seeing Saddam Hussien and Adolf Hitler holding hands and running down the beach in slow motion. As a Deniro fan I really wanted to like this movie, but his character is repulsive. He's a serial rapist who takes his one true love out on a long awaited date and then forcefully rapes her in the back of a car. That scene alone is hard to watch. The Godfather films triumph because the characters have redeeming qualities that balance out thier evil deeds. This film wallows in dirt and excess from the very beginning and gives you no reason to care about these people. Almost the entire first disc is taken up by child actors who arent believable. When you see scenes of them walking around in fedoras and zoot suits acting like pint-size gangsters who intimidate the local cop and make deals with adult mobsters its almost comical. If they were'nt trying to trade cup-cakes for sex it would almost be Disney-ish. By the way, the four scenes that have been "restored" to this director's cut include the two rape scenes and two dialouge extensions. The added dialouge does flesh out the characters a bit, but it slows down an already slow pace. I wish that I had not seen the rape scenes. I hate to be so negative, but I wish I could get my money back. If you have an interest in seeing this movie, rent it- dont buy it. Dont believe the hype and the gushing declarations of being a masterpiece. Its altogether forgetable. The scenes that do stick in your mind do so because they are disturbing, not because of any great acting or artistic reasons.

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