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| ACTORS: | Sam Neill, Rossano Brazzi |
| CATEGORY: | DVD |
| DIRECTOR: | Graham Baker |
| THEATRICAL RELEASE DATE: | 20 March, 1981 |
| MANUFACTURER: | Twentieth Century Fox Home Video |
| MPAA RATING: | R (Restricted) |
| FEATURES: | Color, Closed-captioned, Dolby, Widescreen |
| TYPE: | Horror |
| MEDIA: | DVD |
| # OF MEDIA: | 1 |
| UPC: | 024543004509 |
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Customer Reviews of Omen III: The Final Conflict
Trashy fun I expected Damien the anti-Christ to be further along in his diabolical plans before he would die. Damien is just an ambassador to the UK when he is killed. Instead of bringing the world to the brink of an apocalypse, he is out fox-hunting in the English countryside. With so little of importance at stake, the "final conflict" between Damien and Christ is rather feeble and anti-climactic, like getting a Pinto when you expected a Porsche.
This is especially disappointing because the second film was setting up a plot line in which Damien's company would have a strangle-hold on the world's food supply. I was hoping for global chaos in Omen III -- food riots, revolutions, etc. Omen III briefly reminds us of what Damien's company is trying to do but then drops that plot line completely. Hence the third film does not seem to be organically connected to its predecessor. Indeed, no characters from Omen II except Damien get screen time in Omen III. It's as if with Omen III someone else took over writing the screenplay and decided to take it in a different direction.
It also is odd that Damien was supposed to be such an assiduous student of biblical prophecies but overlooked the prophecy that appears on the screen at the end of the film. What, was Damien's bible missing a few pages of Revelations?
There are some well done scenes, but this film does not measure up to the first two films. Still, it is fun in its own trashy way.
Frankly? - More beliveable than the "Left Behind" movie
I saw "The Omen" on July 4, 1976, with my brother's fiance and her best friend. The movie scared - literally - the mortal hell out of me. So much that I, in pouring rain, emptied my VW of every conceivable upper, downer, laugher, screamer, etc. Now: Skip ahead 4 years: I've just gotten fired from a great, well paying modeling job, and I'm living with a Brooke lookalike. So what do we do? Yup. Go see "The Final Conflict." Sam Neill is indisputably the most frightening, insidious character in any movie I've ever seen (with the exception of that terrifying bald woman who played Satan in "The Passion"). And the scene where the priest tries to stab Damien with one of the "holy knives," and gets caught in a blazing inferno....this is one frightening film, folks. But you know what I like most about it? At the end, Jesus kicks Damien's @$$. Watch these flicks, especially the first and third (everybody says that the fourth installment ruined the integrity of the series). And I can't stop without a warning: PLEASE, folks, remember that somewhere in the world right now, whatever "Damien's" real name is, he's getting ready to start all this. We are living in the end times. You allright with The Lord?
Like A Trip To Hell
After 1978's "Damien: Omen II" gave insight to his plan to take over the family business, you'd think 1981's "Omen III: The Final Conflict" would have Damien Thorn wreaking havoc all across the world. Instead, he's not. He's hunting for foxes in the English countryside, leaving his dirty work to an evil rottweiller.
There are several reasons why this sequel doesn't work. First, the actors are terrible. Sam Neill, a versatile British character actor who can usually be counted on to create top - notch roles, is wooden as Damien. It was obvious this was not his starmakiing vehicle. He had to wait until Steven Spielberg cast him in "Jurassic Park" to become a familliar name. Veteran character actor Rosanno Brazzi fairs only slightly better as the leader of a group of monks out to kill Damien once and for all. Unknown British actress Lisa Harrow is trechorous as a news reporter who romances Damien until she finds out his true indentity.
Adding to this, Jerry Goldsmith's score is lackluster, the direction is awful, and there is not one scary moment in the entire film. A big mar on a classic film series.