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Here, Carol Kane plays Dorine, a mousy, lonely, and introverted copyeditor for a consumer publication. Think for a moment what kind of person a copyeditor must be: this is the person whose job, whose passion, it is to know exactly where the apostrophe goes and to know the difference between effect and affect. The pressure can get to you.
Tyrannized at home by a domineering mother and tyrannized at work by backstabbing coworkers, downsizing, and newfangled computers, Dorine finds that the copy she cleans up is her only pleasure in life. As pressure builds and builds--Kane's performance exhibits amazing mastery of body language--Dorine finally caves and steps into an insanity that, in a horrifying, animalian fashion, has its own pleasantness and reason. Despite Kane's strong acting here, she is supported by flattish performances from Molly Ringwald, Jeanne Tripplehorn, and Barbara Sukowa.
It is unclear if Sherman means to serve or redefine the concept of narrative through this emotional detachment she brings to the screen. Certainly, this isn't a conventional film, and its cinematography and innovative story are indeed attention-keeping, even entertaining, on a horror-flick level at least. If her goal is to serve narrative canonically, then she fails almost miserably. If her goal is to redefine narrative, then she may have achieved something here that most critics aren't clueing into. It's just unclear what this achievement is. --Erik J. Macki
| CATEGORY: | Video |
| DIRECTOR: | Cindy Sherman |
| THEATRICAL RELEASE DATE: | 03 December, 1997 |
| MANUFACTURER: | Walt Disney Home Video |
| MPAA RATING: | R (Restricted) |
| FEATURES: | Color, Closed-captioned, NTSC |
| TYPE: | Feature Film-comedy |
| MEDIA: | VHS Tape |
| # OF MEDIA: | 1 |
| UPC: | 786936089059 |
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Customer Reviews of Office Killer
How to build your OWN home office for pennies a day! When still photographer Cindy Sherman announced she was making a feature film, the buzz was high in the indie community---high enough to warrent interest from Carol Kane, Jeanne Tripplehorn and Molly (yes) Ringwald. The film was released in late '97 to scalding reviews, denouncing it as sick, perverted, unfunny and simply pointless.
Nothing could be further from the truth.
This is the role Carol Kane has been waiting for all her life, after getting relegated to B and C roles in everything from the "Stranger Calls" series to the newly released "Jawbreaker". She gleams with an eerie intensity as seemingly mousy copywriter Doreen Douglas, whose downsizing to a part-time, work at home position, is just the catalyst she needs to plunge into the abyss of madness. For Doreen, her job IS her life, and when it's taken away, she takes steps to ensure her life doesn't leave quietly. "Office Killer" comes at a time when working at home is becoming more and more common place, and with it, the detachment inherent is bound to affect those who have little else going on in their lives. Kane's Doreen makes sure that if she can't be with her co-workers, they can sure be with her, under any circumstances.
Tripplehorn turns in an appropriately plastic performance as the nice-girl-turned-climber and Ringwald chews the scenery as a bitchy writer who seems to be the only one to recognize Kane's increasingly bizarre behavior. Only Barbara Sukowa, as the managing editor, turns in a way way over the top turn, that is grating in it's staginess.
The most gruesome scenes here are almost borderline funny, which sounds sick, I know. But if taken in the context of Doreen's warped mind and Kane's sharp characterization, the result is Pathos mixed with nausea.
"Office Killer" may not be a movie you would even want to see, but it isn't half as bad as you've read. The problem most people have with it I think----is that it hits them where they live and makes them uncomfortable. But, then again, independant cinema needs more films like that.
KILLER KANE
THE MAIN REASON to see this off-kilter black comedy is Carol Kane. Kane, once nominated for an Oscar for her role in HESTER STREET, went on to play the dispatcher on TAXI, but we've never really seen that much of her. In her role as Dorine Douglas, the titled murderer, she gives a performance that is totally awesome. Kane uses her put upon persona, her deeply infested hate and hurt to bring Dorine to vicious life. Her scene when she finds her mother dead is brilliant in its intensity and the way Kane is able to jump back and forth. It's not easy playing a wacko and getting away with it. Here, Kane shines in a performance that should not have been overlooked at Oscar time.
Only Molly Ringwald as the bitchy coworker gives more than a passing performance; Jeanne Tripplehorn almost makes it, but the rest of the cast, well...
Anyway, this is NOT a pleasant movie, and along with CHRISTINA'S HOUSE gives further credence to the ban on door to door selling.
Worth a rent just to see Kane's killer performance!
Art at it's horrific core!!
A real gem from Cindy Sherman's creepier side.
Stellar casting! Molly Ringwald is stunning! Carol Kane is classic!
The clear packing tape scene still gives me the willies. PURE GENIUS!!!
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