Cheap National Lampoon's Favorite Deadly Sins (Video) (Denis Leary, David Jablin) Price
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| CATEGORY: | Video |
| DIRECTOR: | Denis Leary, David Jablin |
| THEATRICAL RELEASE DATE: | 12 November, 1995 |
| MANUFACTURER: | Republic Studios |
| MPAA RATING: | R (Restricted) |
| FEATURES: | Color, Closed-captioned, HiFi Sound, NTSC |
| TYPE: | Feature Film-comedy |
| MEDIA: | VHS Tape |
| # OF MEDIA: | 1 |
| UPC: | 017153631432 |
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Customer Reviews of National Lampoon's Favorite Deadly Sins
Funny! The only reason I own this movie is for the 12 minutes of pure laughter that is portrayed in the second story of this film. Like Twilight Zone and Creepshow, This film is dissected into multiple stories (3). The first one is kind of stupid. The second story is about anger and I have to say this is possibly the funniest Andrew "Dice" Clay I have ever seen. It was worth the money just to watch him in action even if it was really short. The last story has Dennis Leary and involves "lust", it is descent but not as good as Dice.
One great segment, but that's it
There is only one reason to buy this film--the second vignette, "Anger." It is the funniest twenty minutes of film I have ever seen. Andrew "Dice" Clay is at his ranting raunchy best, getting off some of the best one-liners I've heard in ages. I've shown this to people who despise Dice, and they've howled. The rest of the film droops in comparison, despite excellent casting. The powers that be should have saved me some wear and tear on my VCR and put "Anger" first, because it's the only segment worth watching, believe me.
"Lampoon" like it should to be!
After being blown away by another obscure National Lampoon flick, (The Don's Analyst) which was "Analyze This", only better -- I thought I should check this one out too. What's going on here? Another surprisingly sophisticated, laugh out loud film with an incredible cast. Denis Leary's "Lust" was a stylish little sexy ditty in the vein of "Rear Window." In "Anger," Andrew "Dice" Clay (who I normally despise) actually made me laugh out loud. But it was Joe Mantegna in "Greed" that really shocked me. This piece was nothing short of brilliant. An hour in length, it really is the centerpice of the whole film, and what makes it a keeper. I found it a cross between "To Die For" and "The Producers". This is sharp satire the way it used to be in the magazine's hey day. Intelligent, sexy, cutting edge stuff that pulls no punches. This one really has stayed with me. I've watched it several times now and it holds up great. The surprise "celebrity" cameos are a real hoot but they also lend an invaluable authenticity to the story. How come this wasn't in the theaters?