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What's also beautiful is the Criterion Collection's treatment of the film's DVD debut. The director-approved transfer successfully conveys the warmth of the film's palette of oranges and browns, and preserves the whimsical atmospherics of the yodeling country music soundtrack. Many members of the original crew contribute their fond memories to the documentary features, which include a conversation between Phoenix's sister Rain and producer Laurie Parker. There are also two lengthy audio-only conversations--one between Van Sant and Velvet Goldmine director Todd Haynes, and another between author J.T. Leroy and filmmaker Jonathan Caouette about their experiences on the street. The deleted scenes mostly suggest alternate endings that Van Sant wisely left on the cutting room floor. A superb example of a beloved film on DVD. --Ryan Boudinot
Stills from My Own Private Idaho (click for larger image)
![]() The Cast | ![]() River Phoenix | ![]() Keanu Reeves |
![]() Keanu and River | ![]() Udo Kier | ![]() Gus Van Sant |
| ACTORS: | River Phoenix, Keanu Reeves |
| CATEGORY: | DVD |
| DIRECTOR: | Gus Van Sant |
| THEATRICAL RELEASE DATE: | 18 October, 1991 |
| MANUFACTURER: | Criterion Collection |
| MPAA RATING: | R (Restricted) |
| FEATURES: | Color, Closed-captioned, Widescreen |
| TYPE: | Feature Film-drama |
| MEDIA: | DVD |
| # OF MEDIA: | 2 |
| UPC: | 715515015929 |
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Customer Reviews of My Own Private Idaho - Criterion Collection
Well intentioned, great cinematography but... River Phoenix and Keanu Reeves join forces with director Gus Van Sant in this well intentioned but ultimately dull ... road movie.
Mike Waters (Phoenix) is a narcoleptic gigolo, his bisexual friend Scott (Reeves) is also a gigolo and the son of Portland's mayor. The film centres around their lives both solo and as a pair as they try to better their circumstances. MY OWN PRIVATE IDAHO is interesting for the first 25 minutes- then the movie becomes one big endurance test. One of the few redeeming qualities is Erica Edwards and John Campbell's glowing, almost hypnotic cinematography. There's also an amusing scene in which an old geezer with a cleaning fetish gets his jollies watching Mike down on his hands and knees scrubbing his kitchen floor.
This had the potential to be great. Of interest only to die hard fans of Reeves and Phoenix. The movie may have great appeal for narcoleptics: if you fall asleep during this you won't have to worry about missing any good bits. Anyone else should check out Van Sant's superior DRUGSTORE COWBOY instead.
Reality check...
This movie shocked me at first, but I soon realized that Gus Van Sant and the actors, especially Phoenix strove to present us with a picture and a reality we often don't see or don't choose to see. Welcome to the world of male hustlers. I didn't expect to be taken on a date in the first few minutes, and I was sad to learn how a person can give over their body for a 20$ bill. I was impressed and touched by River Phoenix's preparation for this character. His effort paid off beautifully! I understand through reading some of the biographical books about him; he always threw himself into every character. It is said that in preparation of the film, he spent a great deal of time with one particular hustler, a young man, whom he portrays. In addition, he lost an incredible amount of weight to look the part. Mike Waters is a young man looking for something. From highways to gay bars and back again, he searches for his mother, an ethereal character from his dreams, nightmares, and semi-wakefulness from his bouts of narcolepsy. The fits of instant sleep provided some comical moments, yet I enjoyed it because I was finding out what gave Mike stress. He was also looking for love from a man, and not from turning tricks. The actors often reffered to having sex with another person, for free, which gave you wings. The extent to which Mike and other actors will go to search and strive after a goal is unbelievable: From the high plains to the sea-board cities to France, they wandered from place to place looking for Mike's Mom. There is a conflict between Mike and his older brother, who is more a part of Mike life than he realizes. I was inspired by the courage of the characters to show the depth of comittment that a young man will go through to discover truth, no matter how difficult.
I highly recommend this movie to become aware of what happens all around us. We can love others better when remove the labels and love them regardless of where they came from. As a pastor and reviewer, I benefited greatly to seeing a brand new perspective of life and it helped in my work to aid people I know in these situations. It made me wonder - in this season of Christmas why our homes are not open to rejected teens. Loving and intimate relationships are free to give. Mike and his companion had a intense relationship of companionship which didn't revolve around sex That should inspire us to think how we treat the people around us.
"My Own Private Idaho" (just one more)
I forgot one more story, related to what I wrote, already. As if you'll print this, but maybe.
When "Sweet November" came out, I realized it was a remake of the 60s film, only it starred Keanu Reeves and Charlize Theron, this time. I'd seen the original, with Sandy Dennis and Anthony Newley, back in the 70s, when it was on TV late one night, with Susie, my ex-girlfriend I wrote about earlier--the one who gasped, when I called her from the hospital and told her I think I'm an alcoholic. We'd loved that movie--and the "irony" there is that her birthday is November 17th, and that date features prominently in the new movie. It's also set in San Francisco, and I live just north of there, at Muir Beach. What an "irony." Sometimes, when I see "coincidences" in movies his friends and family make and my own life, I now think this was maybe River trying to tell me something from the Great Beyond.
When I wrote Susie of this "irony," after yet another hiatus in our relationship--she is fundamentalist Christian and has right-wing beliefs, when no one I know on purpose does, anymore, really--she ignored me. So bye-bye, Susie, and maybe that is for the best, since she wasn't in sobriety, even though we smoked and drank and took drugs, though she didn't favor that last.
I have related stories--such as when I saw Summer, River's youngest sister, in "Wasted," for the first time. I like this movie, though I can do without the sex scenes. And she can't relate it to River's OD, though it's about heroin addiction and is dedicated, in part, to those who lost their lives due to this disease.
I will go to sleep, now. I had no idea I'd write so much, and it's late. I have a bit of a head cold, but I thought I'd write you, since you sell me a bunch of River Phoenix things, suddenly, and you might want to know why, incidentally.(...)





