Cheap Music for the Duke of Lerma (Music) (Spanish Anonymous, Antonio de Cabezon, Gregorian Chant, Nicolas Gombert, Francisco Guerrero, Alonso Lobo, Philippe Rogier, Mateo Romero, Johannes Urrede, Tomas Luis de Victoria) Price
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| ARTIST: | Spanish Anonymous, Antonio de Cabezon, Gregorian Chant, Nicolas Gombert, Francisco Guerrero, Alonso Lobo, Philippe Rogier, Mateo Romero, Johannes Urrede, Tomas Luis de Victoria |
| CATEGORY: | Music |
| MANUFACTURER: | Archiv Produktion |
| TYPE: | Classical Artists, Antiphon, Vocal, Chamber, Western European Chant, Choral Music, Classical Music, Renaissance Motet, Vocal Music, Miscellaneous Music, Classical, Choral, Chamber Music & Recitals, Keyboard Music, Chamber Music, Miscellaneous, Magnificat, Keyboard |
| MEDIA: | Audio CD |
| TRACKS: | Cancion (untitled) a 6, Cabezon: Tiento para organa, Deus in adjutorium-Domine ad adjuvandum, Antiphona I: Sacerdos in aeternum Christus, Romero: Psalmus I: Dixit Dominus a 16, Antiphona I: Sacerdos in aeternum Christus, Antiphona II: Miserator Dominus, Psalmus II: Confitebor tibi, Antiphona II: Miserator Dominus, Aniphona III: Calicem salutaris accipiam, Psalmus III: Credidi, Antiphona III: Calicem salutaris accipiam, Antiphona IV: Sicut novellae olivarum, Psalmus IV: Beati omnes, Antiphona IV: Sicut novellae olivarum, Antiphona V: Qui pacem ponit fines Ecclesiae, Psalmus V: Lauda, Jerusalem, Antiphona V: Qui pacem ponit fines Ecclesiae, Fratres, ego enim accepi, Urreda: Tiento para organo, Hympnus: Pange lingua gloriosi, Panem de caelo-Omne delectamentum, Antiphona ad Magnificat: O quam suavis est, Domine, Victoria: Magnificat a 12, tono VI, Antiphona ad Magnificat: O quam suavis est, Domine a 6, Dominus vobiscum-Deus qui nobis sub sacramento mirabili, Benedicamus Domino, Tiento para organos, Rogier: Cancion a 5, Rogier: Cancion Regina caeli laetare, Rogier: Cancion a 5, Lobo: Ego flos campi a 4, Urreda: Pange lingua a 5, Cabezon: Tiento para arpa, Victoria: Tu es Petrus a 6, Haec est domus-Bene fundata est-Deus, qui invisibiliter omnia, Guerrero: Beautus es et bene tibi a 4, Ora pro nobis-Ut digni efficiamur-Deus, qui meriti beatissimi, Victoria: Salve Regina a 8, Ora pro nobis-Ut digni efficiamur-Omnipotens sempiterne Deus, Benedicamus Domino-Deo dicamus gratias-Sanctissimae Trinitati, Gombert: Mon seul a 7 |
| # OF MEDIA: | 2 |
| UPC: | 028947169420 |
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Customer Reviews of Music for the Duke of Lerma
A re-enactment for an infamous Duke... The Duke of Lerma's reputation hasn't aged well. Accused of bankrupting the Spanish Empire's banks, reducing the army and navy to a paltry shadow of their former selves, and miscalculating the horrendous economic effects of exiling thousands of moriscos (Christianized Moors) from Spain, biographies of the Duke often contain numerous less than complimentary passages. King Phillip III took the Duke under his wing and was subsequently treated to events of great religious splendor (allegedly to keep the Duke in the crown's favor as his reputation amongst the nobles melted like wax in a furnace; even the Duke's own son joined the plot against him). <
>The music on this CD attempts to recreate one such elaborate event. The Duke hosted Phillip III in Lerma in 1617, for the last time before the Duke's fall from favor, to a spectacle of theater, music, games, and religious ceremonies. At San Pedro church the King was treated to a lavish performance of First Vespers and Salve Service. And to this very church in Northern Spain Paul McCreesh and Company set out on their mission to reenact this same service. The results were incredible. <
>If the Duke wanted to curry the pious King's favor, he could not have chosen more inspiring and exhaulting music with which to do so. Mateo Romero's "Dixit Dominus a 16" provides two unbelievably moving creshendoes at the piece's end (though some doubt remains as to whether the piece actually appeared in the service). Tomás Luis de Victoria's "Magnificant a 12" provides eleven minutes of musical ecstasy. The track following it, Alonso Lobo's "Antiphona ad Magnificant" and Victoria's "Salve Regina a 8" provide the choral highlights of the disc. They may induce swooning. And these tracks only represent the highlights of the disc. Nearly every minute of music stands out on its own, particularly the choral pieces. Also, the four hundred year old organ of San Pedro church managed to hold together for this recording. Altogether, the ambience of the on site recording, the sonorous choirs, the amazing performances of all the musicians, and the wonderful gritty sound of the original organ all meld together in an amazing combination that would probably cause anyone to re-evaluate the historically maligned Duke (but they would come to their senses after reading his biography, of course; but it apparently worked on Phillip III). Regardless of the historical statuses of the Duke or Phillip III this CD represents a great example of beautiful and moving early seventeeth century music. Any fan of "early" music will revel in this disc through repeated listenings. The tracks mentioned above are worth the price of admission alone, but the totality of both CDs (comprising an hour and a half of music) won't dissapoint. Not only that, the 84-page booklet contains voluminous background information, photographs (including the famous Rubens equestrian portrait of the Duke from 1603), and all of the lyrics in French, German, Spanish, and English. The infamous Duke of Lerma (Fransisco Gómez de Sandoval y Rojas) may or may not be worthy of such a musical tribute some four hundred years after his controversial reign, but McCreesh and the Gabrieli Consort and Players put on such a spectacular performance that the exploits of the Duke (who, despite everything, also managed to become a Cardinal in 1618) fall nearly completely into the shadows. At least the Duke had great taste in music.
J Kass is right
I agree with the previous reviewer 100%, some of this music is almost too beautiful for words. In particular, Tomas Luis de Victoria's Magnificat a 12 (track 24) on disc 1 & Salve Regina a 8 (track 11) on disc 2 really stand out. I also liked Alonso Lobo's O Quam Suavis Est. The "warmup" (track 1) on disc 1 also caught my attention right away. It sounds almost like light children's music which is a bit misleading in a way. I was soon floored by the overwhelming beauty & intensity of the rest of the album. The tracks by Tomas Luis de Victoria sold me. He's a real 'unsung hero' of the renaissance & his works on this album show why. The rest of course is also excellent. This is definitely one of my favourite McCreesh discs (I've got most of them). The other one would be Biber's Missa Salisburgensis, which has a totally different feel though. From what I've read, the Duke of Lerma was one of the most corrupt, sinister politicians there ever was. To get an idea of what he was like, check out
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>He could sure put on a concert though!
Almost unbelievably beautiful
There are only a handful of choral pieces here among many instrumental arrangements (which I don't care for), but those have become favorites in my collection of Renaissance polyphony. One or two of the songs are the most beautiful music I have ever heard.