Cheap Music for Two Pianos Vol. 1: Copland, Infante, Bartok, Rachmaninov and Bennett (Music) (Bela Bartok, Richard Rodney Bennett, Aaron Copland, Manuel Infante, Sergey Rachmaninov, Patrice Williams, Peggy Abbott) Price
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| ARTIST: | Bela Bartok, Richard Rodney Bennett, Aaron Copland, Manuel Infante, Sergey Rachmaninov, Patrice Williams, Peggy Abbott |
| CATEGORY: | Music |
| MANUFACTURER: | Eroica Classical Recordings |
| TYPE: | Chamber Music & Recitals, Classical, Keyboard, Music for Two Keyboards, Suite/Partita for Keyboard, Classical Artists, What's even better than one grand piano and ten fingers? Two grand pianos and twenty fingers. And oh, yes. Four feet. Music by Peggy Abbott and Patrice Williams that will make your heart pound and your head swim. Double your pleasure. |
| MEDIA: | Audio CD |
| TRACKS: | Danzon Cubano, Sentimiento, Sentimiento, Mikrokosmos: Bulgarian Rhythm, Mikrokosmos: Perpetuum Mobile, Mikrokosmos: Short Canon and Its Inversion, Mikrokosmos: New Hungarian Folk Song, Mikrokosmos: Chromatic Invention, Mikrokosmos: Ostinato, Second Ste: Waltz, Second Ste: Romance, Samba Triste, Country Blues, Ragtime Waltz, Finale |
| # OF MEDIA: | 1 |
| UPC: | 714548301627 |
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Customer Reviews of Music for Two Pianos Vol. 1: Copland, Infante, Bartok, Rachmaninov and Bennett
Home-made recording at home!? Dreadful, dreadful... just dreadful. Despite the superbly interesting programme, the performance is dull, and uninspired. The recording quality sounds as if you just placed two Radio-Shack microphones in each of the pianos, recorded on a portable, cassette Walkman. The instruments used in the recording may be Steinways, but it is doubtful that quality instruments were used. The entire album sounds like they were recorded on old, unmaintained baby grands, probably model M, instead of finer, larger instruments. The acoustic environment resembles a small, carpetted living room where no reverberation could possibly take place. The sense of harsh, mediocre sound as if my head is stuck in the pianos, with the uninspired performance of these magnificent work is an impressive display of misguided amateurism that deserves to be confined to the same living room where the recording was probalby made.