Cheap Mozart: Così fan tutte (Music) (Wolfgang Amadeus Mozart, Karl Bohm, Walter Berry, Alfredo Kraus, Christa Ludwig, Heinrich Schmidt, Elisabeth Schwarzkopf, Hanny Steffek, Giuseppe Taddei) Price
CHEAP-PRICE.NET ’s Cheap Price
$31.49
Here at Cheap-price.net we have Mozart: Così fan tutte at a terrific price. The real-time price may actually be cheaper — click “Buy Now” above to check the live price at Amazon.com.
| ARTIST: | Wolfgang Amadeus Mozart, Karl Bohm, Walter Berry, Alfredo Kraus, Christa Ludwig, Heinrich Schmidt, Elisabeth Schwarzkopf, Hanny Steffek, Giuseppe Taddei |
| CATEGORY: | Music |
| MANUFACTURER: | Angel Records |
| MEDIA: | Audio CD |
| TRACKS: | Ov - Philharmonia Orch/Karl Bohm, Act One, Scene One: La Mia Dorabella Capace Non E - Alfredo Kraus/Giuseppe Taddei/Walter Berry, Act One, Scene One: Fuor La Spada - Alfredo Kraus/Giuseppe Taddei/Walter Berry, Act One, Scene One: E La Fede Delle Femmine - Alfredo Kraus/Giuseppe Taddei/Walter Berry, Act One, Scene One: Scioccherie Di Poeti! - Alfredo Kraus/Giuseppe Taddei/Walter Berry, Act One, Scene One: Una Bella Serenata - Alfredo Kraus/Giuseppe Taddei/Walter Berry, Act One, Scene Two: Ah, Guarda, Sorella - Elisabeth Schwarzkopf/Christa Ludwig, Act One, Scene Two: Mi Par Che Stamattina - Elisabeth Schwarzkopf/Christa Ludwig/Walter Berry, Act One, Scene Two: Barbaro Fato!...Vorrei Dir, E Cor Non Ho - Walter Berry, Act One, Scene Two: Stelle! Per Carita, Signor Alfonso - Elisabeth Schwarzkopf/Walter Berry/Christa Ludwig, Act One, Scene Two: Sento, Oddio, Che Questo Piede - Giuseppe Taddei/Alfredo Kraus/Walter Berry/Elisabeth Scwarzkopf/Christa Ludwig, Act One, Scene Two: La Commedia E Graziosa - Walter Berry/Elisabeth Schwarzkopf/Christa Ludwig/Alfredo Kraus/Giuseppe Taddei, Act One, Scene Two: Bella Vita Militar! - Philharmonia Chor/Karl Bohm, Act One, Scene Two: Non V'e Piu Tempo - Walter Berry/Elisabeth Schwarzkopf/Christa Ludwig/Alfredo Kraus/Giuseppe Taddei..., Act One, Scene Two: Muoio D'affano!...Di Scrivermi Ogni Giorno - Walter Berry/Elisabeth Schwarzkopf/Christa Ludwig/Alfredo Kraus/Giuseppe Taddei..., Act One, Scene Two: Bella Vita Militar! - Philharmonia Chor/Karl Bohm, Act One, Scene Two: Dove Son? - Christa Ludwig/Walter Berry/Elisabeth Schwarzkopf, Act One, Scene Two: Soave Sia Il Vento - Elisabeth Schwarzkopf/Christa Ludwig/Walter Berry, Act One, Scene Two: Non Son Cattivo Comico - Walter Berry, Act One, Scene Three: Che Vita Maledetta - Hanny Steffek/Elisabeth Schwarzkopf/Christa Ludwig, Act One, Scene Three: Ah, Scostati! - Christa Ludwig, Act One, Scene Three: Smanie Implacabili Che M'agitate - Christa Ludwig, Act One, Scene Three: Signora Dorabella, Signora Fiordiligi - Hanny Steffek/Christa Ludwig/Elisabeth Schwarzkopf, Act One, Scene Three: In Uomini, In Soldati Sperare Fedelta? - Hanny Steffek, Act One, Scene Three: Che Silenzio! Che Aspetto Di Tristezza - Walter Berry/Hanny Steffek, Act One, Scene Three: Alla Bella Despinetta - Walter Berry/Alfredo Kraus/Giuseppe Taddei/Hanny Steffek/Elisabeth Schwarzkopf/Christa Ludwig, Act One, Scene Three: Che Sussurro! Che Strepito! - Walter Berry/Alfredo Kraus/Giuseppe Taddei/Hanny Steffek/Elisabeth Schwarzkopf/Christa Ludwig, Act One, Scene Three: L'intatta Fede - Elisabeth Schwarzkopf, Act One, Scene Three: Come Scoglio Immoto Resta - Elisabeth Schwarzkopf, Act One, Scene Three: Ah, Non Partite! - Alfredo Kraus/Giuseppe Taddei/Walter Berry/Christa Ludwig/Elisabeth Schwarzkopf, Act One, Scene Three: Non Siate Ritrosi - Giuseppe Taddei, Act One, Scene Three: E Voi Ridete? - Walter Berry/Alfredo Kraus/Giuseppe Taddei, Act One, Scene Three: La Cagion Di Quel Riso? - Walter Berry/Alfredo Kraus/Giuseppe Taddei, Act One, Scene Three: Un'aura Amorosa Del Nostro Tesoro - Alfredo Kraus, Act One, Scene Four: Ah, Che Tutto In Un Momento - Elisabeth Schwarzkopf/Christa Ludwig, Act One, Scene Four: Ah, Che Del Sole Il Raggio - Alfredo Kraus/Giuseppe Taddei/Walter Berry/Elisabeth Schwarzkopf/Christa Ludwig/Hanny Steffek, Act One, Scene Four: Eccovi Il Medico - Alfredo Kraus/Giuseppe Taddei/Walter Berry/Elisabeth Schwarzkopf/Christa Ludwig/Hanny Steffek, Act One, Scene Four: Dove Son? Che Loco E Questo? - Alfredo Kraus/Giuseppe Taddei/Walter Berry/Elisabeth Schwarzkopf/Christa Ludwig/Hanny Steffek, Act One, Scene Four: Dammi Un Bacio, O Mio Tesoro - Alfredo Kraus/Giuseppe Taddei/Walter Berry/Elisabeth Schwarzkopf/Christa Ludwig/Hanny Steffek, Act Two, Scene One: Madame...Trattar L'amore - Hanny Steffek/Elisabeth Schwarzkopf/Christa Ludwig, Act Two, Scene One: Una Donna A Quindici Anni - Hanny Steffek, Act Two, Scene One: Sorella, Cosa Dici? - Christa Ludwig/Elisabeth Schwarzkopf, Act Two, Scene One: Prendero Quel Brunettino - Christa Ludwig/Elisabeth Schwarzkopf, Act Two, Scene Two: Secondate, Aurette Amiche - Alfredo Kraus/Giuseppe Taddei/Philharmonia Chor, Act Two, Scene Two: Cos' E Tal Mascherata? - Elisabeth Schwarzkopf/Christa Ludwig/Hanny Steffek/Alfredo Kraus/Giuseppe Taddei/Walter Berry, Act Two, Scene Two: La Mano A Me Date - Walter Berry/Alfredo Kraus/Giuseppe Taddei/Hanny Steffek, Act Two, Scene Two: Oh, Che Bella Giornata! - Elisabeth Schwarzkopf/Alfredo Kraus/Christa Ludwig/Giuseppe Taddei, Act Two, Scene Two: Il Core Vi Dono - Giuseppe Taddei/Christa Ludwig, Act Two, Scene Two: Barbara, Perche Fuggi? - Alfredo Kraus/Elisabeth Schwarzkopf, Act Two, Scene Two: Ei Parte...Senti...Ah No! - Alfredo Kraus/Elisabeth Schwarzkopf, Act Two, Scene Two: Per Pieta, Ben Mio, Perdona - Elisabeth Schwarzkopf, Act Two, Scene Two: Amico, Abbiamo Vinto! - Alfredo Kraus/Giuseppe Taddei, Act Two, Scene Two: Donne Mie, La Fate A Tanti A Tanti - Giuseppe Taddei, Act Two, Scene Two: In Qual Fiero Contrasto - Alfredo Kraus, Act Two, Scene Two: Tradito, Schernito - Alfredo Kraus, Act Two, Scene Three: Ora Vedo Che Siete Una Donna Di Garbo - Hanny Steffek/Christina Ludwig/Elisabeth Schwarzkopf, Act Two, Scene Three: E Amore Un Ladroncello - Christa Ludwig, Act Two, Scene Three: Come Tutto Congiura - Elisabeth Schwarzkopf/Giuseppe Taddei/Hanny Steffek, Act Two, Scene Three: Fra Gli Amplessi In Pochi Istanti - Elisabeth Schwarzkopf/Alfredo Kraus, Act Two, Scene Three: Ah, Poveretto Me, Cosa Ho Veduto! - Elisabeth Schwarzkopf/Walter Berry/Alfredo Kraus, Act Two, Scene Three: Tutti Accusan Le Donne - Walter Berry/Alfredo Kraus/Giuseppe Taddei, Act Two, Scene Four: Fate Presto, O Cari Amici - Hanny Steffek/Philharmonia Chor/Karl Bohm/Walter Berry, Act Two, Scene Four: Benedetti I Doppi Coniugi - Philharmonia Chor/Karl Bohm/Elisabeth Schwarzkopf/Christa Ludwig/Alfredo Kraus/Giuseppe Taddei, Act Two, Scene Four: E Nel Tuo, Nel Mio Bicchiero - Elisabeth Schwarzkopf/Alfredo Kraus/Christa Ludwig/Giuseppe Taddei, Act Two, Scene Four: Miei Signori, Tutto E Fatto - Walter Berry/Elisabeth Schwarzkopf/Christa Ludwig/Alfredo Kraus/Giuseppe Taddei/Hanny Steffek, Act Two, Scene Four: Bella Vita Militar! - Philharmonia Chor/Karl Bohm/Elisabeth Schwarzkopf/Christa Ludwig/Hanny Steffek/Alfredo Kraus..., Act Two, Scene Four: Richiamata Da Regio Contrordine - Alfredo Kraus/Giuseppe Taddei/Walter Berry/Elisabeth Schwarzkopf/Christa Ludwig/Hanny Steffek, Act Two, Scene Four: Ah, Signor, Son Rea Di Morte - Alfredo Kraus/Giuseppe Taddei/Walter Berry/Elisabeth Schwarzkopf/Christa Ludwig/Hanny Steffek, Act Two, Scene Four: Fortunato L'uom Che Prende - Elisabeth Schwarzkopf/Christa Ludwig/Giuseppe Taddei/Alfredo Kraus/Hanny Steffek/Walter Berry... |
| # OF MEDIA: | 3 |
| UPC: | 724356737921 |
Related Products
Customer Reviews of Mozart: Così fan tutte
Cosi should be I must say that is is another complete accomplishment as far recording opera is concerned. I must say that Mozart operas found their fulfillment in modern recording era. The great four have all found their definitive versions. With you permission I will mention them as they deserve that: Don Giovanni and Le Nozze di Figaro with Giulini, Die Zauberflote with Klemperer and this Cosi fan Tutte with Bohm.
For me the pace Bohm choses throughout the wole recording is what it should be. The voices are great and most important the conflicts and life situations are rendered with utmost charm and credibility.
A great surprise finding in this Mozart opera Christa Ludwig who does a lovely job. Schwartzkopf is sublime as usual and she deserves the title of Mozartian soprano of the century. But I love above all the male voices in this opera. They strike you right from the beginning with fine detail and delightful nuances of their characters.
All in all you will find everything here. Good humour, very well pointed situations, gret singing, powerfull and extremely lively characters, great orchestra and an overall atmosphere (much to Bohm's credit) that is a good demonstration of the genius of Mozart. Definitely one of Bohm's greatest victories on disc and one of the great accomplishments in opera recording.
Debate
If you like your Cosi with broader tempo (think strolling in a park) - this is it! If you like your Cosi with more sparkle (think little lambs skipping merrily about), get the Solti! There's some debate about which is better. As much as I admire Christa Ludwig & Elizabeth Schawrzkopf, I have to say that the Solti set is better. Von Otter cann replace Christa Ludwig but Renee Fleming has a more creamy and gorgeous voice than Schwarzkopf. I am not saying that Schwarzkopf is bad - it's like comparing Miss Universe with Miss Universe First Runners-Up. Both are good but in terms of vocal beauty, Renee Fleming has the advantage. Plus I like Solti better because his reading has more sparkle in it. But that is personal preference. If you like slower performance, this is unbeatable. As an opera freak, I engage in this expenseive habit of collecting operas, so it makes no difference to me because I have to have them all. But for those looking for only one, this is my advice for you.
THE BEST COSI EVER
Simply the best Cosi fan Tutte... When Schwarzkopf and Ludwig sing they give singing and interpretation lessons for those who believe that they can sing Mozart's Masterpiece as they think or can sing it!!! Here not only you hear all the trills, the scales in Perfect Mozartian execution...
Ludwig's Dorabella is the best EVER. Hear her sing Oh scostasti... Smanie implacabili... and you will realise why her voice was described as a Sea by L Bernstein. Her duets with Schwarzkopf are as always prototypes of Fidelity, Accuracy and Beauty of singing.
No other word could ever describe the singing of Schwarzkopf here other than Perfection!
What can anyone say about G Taddei. Here him here in a lyrical buffa role being so melodical and funny and then go back several years (1951) and hear him shouting at the young M Callas-Aida "Dei Faraoni tu sei una Schiava" and you will realise the Singing and Interpretive Heights this unique baritone had achieved!