Cheap Monstrous Adversary: The Life of Edward De Vere, 17th Earl of Oxford (Book) (Alan H. Nelson) Price

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Customer Reviews of Monstrous Adversary: The Life of Edward De Vere, 17th Earl of Oxford

In six of his chapters (29, 45, 46, and 75-7) Nelson analyzes Oxford's poetry, literary patronage, and sponsorship of acting companies. The contents of these chapters should remind readers that Nelson hails from the English Department of one of America's leading universities. When analyzing metrical conventions, the niceties of dedications, or the history of theatrical troupes, he shows the sure touch of an expert in his field. I do not imply that readers must accede to Nelson's every judgment on these matters, though I find little to disagree with, but readers should recognize an obvious professional. Unfortunately, Nelson cannot do history.

Monstrous Adversary is a documentary biography composed of extensive quotations from contemporary letters, memoranda, legal records, and such like, stitched together with Nelson's comments. Nelson asks in his "Introduction" that we let "the documentary evidence speak for itself" (p. 5). His request fails for two reasons. First, documentary evidence rarely makes sense without the appropriate context, which includes not only historical background information on the religious, legal, social, or cultural practices of a long ago era, but also personal information, such as establishing who struck the first blow in a fight, or whether a witness was truthful in other matters. As I will show, Nelson totally botches the context of event after event. Secondly, Nelson, who with some justice refers to Oxford's first biographer, B. M. Ward, as a hagiographer (250), pushes much further in the opposite direction, so much so that his study of Oxford may well be dubbed demonography.

The seventeenth Earl of Oxford was anything but a model nobleman of his time. He threw away his family fortune, he failed to develop the career expected of an earl by shouldering his share of local and national responsibilities, and he fathered a child out of wedlock. Quite possibly he also drank too much as a young man. On the other hand, he excelled in his generosity, he earned praise for his writings, and he retained the favor of his famously headstrong and moralistic Queen. But these facts have long been known. What does Nelson add to them? Quite a lot of detail and color: Nelson's persistence and skill as a document sleuth flesh out both major and minor events of Oxford's story. Unfortunately, Nelson the analyst relates to Nelson the researcher as Hyde relates to Jekyll - moreover Nelson's obsessive denigration of Oxford carries him from error into fantasy.

To read the rest of this review, go to: http://www.shakespeare-oxford.com/demngraf.htm.

An academic hatchet job
This book provides copious new archival material discovered by the author in England and Italy regarding Edward de Vere, 17th Earl of Oxford. However, the uses to which professor Nelson has applied his discoveries are mostly unscholarly. Every chapter in this new biography (the first by B.M. Ward was published in 1928) seems designed to undermine the reputation of Oxford, from his management of money and his friends to his poetry, his theatrical and literary patronage, even the grammar and spelling used in his private letters! A strange combination of excellent research and polemics.

A CAMOUFLAGED HATCHET JOB
I have for some years been interested in the nobility of 16th and 17th century England, and have read a number of pretty good biographies, so looked forward to MONSTROUS ADVERSARY with great anticipation. Unfortunately it was clear early on in the book that Nelson was anything but a disinterested biographer. The tone of the book breathes hostility toward its subject, and after having read it, as well as having looked over Nelson's web site, it's obvious why. This was not a biography per se, it was a polemic, in the guise of a biography, against the idea that de Vere was Shakespeare. Whether that idea is harebrained or not - and Nelson believes it is - is beside the point. Nelson misses no opportunity to defame de Vere, treating as valid every scrap of negative evidence, however dubious - for example, that given by his Catholic ex-friends after he had delivered them to the authorities. Nelson's interpretations are the mirror image of Ward, as he describes the earlier writer's 1928 biography; where he infers nothing but the best of his subject, Nelson infers nothing but the worst. I note that Nelson is not a historian, and quite frankly, it shows. That he relies on the likes of William F. Buckley - one of the lousiest writers of fiction I've come across - as an arbiter of de Vere's poetry implies that he must be pretty desperate to prove his case, whatever its merits. He dismisses Ward's book as "hagiography"; as I remember it, having read it years ago, it was pretty good. Nelson's, in any case, is a "hatchet job".

As to matters of style, I can do no better than quote the end of the very first sentence of the Introduction, which made my heart sink from the get-go: "[de Vere's life] ... just overlapped the reign of Elizabeth I at both ends". Ugh. And Nelson is ... oh, yes, Professor Emeritus in the Department of English at the University of California, Berkeley. Ye gods.

Having paid good money for what I assumed was going to be a biography, I ended up with a screed that was obviously produced to demolish the de Vere = Shakespeare movement. If that's what Nelson wanted to write, potential readers should have been made aware of this. As it stands, this anything but impartial view of de Vere disqualifies MONSTROUS ADVERSARY as legitimate biography, for all its invaluable documentation.