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| CATEGORY: | Video |
| DIRECTOR: | Marc Forster |
| THEATRICAL RELEASE DATE: | 08 February, 2002 |
| MANUFACTURER: | Lions Gate |
| MPAA RATING: | R (Restricted) |
| FEATURES: | Closed-captioned, Color, NTSC |
| TYPE: | Drama, Feature Film Drama, Feature Film-drama, Movie |
| MEDIA: | VHS Tape |
| # OF MEDIA: | 1 |
| UPC: | 658149798038 |
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Customer Reviews of Monster's Ball
Halle Berry at her best! I saw "Monster's Ball" in the movie theatre. I felt then that it was a good movie, but the key reason I even went to see it in theatres is because Halle Berry, one of my all-time favorite actresses, was starring in it. I have seen most of Halle's movies, and I can attest to the fact that this is, acting-wise, her best film. Halle is an outstanding actress, but I have never really seen her give her all, until now. Halle really went all out for this movie, and she deserved the Oscar. Although I don't think it's fair that so many African-American actresses before Halle have done phenomenal jobs in movies and never received an Oscar, but Halle shined in this film and that Oscar had her name on it as far as I'm concerned. The ranting and raving about Halle had to be foremost, however, the entire cast did a great job. Billy Bob Thornton, Heath Ledger, Mos Def, and Diddy all showed their acting abilities, and I was impressed. <
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>This was not an easy film to watch. It didn't have a Hollywood ending or cheesy subject matter. The film shows us three generations of corrections officers, a grandfather, a father, and a son. The father and grandfather both have prejudiced mindsets, however the son doesn't. We learn that the father (Hank) doesn't love his son, and his son does an unlikely thing to show how upset he is about that, commits suicide in front of his father. <
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>We meet Leticia and her son Tyrell. Leticia's husband is given the death penalty, and she's naturally on-edge. She attempts to relax her nerves by smoking, drinking and lashing out at her obese progeny. As the movie progresses, Tyrell is tragically killed in a hit and run. From what the movie implies, all Leticia had was her son. She was never seen with parents or friends. After her husband and son die, she's all alone in life, until she meets Hank. Hank sees Leticia and her dying son on the side of the road and decide to stop and offer aid to them. He rushes them to the hospital, and from there, the two of them build a friendship, and then a relationship. <
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>Hank and Leticia both feel vulnerable because of the unfortunate occurrences they both lived. Their relationship, from the outside looking in, resembles two people who are yearning for a happiness they'd seemingly never come across and hoped to find in one another. <
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>The irony of Hank and Leticia's relationship is that Hank was one of the correction's officers who helped kill Leticia's husband, but she is oblivious to this. <
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>This motion picture will totally lure you into it's painful plot. Other reviews that I've read on this movie said that it was boring, and perhaps to some, it is; but if you give this movie your undivided attention from start to finish, there is hardly a boring moment in my opinion. <
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>I DO NOT recommend this picture for the faint of heart. It includes some of the most graphic scenes cinema has ever seen, and some of them are not easy to stomach. Also, that oh so popular sex scene...very candid and graphic. However, if you can handle it, by all means take a look at this heart-wrenching film. <
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Oh, come now....
This is one of the most over-rated movies I've ever seen. It is too contrived in plot and too manipulative, particularly with respect to the sex scene between Thornton and Berry. Consider the following:
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>Billy Bob Thornton plays a racist prison guard who takes a sort of military pride in the structured electrocution of condemned prisoners. His son, a non-racist guard under him, is not up to the same standard. A condemned prisoner, the husband of the woman played by Halle Berry, is put to death.
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>Through a convoluted set of circimstances, Thornton takes up with Ms.Berry, after Thornton's son commits suicide and Berry's overweight son is killed in a car accident. Neither knows of their connection to the electrocuted prisoner until the end of the movie. The device used to reveal the connection should be obvious to any viewer Are you following this?
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>For some reason (perhaps the fact that Halle Berry is drop dead gorgeous) Thornton gives up his racism and has an extremely steamy sex scene with the beauteous widow. Well, that's understandable, but the fact that she is magnificent to look upon is grossly manipulative. Would Thornton have been so solicitous of her if she had been an average looking African American woman? I doubt it. Beauty trumps racism.
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>Several movies have been made, through the years, about a racist white becoming liberalized by association with an African American, and in virtually every case the device for attaining this has been so contrived as to make a viewer groan. In one case a blind white girl falls in love with a very nice black man. In another case, a racist white is chained to a black man and they have to cooperate to escape pursuers. In yet another, a white girl brings a black man home to meet her upper class parents--but the black man is a handsome Ivy League surgeon. Sidney Poitier, a fine actor, was in all of these.
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>In all of these, including Monster's Ball, the devices are just too heavy handed and obvious. The acting in Monster's Ball is OK, but the story is the problem. For example, I never believed for a second that the Halle Berry character would have said, "Make me feel good" and seduced Thornton. Why? I don't object to sexy scenes, per se. I object when sex scenes are included to titilate the viewer, and that was exactly the case in Monster's Ball.
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holly berry, is the main atration
seeing Holly in action is cool . Billy bob is p[retty good Too.