Cheap Mirror Mirror (Music) (Kelly Price) Price

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Customer Reviews of Mirror Mirror

Kelly P. Doesn't Have the Sophmore Jinx!
Kelly Price is one of the true singers that we have out today. If there is any doubt about this then one could listen to her first album and for sure they would agree with this statement. If there was still any doubt, then take a listen to Ms. Price's 2nd Album, Mirror Mirror. Just about every cut on this CD is top notch. She even has a children making their recording debut on Lullaby, which I think is my favorite cut on the CD. Cut #13, shows how K.P. can hold her own - she has a song with K-Ci(who can me known for taking control of a song - but not this time) and Gerald Levert. Kelly's voice blends in very well with the two gentlemen. She even does another song with R. Kelly which is a part II to a song that she did on CD #1. If you like Hip-Hop she even has Method Man banging a some lyrics oon Like You Do, it is tight! The girl is jut tight to death, plus the fact she really looks good with her new look. She surely is something to look at in the Mirror.

I would highly recommend this CD to everyone who enjoys true R&B music. Her personality shines through every song on the album. I'm alresdy waiting for the third and new CD. I hope that I'm not being too gready Kelly. Oh by the way welcome to the ATL, and I really did enjoy you on V-103.

The best voice is r&b, but hardly the best songs
This is Kelly Price's second album. On her first CD, Soul of A Woman, she emerged with a church tinged, incredible voice. She tore R Kelly produced ballads like the first single my best friend apart with the strength and soul of her voice. This album features some gems, but most of the time the production isn't worthy of Kelly's talent. Good Love is an uninspired piece of pop fluff and Kelly's voice is too much for the song. She sounds lost, sometimes over singing and sometimes not putting forth enough. You should've told me is a generic r&b midtempo song produced by R Kelly, but the other Kelly saves the song with her soulful singing. Price doesn't just have a great voice; she's a great singer. Her voice almost never sounds out of control. At least doesn't have an extraordinary song structure, with an dragging beat and generic guitar in the background, but Price transforms the equally ridiculous lyrics, "atleast you could take me out to eat, if you loved you would've done those things" into soulful tale of a bad man. Kelly's deep voice is wrought with pain and sorrow and her high belts at the end is the icing on the cake. The national anthem interlude is again an extremely stupid premise but the Kelly's again saves it from being a disaster. The song is the national athem with changed lyrics about a no good man, R Kelly and his fed up woman. Its such a dumb idea but its exhilarating hearing Price belt out the anthem, and ending amusingly with "came through your house last night, and her bags where still there". R Kelly plays the caught man with a humorous sincerity. However, after this there's only a few more songs that you shouldn't use your skip button for. She wants you, married man, I know who holds tomorrow and all I want is you are all soggy and uninspired and Kelly doesn't stretch her voice enough to save any of them. However, they are some gems on here. Mirror Mirror is a beautiful ballad about Kelly's secret crush on a man out of her reach. Kelly turns the song into an epic of longing, and her voice is at its strongest here. She rips the songs apart at the end with the strength of her voice. The Lullaby is another great ballad. It features the voices of Price's two children and is about how she misses them. Kelly's voice is high and soft on the song and she infuses her voice with pain. Because of Price's loud physic Price is the underdog in the r&b world and on Mirror Mirror and the Lullaby she plays up her vulnerability. Because of this Kelly is far easier to realte too and far more soulful than her bootylicous peers. However, the best song on here is a remake of the Shirley Caesar r&b hit as we lay. The song is about the aftermath of a night of adultery and Kelly infuses the song with soul. Her voice explodes with meaning, belting highly "I would never want to hurt her" and groaning lowly "we forgot about tomorrow". Kelly lets us enjoy the beauty getting lost in passion but doesn't let us forget the consequences, screeching at the end "you gota know tell your wife, its morning". The song is a tour de force and by far the best on the album and of Price's career. And yes, it is better than the original. However, after this song, the generic songs of the rest of the album sound even more unworthy of this diva. She ends the album belting out passionately the gospel song "I know who holds tomorrow". She sounds more comfortable singing the praises of god than chanting along to R Kelly's generic midtempo fluff. So in conclusion, they are four great ballads on this album on which Price's full potential is unleashed and on those tracks Kelly and her unmatched pipes are a force to be reckoned with. It's just a shame that there are twelve other songs on here.