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| CATEGORY: | DVD |
| DIRECTOR: | Ben Elton |
| THEATRICAL RELEASE DATE: | 24 August, 2001 |
| MANUFACTURER: | Universal Studios |
| MPAA RATING: | R (Restricted) |
| FEATURES: | Closed-captioned, Color, DVD-Video, NTSC |
| TYPE: | Adult Language, Bittersweet, Bright, Color, Comedies, Comedy, Comedy Video, Comedy of Manners, Crumbling Marriages, Easygoing, English, Feature, Feature Film Comedy, Feature Film-comedy, Foibles of Marriage, France, Humorous, Movie, Nothing Goes Right, Parenthood |
| MEDIA: | DVD |
| MPN: | D22801D |
| # OF MEDIA: | 1 |
| UPC: | 025192280122 |
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Customer Reviews of Maybe Baby
"Never judge a DVD by its cover" - a lesson from the film Maybe Baby. I love British comedy. I, in fact, was having a conversation with a friend yesterday mentioning that the big difference between American comedy and British is the fact that they believe in more wit than physical humor. I love the humor of the BBC version of "The Office" as well as "Black Books" or "Vicar of Dibley" because instead of body humor or slapstick, they use their minds and command of the language. Rowan Atkinson is an exception, but his humor defies all boundaries. This is the reason I find myself enjoying less and less of what the major networks release, and focusing on what the BBC has to offer. I just finished watching a great series called "Clatterford", which is as dry as many martinis, but still a breath of fresh air compared to things like, "Notes from the Underbelly", Everybody Loves Raymond", or "The Real Wedding Crashers" (I realize the last doesn't quite fit, but I still need to include it among America's finest). So, when it was presented to me to watch a BBC film release staring some of Britain's finest like Hugh Laurie, Emma Thompson, Dawn French, and, my favorite, Rowan Atkinson - I jumped at the chance. I had seen through "Nine Months" how America took over pregnancy, now I wanted to see how the BBC would do it. Alas, folks, all I can mention is how I wish some form of contraceptive, coupled with pain killers, were used to foil the plot and dull the pain. <
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>"Maybe Baby" had quite a bit of potential - let me quickly list them off - a cast that is dynamite when it comes to comedy; a story that had the potential to be quite humorous, hysterical in fact; the parody of Danny Boyle could have been blown up considerably - adding to the goofiness of the plot; and finally, let me add, the cast again - Emma Thompson, Rowan Atkinson, Dawn French, and Hugh Laurie are some of the best that Britain has to offer and are typically guaranteed to make anyone in their right mind laugh. This said, why did this film hit the ground at the fastest speed possible thoroughly, and painfully, hurting everyone in it's path. "Maybe Baby" is quite possibly one of the worst films that I have seen this year because it is the biggest disappointment with such potential that I have ever witnessed. Our story is simple to write down, but on screen it is utterly disastrous. The BBC wants to be more cutting edge, Sam and Lucy want children but cannot conceive (does anyone see the humor yet), so we combine the pair. Sam begins writing about his life with his wife, the trials and tribulations of medically attempting to conceive, mixed with funny jokes that somehow only make the cast members laugh. Lucy finds out the truth, Sam grows a beard, and the end - well, is everything one would expect from an American romantic comedy. No surprises. No laughter. No excitement. Overall, I have discovered an American Hollywood film trying to pass as British intelligence. I call it The "Maybe Baby" Conspiracy. <
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>I would like to begin this very negative review by saying Joely Richardson is by far one of the worst actresses I have witnessed in film. Maybe I haven't seen enough of her work to make that sort of comment, but after seeing "Maybe Baby", I feel confident in my response. Every scene was nothing but script reading and comic mis-timing. Nothing coming from her mouth seemed worth repeating or re-watching. She played the role of dumb blonde very, embarrassing, well. The scenes in which she has to show emotion was like watching cardboard try to cry, and that is not an over exaggeration. She attempts to show us a relationship with Sam (Hugh Laurie), but instead of a chemical romance, they seem to be enjoying the role of two actors playing a role. There is nothing to evoke emotion between the two of them. I didn't even think they were in "love" by the end of the film, they were a relationship of convenience and comfort. BEWARE! I need to add this about the remainder of the acting because this film may be misleading - Emma Thompson is in it for about three minutes, adding nothing of value or humor to the overall twist of the plot. Rowan Atkinson is a refreshing snack, but like everyone else, adds no meat to the film (it reminded me of Robin Williams in "Nine Months"). Then there is Dawn French - don't get me started here because it remains pitiful and a waste of talent. Coupled with the stagnet portrayals from the surrounding cast it just becomes a very painful moment in cinema as each minute passes. <
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>The plot is devastating. With a cliché storyline we already know how it will end and what the characters will be doing/reacting before they probably do, I would hope the typical British wit would resonate strongly with the actor's dialogue. That, alas, is missing from this film. We are bombarded with characters that care nothing about money, are emotionless unless forced to be, and driven by no inner motivation outside of the paycheck. The lyrics to this film are even painful. There were no funny, punny, or laughable moments throughout the course of this film, which irritated me to no end. With such a bold cast, I wanted to be rolling on the floor with hysterics, but alas, nothing happened. The stale emotion translated well into the stale voice being heard from each of the voided characters. I wanted charm, wit, talent, and appeal with this film. I wanted to prove that American dictatorship over film hadn't leaked into the BBC mainstream, but again - I couldn't believe that I was that wrong. <
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>"Trainspotting" is a film that defined a nation and brought a new wave of cinema into our theaters. I don't think a horrid film like "Maybe Baby" has the right to poke fun at it. I don't mind intelligent hobnobbery, but with this film it was just plain rude to Danny Boyle. <
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>Overall, I cannot suggest this film to anyone even the most bland of comedy fans. Remember, if you choose to pick up this vile cinematic sludge, this is pre- "House" days, so do not see Laurie as what we Americans have come to expect from him. "Maybe Baby" is too big for its britches, as it tries to pack too much comedy into a nothingless film - thus transforming the comedy into a forgettable piece of garbage. There was nothing of value in this film, and while director Ben Elton has made his name in "Blackadder", I don't believe he has remembered much of his upbringing. After seeing this film, I would have to advise Elton to avoid working behind the cameras ever again. This was a very big disappointment for me as I had big hopes for this little film with big names. <
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>The subtitle for this film should be: Never Judge A DVD By Its Cover. <
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>Grade: * out of *****
A Little Disappointing
I've become a Hugh Laurie fan since I started watching House, and I was interested in his earlier work. My disappoinment comes from finding out the extent of the editing from the British version to the American version. Right now, I couldn't have played the Region 2 version because I have a standard DVR, but I do plan to upgrade soon, and I resent the fact that if I want to see the "complete" movie (with features, which were NOT included in the Region 1 version) I'll have to buy the other version. It's as though the House DVD's sold in Britain were missing an episode for each season. In other words, a truly stupid idea. As far as the actual content of the movie, it is cute, and some of it is downright funny (especially Dawn French and Rowan Atkinson). The "dramatic" parts are a little overwrought (the Hugh Laurie character supposedly "betrays" the Joely Richardson character by secretly making a movie about the couple's fertility struggles, but she is so obssessive in her child quest that you wind up feeling sorry for HIM). Who knows? Maybe the less edited (i.e., British) version makes more dramatic sense, but I won't know unless I buy it, will I?!?
Maybe Baby
Delightful story, laughed and cried equally. Some of the situations tore at my heart strings, while others scatterbrained and truely laughable. Hugh Laurie, as he does in the series "House" fit into the skin of his character.