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This third feature from Paul Thomas Anderson (Boogie Nights) is a maddening, magnificent piece of filmmaking, and it's an ensemble film to rank with the best of Robert Altman--every little piece of the film means something, and it's solidly there for a reason. Deftly juggling a breathtaking ensemble of actors, Anderson crafts a tale of neglectful parents, resentful children, and love-starved souls that's amazing in scope, both thematically and emotionally. Part of the charge of Magnolia is seeing exactly how may characters Anderson can juggle, and can he keep all those balls in air (indeed he can, even if it means throwing frogs into the mix). And it's been far too long since we've seen a filmmaker whose love of making movies is so purely joyful, and this electric energy is reflected in the actors, from Cruise's revelatory performance to Reilly's quietly powerful turn as the moral center of the story. While at three hours it's definitely not suited to everyone's taste, Magnolia is a compelling, heartbreaking, ultimately hopeful mediation on the accidents of chance that make up our lives. Featuring eight wonderful songs by Aimee Mann, including "Save Me." --Mark Englehart
| CATEGORY: | DVD |
| DIRECTOR: | Paul Thomas Anderson |
| THEATRICAL RELEASE DATE: | 07 January, 2000 |
| MPAA RATING: | R (Restricted) |
| FEATURES: | PAL |
| MEDIA: | DVD |
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Customer Reviews of Magnolia [Region 2]
May Just Save Your Sanity The reason to watch this movie isn't because it's a remarkable piece of high art (even though it is). The reason to watch this movie is to be uplifted. Years ago, I had seen the movie in the theater. Then I happened upon it again on cable. After experiencing a terrible car accident and some sobering realities of middle age, I saw this movie with new eyes. Magnolia profoundedly reminded me that the achingly painful existence that most of us live on this earth might actually be worthwhile. The characters and their lives are presented unflinchingly, but not without wit and humor. Magnolia is an opera, an epic, a confession, a prayer. Paul Thomas Anderson is an excellent filmmaker and a first-rate dramatist, and his cinematic storytelling most definitely helped uplift me at a troubled time. There might be another purpose for art, but I can't imagine a better one. <
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>* You're on your honor * 'Cause I'm a goner * And you haven't even begun * So do me a favor * If I should waver * Be my savior...
Don't bother...
Youre going to either love this movie or hate it. I'm usually on the "love it" side but this one was a total disaster. The plot, the LENGTH (goes on forever), theres no excitement, and the actors overact in every scene.
AWARD FOR THE MOST TIMES THE "F" WORD IS USED!
THE "F" WORD COMPRISED MOST OF THE DIALOGUE.
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>I'VE NEVER HEARD IT SO UNENDINGLY REPEATED.
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>I GOT THE FEELING THAT THIS "PLOY" WAS CONSIDERED AVANT GARDE OR COOL AT THE TIME THE MOVIE WAS MADE. IT WAS VERY IRRITATING.
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>I WAS VERY DISSAPOINTED IN ROBARD'S PERFORMANCE.
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>HIS DIATRIBE TOWARDS THE END WAS OBNOXIOUS AND AGAIN, USING THE F WORD AS EVERY OTHER WORD, WAS RIDICULOUS.
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>I DON'T LIKE TOM CRUISE, BUT I MUST SAY THAT HIS PERFORMANCE IN THIS, IS PROBABLY THE MOST INTERESTING AND WELL DONE THAN THE REST OF THE CHARACTERS.
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>I ALSO LIKED JOHN C. REILLY'S PERFORMANCE AND FELT THE MOST SYMPATHY FOR HIM.
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>THIS FILM WAS ALSO WAY TOO LONG.