Cheap Macho Callahan (Video) (Bernard L. Kowalski) Price

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Customer Reviews of Macho Callahan

Too flawed to be satisfying
I was persuaded to watch MACHO CALLAHAN because of the movie's decent cast (David Janssen, Jean Seberg, Lee J. Cobb, David Carradine), and it's plot (the frequently-used but still reliable scenario of a wronged man seeking revenge). Unfortunately, the film is lacking in several ways. Janssen plays a Civil War P.O.W. whose situation can be blamed on the underhanded Cobb. He busts out of a Confederate military prison (in one of the film's few good scenes), intent on tracking down his quarry. But that storyline - which is the selling point of the movie - ends (rather abruptly) midway through the picture. The rest of the film deals with the consequences of Janssen gunning down a newlywed (Carradine), and his wife's (Seberg) desire to see Janssen dead. Credibility is strained to the breaking point when Seberg begins to fall in love with Janssen almost immediately after he's brutally raped her! Some really bad dialogue doesn't help, either. In a scene that's supposed to be tender, Janssen tries expressing his feelings to Seberg by saying: "Never learned no readin'. So I got no idea what you're supposed to say when you're like this. I know you're supposed to say somethin'. Some damn thing like 'you got pretty eyes', or somethin'. I know that." Yikes! The apparent intent was to show how a good woman can change a bad man...but it's handled in such a fashion as to make it seem unlikely at best, and utterly implausible at worst. A few scenes indicate that the film might not have had the biggest of budgets. When Seberg is confronted by a bear protecting her cub, it's obvious that Momma Bear is a guy in a bear suit! Fast editing tries to disguise the fact, but it's still noticeable. (Quick note: Janssen, in a rare act of compassion, plans to take the cub where it can be cared for, after declaring that the young animal can't make it on it's own. But when a posse starts to close in, the cub is promptly abandoned). All in all, MACHO CALLAHAN is somewhat like a jigsaw puzzle that hasn't been pieced together properly. Several scenes start and end too abruptly, without the benefit of appropriate transitions. You get the feeling that the filmmakers have left out a few things that would have made the movie flow better. Despite this, the film isn't a total bomb. The opening scenes convincingly depict the deplorable conditions of a Civil War prison, and the break-out is rousing. MACHO CALLAHAN is watchable, but it has too many elements going against it to be recommended.