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| AUTHOR: | TONI MORRISON |
| CATEGORY: | Book |
| MANUFACTURER: | Knopf |
| ISBN: | 0375409440 |
| TYPE: | African American women, Fiction, Fiction - General, Hotelkeepers, Literary, Literature: Classics, Morrison, Toni - Prose & Criticism, Rich people, Seaside resorts, Fiction / Literary, Reading Group Guide |
| MEDIA: | Hardcover |
| # OF MEDIA: | 1 |
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Customer Reviews of Love
A bravura performance by a dazzling writer There are authors whose books you can gulp down at a single sitting; and then there is Toni Morrison. You sip her books slowly, savoring each word; every sentence of Morrison's is a tone poem. One has to read her books twice, once for the story and again just to appreciate her incredible gift with language. "Love" is a slim volume (just over 200 pages) that packs a powerhouse wallop. It's the story of Bill Cosey, long dead, the owner of an upscale hotel for blacks back in the segregated 1940's, and the women whose lives he impacted on in different ways, with a chapter devoted to each: friend, stranger, benefactor, lover, husband, guardian, father and phantom. We see the havoc and destruction he caused in the lives of so many close to him, and especially in two women, his child-bride Heed and his grand-daughter Christine, who were best friends in childhood and grew up as bitter enemies, locked in a vicious co-dependency that can only end when one or the other dies. Morrison doesn't give us a straight narrative; her story deviates from highways to by-ways, weaving in and out until it all comes together in a shattering climax. She shows us that there are all kinds of love, including the love-hate between Heed and Christine that will finally destroy them both in different ways. A great book by an awesomely talented writer who in her own time has become a living legend.
An Exquisite and Perfect Book
I know many people who don't consider LOVE to be one of Toni Morrison's most accomplished novels. I am absolutely not among those persons. While, on its surface, LOVE may seem to be a simple, more straightforward story than the very symbolic BELOVED or the somewhat sketchy and metaphorical PARADISE, I think it's structure is highly sophisticated and could have only been written by one of the world's premier authors. In short, I think LOVE is absolutely perfect in every respect.
LOVE is filled with perhaps the quirkiest cast of characters ever to be found in a Toni Morrison work. The book centers around Bill Cosey, the owner of a run down seaside hotel who has been dead for twenty-five years when the novel opens in the 1990s. Although Cosey is the centerpiece of LOVE, it the women in his life and the exertion of his influence over them, as well as their own complex relationships that form the core of LOVE, for Cosey was, by all accounts, charismatic and charming, quirky and beguiling...in short, no ordinary man, and his influence continues to be felt long after his physical presence has departed.
There is Cosey's former cook, "L," whose narration frames the story contained in LOVE. There is his lover, the mysterious Celestial, his daughter-in-law, May, and, in particular, there is his granddaughter, Christine and his second wife, the arthritic, Heed. Although May, Christine and Heed, now all quite aged, live together in Cosey's decaying mansion, it is the relationship between Christine and Heed that drives the book's narrative because it is Christine and Heed who have the most in common, who are bound together by more than their love and hate for Cosey. It is Christine and Heed who, in childhood, were the fastest of friends and it is Cosey who destroyed that friendship and drove a wedge between the girls. The relationship between Christine and Heed is fascinating as we watch its dynamics and balance of power change...and then change again.
Just because women take center stage in LOVE, this is not to say that men are absent from the book. They aren't. Conspicuously present are Sandler, an employee of Cosey's and Romen, a local boy who forms a none-too-healthy bond with Junior, a most unlikely girl. And, most present of all, is Cosey, himself...in one form or another.
While relationships form the core of LOVE, there is an interesting subplot concerning Cosey's will, which was drunkenly scrawled on a menu. The will is ambiguous...open to individual interpretation...and the women in Cosey's life do interpret it quite differently, indeed. It is the dispute over the will that drives the physical plot of LOVE.
As the "house that Cosey built" crumbles like a house of cards, Heed's, Christine's and May's vulnerabilities are exposed, as are the long dead Cosey's. The women still have time to reshape their shattered lives, to share their communal pain and untangle the puzzle imposed on them by Cosey, but will they? You'll have to read the book to find out; any hint of the resolution here would be destructive.
Like all of Toni Morrison's novels, LOVE is filled with holes and spaces...gaps and silences for the reader to fill in. Almost more than any other author, Morrison requires that her readers participate in the growth of the novel with her. I like this aspect of this brilliant writer and commend her for it. Also present in the narrative are "trademark" Morrison time shifts, flashbacks, and changing points of view. Some readers may be confused by LOVE'S sophisticated structure, but I found myself enthralled.
LOVE is certainly not a romance, but it is a book about love, or, more precisely, about the destructive power of love and about the psychic injuries and scars that we accrue when love is absent from our lives.
LOVE is rich and dense and deep and sensual. It's a lyrical, poetic work that you'll want to read once for the story and then again, simply for the language. I think it's Toni Morrison's masterpiece...yes, even better than the gorgeous and unforgettable BELOVED or the richly complex SONG OF SOLOMON. I can't imagine what this immensely brilliant author will reward us with next, but, whatever it is, I can hardly wait.
Love Isn¿t Always As It Seems
How can you review a Toni Morrison novel? With the humbleness and appreciation that only she deserves. Morrison is simply a masterpiece to the English language, writing with an individual prose that only she can perfect with such intensity. Her novels linger within you and ripen with age. But beware for you can never walk away reading her stories only once and "Love" begs for more.
The basic ideal of "Love" is as simple and as complex as love itself. Bill Cosey is the man that all of Morrison's characters love and hate with intense fervor. At the center of life for May, Christine, Heed, Junior, Vida, L and Celestial, he wraps their lives in mystery and passion like no other becoming a father, a lover, a friend, a husband, a security blanket and even a beast to all those he encounters in the little town of Up Beach. Each of Morrison's women is weakened in some way by Bill Cosey yet they find strength within one another and in love. The relationships are rich and riddled with secrecy, so much so that one read will never reveal this novel's full meaning.
Toni Morrison's phrasing in this book is shear literary perfection. Despite the difficulty and moments of absolute confusion that will appear while reading this novel, the effort it takes is only something to be gained. Read it once and feel satisfied, twice and be enlightened, more and feel its true gift of love.