Cheap Little Women (DVD) (Katharine Hepburn, Joan Bennett) (George Cukor) Price
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| ACTORS: | Katharine Hepburn, Joan Bennett |
| CATEGORY: | DVD |
| DIRECTOR: | George Cukor |
| THEATRICAL RELEASE DATE: | 16 November, 1933 |
| MANUFACTURER: | Warner Studios |
| MPAA RATING: | NR (Not Rated) |
| FEATURES: | Black & White, Closed-captioned |
| TYPE: | Feature Film-drama |
| MEDIA: | DVD |
| # OF MEDIA: | 1 |
| UPC: | 012569515925 |
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Customer Reviews of Little Women
Hepburn heads cast of best film version of "Little Women" This 1933 version of Louisa May Alcott's Civil-War era classic remains the best film version of "Little Women." After all, it offers Katharine Hepburn as Jo March, whereas later versions have offered June Allyson, Meredith Baxter Birney (for TV), and Winona Ryder in her place (Although Claire Dane's deathbed scene in the 1994 version is magnificent). But the entire cast of this film is superb from top to bottom: Joan Bennett as Amy, Jean Park as Beth, Frances Dee as Meg, and Spring Byington as Marmee, with Paul Lukas as Professor Bhaer, Douglass Montgomery as Laurie, and Edna May Oliver threatening to steal every scene she is in as Aunt March.
Hepburn won the Cannes International Film Festival award as Best Actress of 1934, and it seems reasonable to suggest that her performance in "Little Women" helped Hepburn win her first Academy Award for "Morning Glory," which had come out the previous year (much as Diane Keaton was helped by having done "Saving Mr. Goodbar" the same year as "Annie Hall" when she won her Oscar). "Little Women" was nominated for Best Picture that year, because the team behind the camera of this RKO film was equally as strong. The film was produced by David O'Selznick and director George Cukor was nominated for an Oscar as well, although surprisingly none of the actors received nominations. The film's one award went to Y. Mason and Victor Heerman, who most deservedly won for Best Screenplay Adaptation.
This is arguably Hepburn's best performance in her first dozen films, although some dismiss it as being too close to home for the actress. It would be decades before critics decided that when Katharine Hepburn played herself no one could equal her, and "Little Women" certainly foreshadows her later successes. It would be nice if at least the sound on this 67 year old film could be restored, but if you can get past it being in black and white this is the "Little Women" to show your children.
Note: Interesting that this video tape is not currently available by itself, but it is as part of a three tape set of Hepburn films. Hmmmm.
EXCELLENT FAMILY FARE.
The simple classic tale, warm and human (and innocent) of how four girls grew up with their good times and their sad times. LITTLE WOMEN fully captures the joy and feeling of the classic 1868 classic by Louisa May Alcott. Katharine's playing of Jo is vibrant and she captures Jo's tomboy qualities yet also delicately projects the beauty and intellect of Jo as a woman and budding writer. Paul Lukas made the German professor both manly and tenderly lovable. Spring Byington, as Marmee, is the only one who seems to have stepped out of an old-fashioned Sunday School book - she's unmistakably smug, and proud of it. Highly episodic, the movie focuses on the characters without slavishly following a plot. The very young Joan Bennett is terrific as Amy, who's ever scheming for the "good life" and Douglass Montgomery has the boundless energy needed in his playing of Laurie. A must-see for the fans of Alcott and Hepburn while others will find it enjoyable as a family film.
BEAUTIFUL ADAPTATION OF A BELOVED BOOK...
Based upon Louisa May Alcott's beloved book of the same name, this black and white film lovingly captures its charm. It is also a pretty faithful adaptation of Ms. Alcott's classic. Though there may be a half dozen adaptations, of the three that I have seen this one is, undoubtedly, the best. Its writing deservedly won the Academy Award in 1933 for Best Screenplay Adaptation. It is unfortunate, however, that although the film was also nominated for the Best Picture Award, it lost to "Cavalcade", a largely forgotten, lesser film.
Deftly directed by George Cukor, the film tells the story of the March family, whose patriarch has gone off to fight in the Union Army during the Civil War. Mrs. March is left to raise her four daughters, Meg, Jo, Beth, and Amy, in nineteenth century New England. The film focuses on the personal interactions family members have with each other, as well as with their friends and neighbors, in order to create a portrait of an idealized, loving family held together during trying times. It is also a very poignant coming of age film.
The film primarily revolves around the March sisters, with the focus on independent and headstrong Jo, an aspiring writer, as well as a tomboy and second oldest of the four sisters. In addition to the March family, a wealthy neighbor's nephew, Laurie, plays a prominent role in the life of the March family, with a lesser one played by the family's wealthy Aunt March.
This film is beautifully cast, with a luminous Katherine Hepburn perfect in the lead role. As Jo March, Ms. Hepburn captures the essence of this beloved character. Feisty, independent, loving, and intelligent, her characterization of Jo is inspired, though Ms. Hepburn may not have strayed too far from her own persona.
Spring Byington is wonderful as mother to the March daughters, while Frances Dee, Jean Parker, and Joan Bennett are uniformly excellent in the respective roles of Meg, Beth, and Amy, the sisters whom Jo so dearly loves. Douglass Montgomery is superb as Laurie, Jo's best friend, though his painted lips and shadowed eyelids are a bit anachronistic and a style holdover from the silent screen era.
Paul Lukas is endearing as the Professor, Jo's mature love interest. Henry Stephensen is effective as the generous, elderly neighbor, Mr. James Lawrence, uncle to Laurie. Veteran character actress, Edna Mae Oliver, rounds out this superlative cast as cantankerous Aunt March and shamelessly steals every scene in which she appears.
This is a wonderful vintage film that would be a welcome addition to the personal collection of those who love beautifully made, classic films. Bravo!