Cheap Last Waltz (Video) (Eric Clapton, Neil Diamond) (Martin Scorsese) Price

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Customer Reviews of Last Waltz

This film should be played LOUD!
I have had the opportunity to read several reviews concerning Scorsese's documentary aptly titled The Last Waltz. There are many critics out there that denounce Scorsese for showing so much favoritism to non-leader Robbie Robertson on-screen both during the interviews as well as the concert. I have read other critics who hate the way that Scorsese edited this film, bringing a Hollywood element to something that was purely anti-The Establishment. Then there are others that see this film as a farce. The Band may well still be together if it weren't for this film and the persistence of Robbie Robertson. As I watched this film a second time, I could not imagine anything further from the truth. The Last Waltz was a near flawless documentary that did exactly what it promised ... it coupled amazing music (perhaps one of our last glances of a now commercialized industry) with talented performers and the giants of the scene paying respects to one of their own, The Band. Scorsese opens this film with bold wording that I believe summarizes this entire documentary as a whole. Those words are: THIS FILM SHOULD BE PLAYED LOUD! An accurate way to tell if a music documentary is succeeding is by turning the television off, but leaving the sound on. If you are still enjoying the music at the end, the documentary has succeeded. <
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>The music if flawless in The Last Waltz. In fact, it is due to this film that I purchased the full recording of that infamous night. I wanted to hear Van Morrison's soulful voice again, I wanted to hear the strangely added Neil Diamond song (which now seems to be relevant in my mind), and I wanted to hear The Staples putting the song "The Weight" into a whole new galaxy. Neil Young's performance with Joni Mitchell in the background still continues to haunt me days after I finished watching the film. The ability to see the entire range of The Band in just a short 117 minutes is an astonishing feat. Scorsese did it. What makes The Last Waltz groundbreaking is the passion of Scorsese. I was worried at first that there would be less music and more spoken word from the band (which I could handle, if it weren't so much of Robbie Robertson), but Scorsese kept true to The Band, giving us more moments of song than "dance". For those technical junkies out there, sure, Scorsese blatantly favored Robertson more than the rest of the band, but this newbie didn't care. I was there for the music. For half of this film I closed my eyes and allowed, maybe for the first time, my ears to critic this film. What I experienced was a moment in music history that my generation will never experience, unless Coke has their corporate logo right above our artist's heads. <
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>There are two people that I would like to give a bit of recognition to as I watched The Last Waltz. The first is the cinematographer Michael Chapman for his ability to bring a crisp, smooth, young feel to this film. Other music documentaries that I have seen typically are grainy and choppy at best, feeling as if you are sitting in the classic "obstructed view" seating of the concert. Not with The Last Waltz. Here, we are right up next to The Band. Impressively, and what I believe brought so much emotion to the songs that they were singing, was actually seeing their expressions on their faces as they sang or played their instrument. I felt like I was right up there with Danko, Helm, Hudson, Robertson, and Manuel. I also felt extremely excited each time a new guest would appear to join The Band with one of their songs. This excitement could only have been built by good music, strong direction, and powerful, captivating cinematography. Check on all three counts. The second person that I would like to give recognition to is Levon Helm. His vocals, passion, and dedication to each song inspired me. He seemed, and felt, more like the leader of this band than the apparent Robertson was. He seemed secluded, content, and when he hit those drums my heart would beat. This man is a music God. Did anyone else witness what he did on that Mandolin? Priceless. <
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>Overall, this was a superb film that should be shown to every wanna-be musician out there in the world. I am tired of American Idol or millionaire teens telling me what I have to listen to and how I could never relate to it. Sure, maybe I am getting old, but that should not mean that the music needs to die. Scorsese preserved an infamous night in history. It is no Woodstock, but it was a photo finish. There was one moment in this film that really made me see the change of musicians in our modern society. The Band was on the road for sixteen years, and was finally calling it quits. I pose this test to you readers out there. Can you name one group within the past 10 years that has continued to tour time after time? Mr. Matthews comes to mind, but outside of that, I don't expect Jessica Simpson to keep her popularity going. If anything I would like to say "Thank You" to both The Band and Scorsese for making this project. If it weren't for them I would still be grumpily listening to the newest Shakira song wondering where music devolved. Now, my CD player enjoys this album. "The Weight" is still my favorite song on the album, but it is a near photo finish with the haunting Neil Young song. What a talented bunch of musicians that traveled, played for their fans, and sang about life. What more can you ask for? <
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>Grade: ***** out of *****

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A Fitting Finish
The "New Yorker" called "The Last Waltz" "the most beautiful rock film ever made," and while I personally have other favorites, there is no doubt that from an artistic point of view that this is one of the most lavish and beautifully produced rock films ever, which stands to reason as most films of this nature can't employ the likes of Martin Scorsese. <
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>This film is beautifully and thoughtfully planned from the opening scene in which the film actually begins with the encore, which in context serves to emphasize the finality of the night. "The Band" was certainly in excellent shape during the performance with Levon Helm and Rick Danko in particularly fine form. The device Scorsese uses (often imitated since) where he intersperses interviews with concert footage works generally well, but if I had to pick one thing to critique it would be on the over-reliance on footage with Robbie Robertson (who also produced the film, and who was obviously closest to Scorsese) which sometimes crosses the line into self-aggrandizement (analogies to Janis Joplin, etc.) and gets a bit tedious at times. <
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>The guest sets are generally excellent, and I was especially pleased to see the Eric Clapton, Emmylou Harris, and Ronnie Hawkins performances. For me the highlight of the film were the Levon Helm performances (especially "Up On Cripple Creek") while the ebb of the film were the scenes where Robertson "sang" (Helm claims that, mercifully, his microphone was unplugged...Robertson may be a fine composer and guitarist, but he is not a gifted vocalist) and over-emoted with a plethora of humorous facial expressions. <
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>The commentary tracks are fascinating, but occasionally difficult to take. It is readily apparent that Scorsese and Robertson are friends (not that there's anything wrong with that), but they sometimes seem pitted against the rest of the band (which makes sense given the post-breakup history of the group.) While I liked listening to the commentaries (and liked the other bonus features), I think they somewhat taint the feel of camaraderie the film otherwise engenders. <
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>Despite any shortcomings it may have, though, "The Last Waltz" is an unqualified masterpiece and any classic rock fan will be sure to enjoy it.

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Utterly amazing
There are no words to describe how awesome/amazing/phenomenal this DVD is. I have quite a few music DVD's and this is EXTREMELY easily the best one I own. You don't even need to think twice about purchasing this DVD, just do it and I GUARANTEE you'll like it. That's it