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| ARTIST: | Last Poets |
| CATEGORY: | Music |
| MANUFACTURER: | Celluloid Records |
| MEDIA: | Audio CD |
| TRACKS: | Run, Nigger, On the Subway, Niggers Are Scared of Revolution, Black Thighs, Gashman, Wake up, Niggers, New York, New York, Jones Comin' Down, Just Because, Black Wish, When the Revolution Comes, Two Little Boys, Surprises |
| UPC: | 026617610128 |
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Customer Reviews of Last Poets
These Brothers weren't Fronting like the Chumps out Now! this the real deal Eye-Opening Rap&Poetry that is sadly missing from today's Rap&Hip-Hop Vibe.somewhere Between Gil Scott Heron,GrandMaster Flash&The Furious Five,Public Enemy,Krs-One,Rakim&The Musical Vibe that Guru has been Laboring with for Years you get all that&more with the Last Poets.I discovered there Work Years ago&was Hooked on there straight in your face vibe.I wonder where did the edge in Rap go? these Clowns out now in Rap are all Programmed to say&do whatever it takes to Jack a Hit from 20 years back.Last Poets were about making you think&Hitting you with Music as well.
Rough, unintentionally funny, and inteeresting
In the pre-Public Enemy days when I was in college, my friends and I would buy used Last Poets albums and laugh ourselves sick at the wild, ranting, lyrics that would probably get censored on this review. At the time, we considered them too outrageous to take seriously and dismissed it as shock theater, whereas the Original Last Poets (Kain, Felipe, and David Nelson) were a bit more profound with their material (compare this album with the Original Last Poets' "Right On" and you'll see what I mean). However, this is far more meaningful that the cartoon militancy of the gangster rap of 20 years later. Either way, there is never a dull moment on this one. They do get redundant on the later albums, though. Listen and think.
amazing, impassioned, seminal
I was just a skinny little white backwoods hippie when this came out. It's taken me so long to realize how great this record is. Haven't been able to listen to any of the other junk from the drugged out hippie era since sobering up in the late seventies, but this album is a striking exception, it's appeal is timeless.
Any group that calls the Grateful Dead "sanctimonious" (on their next album, "This Is Madness") gets my vote.
The big drawback to this album is that it capitalizes on and perpetuates the modern urban black stereotype of inner city sleaze and horror. But at the time it seemed like this record might be a document of the end of an era of black degradation. Anyway, this record isn't all sensationalism, it really does give glimpses into another world. Unless of course you're a poor, inner city black, in which case this album might seem pointless and redundant.
A lot is made of this ablum being a precursor of Rap. That may well be, but the tracks on this album have all the careful craft of poetry and use common english. I hate Rap. Rap strikes me, by and large, as just so much undisciplined, rambling rant that employs neologisms coined for 15 minute life spans of use. So it's a pity Rap wasn't more inspired by this album than it seems to have been. Otherwise, there would be more quality and less quantity of Rap churned out.