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| CATEGORY: | Video |
| DIRECTOR: | W. Lee Wilder |
| THEATRICAL RELEASE DATE: | 23 January, 1954 |
| MANUFACTURER: | Rhino Video |
| MPAA RATING: | NR (Not Rated) |
| FEATURES: | Black & White, NTSC |
| TYPE: | Science Fiction |
| MEDIA: | VHS Tape |
| # OF MEDIA: | 1 |
| UPC: | 081227197438 |
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Customer Reviews of Killers from Space
A bizarre and unique sci-fi film This little movie usually gets lost in the vast crowd of 1950s sci-fi pictures, but it arguably is one of the most interesting. (I find it superior to W. L. Wilder's previous film, the still decent 'Phantom From Space' [see my review].) The aliens' physique and their plans for Earth, the minimal special effects and sets, and the use of stock footage showcase the sheer bizarreness of 1950s cult films - the lack of resources actually enhance the film's unique feel. The invasion-laden theme is common enough, but the way it is articulated sets the movie apart from most of its peers. The crucial scene, i.e. when the hero meets the aliens, is used as a lengthy flashback inserted near the middle of the film; it is only when the hero gets out of his trance/amnesia that the scene is shown. This seemingly innocuous device actually changes the whole dramatic perspective of the movie: in the first half, the hero acts against his own will, while in the second half, all of his decisions are oriented by his sudden recollection. This tight structure is effective because the script has none of the forced romance that slowed down many sci-fi films of the era. This is about as pure as a B-movie can possibly be, and lovers of cult films should see it.
Attack of the hard boiled egg-eyed aliens
According to some, Killers From Space is a great example of a bad movie so bad that it is good; some would even grant it B movie cult status. I take more of a middle ground because, to me, the movie isn't really that bad. Sure, it has some silly aspects to it, but it's a lot more enjoyable than many a 1950s science fiction thriller you can find out there in the wild. Admittedly, the prominence of Peter Graves also helps because I can't help but think of him as a legitimate actor despite a good bit of evidence to the contrary.
As for the plot, it all starts on a bright and shiny day when all kinds of folks have come together to watch the detonation of an atomic bomb - don't worry, they are all wearing goggles, so I'm sure they are in no danger whatsoever; as we all learned on Mystery Science Theater 3000, radiation can only hurt you if you touch it. Anyway, Dr. Douglas Martin (Peter Graves) is flying around above the explosion taking readings when his pilot spots a glowing object below and commences to take the plan into a vertical dive toward the earth. There is no sign of Martin's body in the wreckage, but no one could have survived the crash. Then, shortly thereafter, who should come wandering up to the gate of the local military base but Dr. Martin himself. He comes home with no memory of what happened, but he does have a shiny new surgical scar covering the left upper side of his chest. He soon begins acting strangely, and ultimately he gets nabbed hiding some secret information about the next atomic test under a rock in the desert. In with the truth serum, and out comes a story of aliens with hard-boiled eggs for eyes breeding a zoo of genetically mutated super-sized critters. He insists that the future of the planet is in grave peril, but no one believes him. Thus, as is always the case, it's up to Peter Graves to save the world single-handedly (and, as luck would have it, the aliens were stupid enough to pretty much tell him how to destroy them).
Some individuals have posited that this film helped create a template for future alien abduction accounts. This idea is pure rubbish, in my opinion. Sure, the aliens have huge eyes that seem to haunt Martin, but no E.T. ever looked as stupid as these guys; Martin also wakes up on a table surrounded by aliens performing some kind of medical procedure on him, but the scenes in this movie are by and large pretty laughable. Besides the aliens, the other thing this movie is known for is its whole giant insect montage. When Martin tries to escape from the aliens, he winds up running around in their menagerie - in other words, he runs back and forth between some projection screens showing extreme close-ups of spiders, lizards, and other creepy-crawlies. This scene would have been fairly effective had the director shown any restraint, but these shots just continue for far too long. If you've seen Peter Graves in The Beginning of the End, you will feel quite at home here. In the final analysis, Killers From Space is obviously not a great movie, but I personally don't think it is quite bad enough to be considered a full-fledged "bad movie."
big bug want-to-be
No big bug collection is complete without "Killers From Space." It might not have the statue of "Them!"." But the formula is there. It starts off with the narration to describe what you see. Then goes quickly into the mystery. The only thing missing is a flame thrower.
Dr Douglas Marvin (Peter Graves) while at an atomic test sees something suspicious on the ground. When the pilot takes his plane closer the controls jam. The plane crashed and the pilot is burnt to a crisp. Dr. Marvin mysteriously shows up later with a scar on his chest and no memory. Where could he have been? And is it important? Only time will tell. If we have time left with Killers form space.