Jesse James Meets Frankenstein's Daughter DVD

Cheap Jesse James Meets Frankenstein's Daughter (DVD) (William Beaudine) Price

Jesse James Meets Frankenstein's Daughter

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CATEGORY: DVD
DIRECTOR: William Beaudine
THEATRICAL RELEASE DATE: April, 1966
MANUFACTURER: Koch Vision Entertai
MPAA RATING: Unrated
FEATURES: Color
TYPE: Science Fiction
MEDIA: DVD
# OF MEDIA: 1
UPC: 790594522728

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Customer Reviews of Jesse James Meets Frankenstein's Daughter

William Beaudine Made Over 500 Films. This Is One Of Them.
This is an amazing film. It is the last film ever made by William "One Shot" Beaudine, and was a real resume killer for almost everyone in the cast as well. This is the sequel to "Billy The Kid Versus Dracula" (Beaudine's second to last film) which starred John Carradine. Carradine said that "Billy The Kid Versus Dracula" was the worst movie he ever made. That is saying something coming from John Carradine. Now imagine that this film is the sequel. I have seen both, and I think that "Billy The Kid Versus Dracula" is marginally worse, but I can't imagine seeing these on a double bill, which is how they were typically shown.

The thing that makes this DVD special is the commentary track by Joe Bob Briggs. Joe Bob is a genius in his own right, and is super knowledgeable about any type of Grade B movies. Here he gives us the rundown of the cast and location history, and points out continuity gaffes which are so numerous that some of them would probably escape notice due to sheer volume without his help.

In the film Jesse and his gang have a rendezvous with fate with Dr. Frankenstein's granddaughter (Yeah, I know the title is inaccurate. It isn't the only thing in the film, either.) There are several subplots, most of which don't make sense, and possibly the single most stupefying ending in cinema history. The only thing really well done here is Igor's skull scar. Prepare yourself to laugh at everything else.

I watched the film without the commentary once, and with the commentary once. My advice is to just watch it with the commentary. Joe Bob makes sure you listen in whenever anything important happens (which isn't often) and provides plot summation throughout the film anyhow. Another reason is that sometimes the sound is poor and some of the cast (especially Narda Onyx and Estrelita) have bad accents and diction problems.

The movie gets five stars with Joe Bob's commentary turned on. With the commentary turned off it would get two simply as a lifetime achievement award for William Beaudine.


Great movie? No. Great commentary? Of course!
I can't speak for anyone else, but I bought this DVD solely for the Joe Bob Briggs commentary. I would watch him late at night on MonsterVision and always thought he was hilarious, and could also improve a film by interjecting interesting facts about it. He's a very well educated and talented writer and has a fantastic screen and voice presence. That makes him great on stuff like this.

"The stuff" in question... isn't so good. I love schlocky B-movies as much as the next person, but Jesse James Meets Frankenstein's Daughter beats the original Frankenstein's Daughter in the dull department- and that's saying a LOT. I couldn't imagine watching the whole thing without Briggs funny and enlightening commentary. Buy this if you're a fan of the film of Briggs, but if you're expecting a classic horror or western movie- search elsewhere.


The other half of the "Billy the Kid vs. Dracula" twin bill
I think it is safe to say that more people have heard about "Billy the Kid versus Dracula," the 1966 drive-in flick that had John Carradine hamming it up as the vampire count who is involved in a love triangle with the infamous American outlaw suddenly turned good guy, than have actually seen the film. But somehow I managed to remain ignorant of "Jesse James Meets Frankenstein's Daughter," made by the same writer (Carl K. Hittleman) and same director (William Beaudine) that same year (1966). Part of the reason that this film has seeped through the cracks of pop culture history is that it lacks the redeeming campy nature of the other film, which was at least laughably bad. This one will just make you wince.

"Jesse James Meets Frankenstein's Daughter" flips the situation of "Billy the Kid versus Dracula" with the cowboy coming to the monster this time around. Jesse James (John Lupton) is being pursued by Marhsal MacPhee (Jim Davis; that is right, Jock Ewing himself), so he hides out in Baron Frankenstein's hacienda, which is now being run by his granddaughter Maria (Narda Onyx) and her brother Rudolph (Steven Geray), both of whom have pretty bad fake German accents. She is a chip off the old mad scientist's block, and promptly turns Jesse's less than intelligent sidekick, Hank Tracy (Cal Bolder), into a bald zombie now named Igor. She has been experimenting with brain transplants on the local young boys and that has not been working out so well.

Believe it or not "historically" this film takes place between the disastrous James gang attempt to rob a bank in Northfield, Minnesota and Jesse's death (Jesse even calls himself "Mr. Howard"). There is also the Wild Bunch, led by Butch Curry, so that a large part of this film is a relatively straightforward western. It is only when Hank needs a doctor that Jesse ends up over at the Frankenstein place; however, I defy you to explain why Juanita (Estelita Rodriquez) would take anybody back there now that she has finally succeeded in getting away from the crazy sibling tag team. This film is literally a collision between these two genres, like Hittleman wrote two scripts for two different genres and then mixed them together.

If for some reason you feel compelled to watch this film, then I would strongly suggest you check out the DVD version, which benefits from being presented by Joe Bob Briggs. That alone has got to double the entertainment value of watching "Jesse James Meets Frankenstein's Daughter." If you decided to do a drive-in double feature by screening both this one and "Billy the Kid versus Dracula," the order in which you view the two films is pretty much irrelevant (i.e., I have no opinion on which order would either provide the most fun or result in the least amount of harm to your cinematic sensibilities).

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