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| AUTHOR: | Robert Bly |
| CATEGORY: | Book |
| MANUFACTURER: | Vintage |
| ISBN: | 0679731199 |
| TYPE: | General, Masculinity, Men, Men's Studies - Masculinity, Psychology, Sociology, United States, Psychology & Psychiatry / General |
| MEDIA: | Paperback |
| # OF MEDIA: | 1 |
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Customer Reviews of Iron John : A Book About Men
Possibly Important, Definitely Flawed Poet Robert Bly takes the Brothers Grimm's fairy tale of the wild man and his foster son and turns it into an extended metaphor for an archetypal initiation into manhood, asserting that modern men are victims of a culture that fails to connect boys with older male mentors. The book is a mix of amateur pop psychology, ecumenical syncretism of the Joseph Campbell variety, and a heavy dose of '80's-era political-correctness. Together with Sam Keen's "A Fire in the Belly" it was one of the bibles of the short-lived 'Men's Movement' of the early '90's.
A 'new' male model emerged in the '70's; 'sensitive guys', who painfully discovered that male sensitivity is not valued in this (or indeed any) culture, by either men OR women. The traditional male, confident, dominating and aggressive, continues to be the desired ideal. Why do so many men come down with sensitivity, and what can be done about it?
According to Bly, in halcyon days of yore boys were initiated into the true nature of manhood either deliberately by cultural rites or incidentally by working alongside their fathers. He blames the industrial revolution for causing a disconnection ("Iron John" contains a great deal of digressive social criticism and liberal finger-wagging) and asserts that modern men are now raised by women without the necessary immediacy of bonding with older males. The book is full of symbolism and poetry conveying a bleak picture of male emotional wounds.
Bly touches on issues many men obviously find important, but he offers no real solutions beyond the vaguely-sketched initiation process that emerges from his discursive interpretation of the title fairy tale. All men are victims in his view, especially those who think they aren't! He is fearful of offending feminists and tries to placate their presumed disapproval by qualifying his call for wildness with obsequious proclamations of allegience to feminist theory. He expends a good deal of blame on traditional conservative targets, and new-agers are also targets for scorn. If you find victimization theory attractive this book may have something to offer, but it's a view not exactly symbolic of strength and empowerment.
A ground breaking work for the masculine psyche
Ten years ago when I was first told about Iron John, I remember buying the book, scanning a few pages only to put it on the book shelf. I just didn't get it. Nearly 2 years later I picked it up and began reading. Now I couldn't put it down. I suppose my time had come and now everything Bly described was deeply felt.
I suspect some young readers-both male and female won't truly understand the gravity of what Robert Bly is saying. But as is the mark of a truly great work, the reader can go back again and again, gleaning a little more understanding with each reading.
Robert Bly has a firm grasp of Jungian psychology and uses metaphor throughout the book as large brush strokes on a blank canvas. I will go as far to say this is a "must read" for all men over 35. A "should read" for anyone wanting to better understand the male psyche, the events leading to the appearance of what Bly calls the "50s male" and the following retreat into the "soft male" of the 70s and 80s.
The alternitive the author describes can be then a man who has centered himself between these two polar opposites, needing not to act out old macho stereotypes nor carry the wounds of the feminine psyche. I suspect this is a man who has found his own way and a man that women can trust as well.
Lyrical and resonant....
I'd thought from the opening pages that this was going to be another trite and superficial book - after all, what would a poet, however existential, know about the holes of the soul. But soon after, the book became fascinating, even difficult to put down. There's certainly a strong strand of personal experience and prisms that color the narrative, but having said that it doesn't take anything away.
Definitely a book that can safely be called lyrical. A simple yet powerful writing style makes for a book that plays with your imagination.