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| ACTORS: | Daniel Day-Lewis |
| CATEGORY: | DVD |
| DIRECTOR: | Jim Sheridan |
| THEATRICAL RELEASE DATE: | January, 1994 |
| MANUFACTURER: | Universal Studios |
| MPAA RATING: | R (Restricted) |
| FEATURES: | Color, Closed-captioned, Dolby, Widescreen |
| TYPE: | Feature Film-drama |
| MEDIA: | DVD |
| # OF MEDIA: | 1 |
| UPC: | 025192024825 |
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Customer Reviews of In the Name of the Father
A brilliant, yet harrowing film "In the Name of the Father" is a brilliant and controversial movie which examines in some detail the case of the Guildford Four, and especially the case of Gerry and Giuseppe Conlon, who were wrongly convicted of bombing a pub in the town of Guildford, England, on October 5, 1974. This bombing, which took the lives of several innocent victims, was alleged to be part of an ongoing Irish Republican Army (IRA) campaign of terror that year. The convictions of the Guildford Four, it was later proved, were based on forced confessions, perjured testimony, and - at best - extremely scanty and questionable forensic evidence.
"In the Name of the Father" is a brilliant film on all levels. Daniel Day-Lewis turns in a tough, gritty, and realistic performance as the irrepressible Gerry Conlon - perhaps one of Day-Lewis' least known, but best movie performances ever. Pete Postlethwaite is magnificent as the gentle Giuseppe Conlon, who is the film's ultimate victim. And Emma Thompson rises to her usual level of brilliant acting as the tough-minded but emotional lawyer, Gareth Peirce.
This movie does not pretend at any point to be an objective examination of the Guildford Four case. It is a strong advocate for the innocence of the people involved, and an unsparing critic of the British legal and penal systems. Some of the points made in the film border on the hyperbolic - for example, the interjection of the fictional IRA terrorist "Joe McAndrew," to press home the point that the British government knew of the Guildford Four's innocence, but, fearing a loss of confidence by the British public, chose to ignore evidence which exonerated them. Still, the film does not suffer any loss of credibility by so blatantly taking sides in such a politically and emotionally charged issue.
This is one of those rare films which does three things very well. First: it entertains. This is a dramatic and exciting story, replete with wonderfully realistic characters that are easy to understand and relate to. Second: "In the Name of the Father" educates. Very seldom have I learned more about a particular time or set of circumstances than I have from this film. (I must note at this point that I was living in England in 1989 when this case came to a head. I followed news accounts of it with great interest.) Third: the movie persuades. It is both a scathing criticism of a legal and penal system gone awry, and an apt description of what can happen when a democratic system becomes afraid of its own people. At the same time, it's a wonderfully inspiring testimony to the ultimate strength of the human spirit in times when all seems nearly lost.
heartbreaking and bittersweet
Gerry Conlon (Daniel Day Lewis) was a small-time petty thief in the early seventies and found himself in the wrong place at the wrong time when IRA terrorists bombed a pub in 1974 - killing 4 people.
Totally innocent, Conlon is treated with contempt - even physically tortured and terrorized until he confesses only to make the torture stop.
Soon his father and most of his family are also convicted of bomb making and being part of larger conspiracies including being deeply entrenched in the IRA.
His father Giuseppe (played masterfully by Pete Postlethwaite) and most of his family are also rounded up and promptly convicted - from the youngest cousin to an elderly grandmother - all wrongly convicted and sent to bleak, dank prisons for very lengthy terms.
What makes this so compelling and tragic is that this is entirely a true story. Conlon really served 15 years in prison and thanks to his diligent attorney and the discovery of withheld evidence that freed him in 1989 - otherwise he may well still be languishing in jail, with little sympathy from the outside.
The only good side of this horrific twist of justice was the closeness Gerry ends up having with his father. Once somewhat distant, they find themselves as unwilling cellmates in prison. As miserable as they both are at the situation, the fact that they can keep each other company is a bittersweet comfort.
They grow closer than they likely would have ever gotten had they not been imprisoned together. Compounded by age and the damp, awful conditions of the prison, Giuseppe finds himself sicker and sicker until he is finally taken to the hospital all too late. Gerry is not permitted to be at his father's side as he is taken to the hospital, only to find out later that his father has died, leaving Gerry alone with no one to console his broken heart.
The injustice done to the "Guildford Four" in a small way was a necessary evil, in that it so shocked the conscience of British common man, that many reforms were put in to place to help prevent this sort of thing from happening again.
While Emma Thompson's character (Conlon's lawyer) doesn't make an appearance until near the end of the story, her presence is powerful and an important balance for the film.
Only someone with the stoniest of hearts will not feel at least a lump in their throat at many scenes of this well acted, compelling, real-life drama - nor will you finish watching it and not be changed in some way.
In the Name of Daniel Day Lewis
Daniel Day-Lewis, in another brilliant, Oscar-nominated performance. In the Name of the Father is a gritty, gut wrenching drama by the talented Irish film maker Jim Sheridan. Daniel Day-Lewis proves why he is so respected and revered as an actor. Though his role as Gerard Conlon received less press than his turn as Christy Brown in My Left Foot, or Bill the Butcher, in Gangs of New York, he bristles with intensity as the troubled Conlon. Day-Lewis proves why he is one of the finest actors of his generation. A true method actor, Day-Lewis is said to have gone through interrogations from police to lend true authenticity to the role. He has a rare and unequaled fire in his eyes that made me an immediate fan.I could simply not take my eyes off of him. He is not just another pretty face...although, what a face...he is without a doubt a very gifted actor.
Day-Lewis and Pete Postlethwaite are just riviting on screen together. Their portrayl of father and son sings and stings with realism and sincerity.
This film has somehow gone largely unnoticed, however, it is a must see for those of you who enjoy a dose of reality with your drama.
Based on the book of the same name, written by Gerard Conlon himself, the movie does not cast a favorable light on the British Judicial system and their need to place blame on someone, despite their innocence. Your heart will break as you watch Guisseppe and Gerard fight for their case to be heard.
The movie, while placing focus on Day-Lewis's character, is an excellent forum for the wonderful character actor that Postlethwaite is. Their moments together are powerful and passionate. To find a better suited pair for father and son, one would indeed be hard pressed.
This film does exactly what it intended to do. 1. It creates and maintains a realistic relationship between father and son. Gerard's reaction when his father is imprisioned with him is a classic.
2. It is engaging. From begining to end this film will keep even the most hard-core action enthusiast engaged in the story.
3. It is honest. It does not sugar coat the facts as recalled by Conlon and it does not pretend to give a balanced view of events. Instead, it boldly makes a statement about profiling and what can happen when parinoia strikes those who are supposed to be objective and seek truth.
This film is a triumph.