Cheap I Spy - So Long Patrick Henry (DVD) (Robert Culp, Bill Cosby) (Tom Gries, John Rich, Robert Butler, Richard C. Sarafian, Hal Cooper, Arthur Marks, Anton Leader, Richard Benedict) Price

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I Spy - So Long Patrick Henry and The Warlord
Since other reviewers have commented on the high quality of the dramas on these two discs, I want to talk about the audio commentary by actor/writer Robert Culp, which is, if you are interested in how series TV was created in the Sixties, reason enough to buy these DVDs. Mr. Culp talks engagingly and personally about the genesis of the series; his troubled professional relationship with producer Sheldon Leonard; his unsuccessful attempts to get Sam Peckinpah hired onto the show as a director; the unadulterated joy of working with Bill Cosby for three years; where his script ideas came from and how they were developed; working with creative collaborators like directors Richard Serafian and Tom Gries; how John Chambers worked, unpaid, for six months to create Culp's make-up for "The Warlord"; how Earl Hagen's scores enriched certain shows -- in short, everything you've ever wanted to know about I SPY. These excellant commentaries -- thorough, entertaining, and well-researched -- add up to the book about I SPY that no one has yet written. Much thanks to Mr. Culp and Image Entertainment for these invaluable discs.

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The Best Episodes Ever!
Robert Culp saved "I Spy" from being just another spy show during the James Bond craze of the early and mid-sixties. He saved it by writing intelligent scripts that were long on characterization and tight, swiftly-moving plots, a stark difference from the wincingly trite bill of fare offered up to us on shows like "The Man From U.N.C.L.E." and others. Culp's scripts showed us that Robinson and Scott were a couple of CIA working-stiff operatives with plenty of heart, rather than comic book superheroes in tight pants. Kel and Scotty sweated and suffered through their jobs, and the episodes on this first volume of the Robert Culp collection were amongst their finest hours. Honestly, this is arguably the among the finest television that came out of the sixties, certainly in the spy genre, if not in television as a whole. We owe a great deal to Robert Culp for raising the bar in television drama to establish a standard of excellence that is still recognized today. All three episodes are cases-in-point, but if I had to pick one out of the lot, I would say that "The Loser" is the finest. This episode covers an incredible amount of ground in 51 minutes and never-not once-meanders into the absurd. An excellent plot and moving, relevant dialog make for one hell of a fine viewing experience, and even the most discriminating audience will be pleased. Incidentally, the commentary tracks (there are three) are informative and entertaining, too. Thanks, Bob, for all of your hard work on "I Spy" and all of the other shows on which your talent and heart showed through.