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I Married a Strange Person

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Because two copulating birds bash into his satellite dish, the blandly handsome Grant develops godlike powers. When he and his new bride Kerry have sex, the entire house joins in, from the soap dish to the electric sockets. Grant manipulates her breasts to form balloon animals; he changes her into a blonde, then a nun, then the Statue of Liberty. Basically, he's become an animator like his creator Bill Plympton, able to make the world reflect his every id-driven whim. Is it any wonder that Kerry begins to question if Grant is still the same straight-up guy she married? Plympton's new animated movie, I Married a Strange Person!, opens with a quote from Picasso: "Ah, good taste, what a dreadful thing! Taste is the enemy of creativity." Plympton has taken this perhaps a little too much to heart, but with a good dose of sprightly charm. Plympton's drawing style vibrates, shimmies, and pops with boyish cheer. The movie is regularly punctuated with breezy songs that you'd imagine sound great on a ukulele, sung by some guy in a straw boater. Over-the-top sex and violence and crazed excursions into the origin of belly-button lint combine to produce a weird, sparkling movie. I Married a Strange Person! is clearly the pure product of Plympton's imagination, without any meddling from studio executives. --Bret Fetzer
CATEGORY: DVD
DIRECTOR: Bill Plympton
THEATRICAL RELEASE DATE: 28 August, 1998
MANUFACTURER: Lions Gate Home Entertainment
MPAA RATING: R (Restricted)
FEATURES: Animated, Color, Closed-captioned, Widescreen
TYPE: Feature Film-comedy
MEDIA: DVD
# OF MEDIA: 1
UPC: 031398846628

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Customer Reviews of I Married a Strange Person

Ambitious yet clever
Before MTV took a 180 and became reality show heavy, I had gotten a chance to watch Bill Plympton's shorts. His stylized portrayals of scenes and unique look (which the book "Masters of Animation" explained as him drawing on paper and then some one transferring it onto cell) made his work stand out on its own. So when it seemed like he had actually made a full length movie, hey I decided to give it a shot.

What I saw was an ambitious yet clever attempt at exploring storytelling through animation. The plot involves an everyman gets an odd lobe in his neck that increases the imagination section of his brain, causing any thing he thinks of to come true. What better way to bring about the surreal images that follow? Many of the scenes reminded me of Ralph Bakshi's early work, especially perhaps "Streetfight (also known as "Coonskin") - except, of course, those were based on drug highs, while Bill Plympton's work is based on the limits of the imagination - to which there are none. If you want to have grass ride a lawnmower over a human, go ahead! If you want to play with women's breasts like they're balloons, fine!

The only downfall to me was the narrative often tended to drag - so much that I was almost tempted to give this three stars. There are enough highlights through out the film to keep one interested, although one or two times I wondered how long such a story structure could last. However, like I said before, there were enough visuals to keep me interested the whole way out. I also was interested in some of the underlying meanings behind the story - like for example, did any one ever consider the scenario of a company trying to control imagination? In such a time when situations like at Disney where producers are taking over the jobs for which artists were responsible, I find that to be a strong statement.

BTW...I have the stupid Smile Corporation anthem stuck in my head. Oh well..."We are the Smile Corps Corporation! / We bring smiles a-cross the nation!..."


Insanity and sex and violence
basically this entire movie can be summed up into two words: acid trip. the film certainly seems this way as it showcases some crazy animation (a man getting chased on a lawnmower by a blade of grass, who later turns into an orange caterpillar). i reccomend you smoke or drop something before seeing this movie as it makes it funnier and more interesting, but insane either way.


Creative, inventive and side-splittingly funny
`I Married a Strange Person' is (I think) Bill Plympton's second full-length animated film (is that right? I'm not sure), and does not disappoint for a minute. Like `The Tune', `I Married a Strange Person' is a completely original animation film, done in Plympton's completely unique style, and is extremely visually inventive and creative. It's also incredibly funny, and creates some wonderful, hilarious characters. Even for Plympton, it's unusually twisted and bizarre, full of sex and violence at their most hilarious. Also some brilliant musical segments with songs by Plympton's old collaborator Maureen McElheron (`I'm happy, you're happy, everybody's happy...')

So, for Plympton fans, and any fan of adult animation or underground cinema, this film is highly recommended. Still, to be fair, a few words of caution: `I Married a Strange Person' is extremely hard-core, with very explicit (though hilarious) scenes of sex and violence. There is, in fact, one (funny and inventive) sex scene that lasts over five minutes. The plot, also, makes very little sense, and the movie often seems to be weirdness and sickness for weirdness' and sickness' sake. If that doesn't bother you, buy it, by all means. If you have a sense of humor and are not easily offended, `I Married a Strange Person' will be a pleasure. If you're a Plympton fan, don't even think twice - this is one of his best works. If you're not familiar with his work, by all means familiarize yourself.

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