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Customer Reviews of Holder of the World

Virtual history: being there
The more I ponder this book, the more intriguing I find the story. Beigh Masters is an "asset-hunter" in search of a legendary diamond from India, The Emperor's Tear. Her research leads to a connection with a distant relative, Hannah Easton, who lived in Salem, Mass., in the 1670's. Now fascinated by her own familial ties, Beigh traces Hannah's life from New England to the Coromandel Coast and the powerful East India Trading Company. Most extraordinary, Hannah becomes the "Salem Bibi", the white lover of a Hindu Raja, carving herself a place in history.

But there is more: the novel is so brilliantly themed, the premise so unique, that this reader was guided through a journey of staggering originality. Beigh's lover/companion, Venn, is developing a computer program that would allow an individual to experience a few moments in the past, set to a specific time frame, with pertinent information entered into the program. Beigh provides the structural facts, creating the opportunity to ......? Is it really even possible? This is not "time-travel" as usually written, but Virtual participation in real time. Mukerjee actually ties the threads of history together, from one side of the world to the other, suggesting infinite permutations. Not your traditional historical novel, Mukerjee fashions an ending worthy of any mystery-adventure devotee. Experiencing this story is an adventure in itself.

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A virtuoso miniature
Bharati Mukherjee emigrated from her Brahmin family's insular compound in India to study at the Iowa Writers' Workshop, and her abiding literary yantra ever since has been inter-cultural dislocation, transplantation and rebirth -- in particular the collision of intransigent tradition with the chaotic possibilities at freedom's edge. In "The Holder of the World," she does not merely turn her personal experience on its head, but she does dizzying somersaults with full twists in midair. The context and model for her treasure-hunt mystery is one of the fascinating artistic traditions of the Indian subcontinent: Mughal miniature painting. The unexpected depiction of a fair-skinned Western woman in one of these 17th-century paintings launches the narrator on detective work she expects to lead to material treasure, but what she exhumes as virtual reality and historical truth converge is both tantalizingly less tangible and inestimably more valuable. The particular virtuosity of this slender volume is Mukherjee's determined compression of plot, narrative, character and information that makes reading something akin to aerobic exercise. Brief phrases and gestures become complex characterizations; sketches and outlines evoke transcontinental adventures; narrative whizzes by in a blur that somehow suggests rich detail; well-placed smudges and squiggles expand into vast landscapes. "The Holder of the World" is a sprawling, wide-screen historical epic, painted in miniature with a one-hair brush.

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This gem will hold you spellbound.
If someone told me that an author could transplant a seventeenth century female Protestant from Salem, Massachusetts, to the excesses of southern India and have the character enjoy that life, I might raise an eyebrow at its improbability. If someone told me that the vividly bloody action of King Philip's (Indian) War in Massachusetts and a Muslim-Hindu holy war near the Coromandel Coast in India were connected, I might look askance in disbelief that such atrocities on opposite sides of the world, committed for totally different reasons, could possibly be related. If that someone then told me that a narrator might locate a missing three hundred year old jewel by using a virtual reality program developed by her MIT researcher/lover, I'd be picturing a bodice-ripper with Fabio on the cover. And if that someone still had the nerve to suggest that all the above could be combined seamlessly, knowledgeably, and totally successfully in one astounding novel of fewer than 300 pages, I absolutely would not believe it. I still don't. Yet that is exactly what Bharati Mukherjee has done in The Holder of the World. In doing so, she manages to create a true literary bridge between East and West, reaching so far back to the roots of our respective cultures and thinking that for the first time in the dozen or so novels I've read by Indian authors, I feel as if I'm beginning to understand how and why we and they became who we are.