Cheap Ghost in the Machine (Music) (The Police) Price
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| ARTIST: | The Police |
| CATEGORY: | Music |
| MANUFACTURER: | Interscope Records |
| FEATURES: | SACD |
| TYPE: | Album Rock, Alternative Pop/Rock, New Wave, Pop, Pop/Rock, Post-Punk, Rock, Rock/Pop |
| MEDIA: | Audio CD |
| TRACKS: | Spirits in the Material World, Every Little Thing She Does Is Magic, Invisible Sun, Hungry for You (J'Aurais Toujours Faim de Toil), Demolition Man, Too Much Information, Rehumanize Yourself, One World (Not Three), Omegaman, Secret Journey, Darkness |
| UPC: | 606949360528 |
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Customer Reviews of Ghost in the Machine
Genius Is As Genius Does!! This classic album was my introduction to the 80's <
>megalith which was simply The Police! <
>I was in the military at that time and one of my roommates <
>turned me on to them as well as Bob Marley, for which I am eternally greatful!--(Thanks JG!) <
>Anywayz, just put it on from start to finish and there's no garbage tracks like so many albums of today! <
>I still listen to this and the other Police masterpiece <
>"Synchronicity" as if it were the early 80's all over again!
The Best Police Album
Unlike other albums by the Police, Ghost in the Machine has no weak songs. Don't believe me? Let's go one by one. And I'll even talk about the concept behind the album: the loss of humanity, individuality, and personal confidence by living in the modern world.
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>"Spirts in the Material World" opens the album with the words "There is no political solution..." -- these words hold true for everything put forward in the album. We are used to looking to government for the answers to all our problems. But government as it is today is a cause: "Our so-called leaders speak -- with words they try to jail ya. They subjugate the meek -- but it's the rhetoric of failure" [one of my favorite rhymes ever!] From birth we are told to be afraid of acting on our own judgement and to do as others tell us. Presumably their judgement is better than ours, even as they are being told the same thing...This song has a strange, haunting sound that makes it my second-favorite on the album.
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>"Every Little Thing She Does Is Magic" has mistakenly been called irrelevant to the rest of the album by others here. If the rest of the album is the theory, this is the practice: a man, taught like the rest of us to feel only fear and to act only in submission, cannot even work up the courage to talk to a girl he loves -- cannot even call her. Yet it is also, as some have written, a perfect pop song -- and I would add, with the perfect verse (at least Sting thinks so -- he has reused it a few times): "Do I have to tell the story/Of a thousand rainy days since we first met?/It's a big enough umbrella/But it's always me that ends up getting wet."
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>"Invisible Sun," banned in the UK for references in the video to Northern Ireland, is another solid song, sung by someone trapped in a warzone. He just hopes to come out alive -- "I don't ever want to play the part of a statistic on a government chart" but maintains his belief, presumably against that of both sides fighting this war, that all human lives are valuable -- "There has to be an invisible sun that gives its heat to everyone."
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>"J'aurais Toujours Faim de Toi" and "Demolition Man" are pretty enjoyable, despite the former being in French, which I don't know quite well enough to understand in the song (read a translation -- the lyrics are quite good) and the latter being somewhat repetitive. There's even more repetition in "Too Much Information" but here it might have a purpose -- making us question if all the information we get today (and how much more it is than in 1981, when this album was released!) is really increasing our knowledge, or just "driving [us] insane."
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>"Rehumanize Yourself" shows a few characters in our society -- a boy in a street gang who "kicks a boy to death 'cause he don't belong," (in what way he "didn't belong" is unmentioned, and irrelevant) a policeman wishing for violence, "a social norm," a member of an extremist political party chanting slogans, and the narrator, who "work[s] all day in the factory/Building a machine that's not for me." The song repeats "Rehumanize yourself" speaking to the listener as well as everyone in the song.
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>"One World (Not Three)" attacks the concept of a third world separate from those of us in the first world. "We can all sink or we all float/'Cause we're all in the same big boat." It's easy and convenient to think at any level, as so many do, that because the "third world" is underdeveloped, the people there are inherently worse or stupider, or incapable of raising their standard of living. Saying a problem is unsolvable is a good way of "shelving one's responsibility," as the song says, to solve it.
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>OK, I have no idea what "Omegaman" is about, but it's certainly an energetic song with pounding drums. "Secret Journey" isn't too clear either, but it's my favorite song from this album. The chorus, the lines "And when you've made your secret journey/You will be a holy man," and the music that resembles that of another of my favorite songs by the Police, "King of Pain."
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>"Darkness," a great closer, is at last clear -- it's easy to dream, but when you "get to your feet" and try to pursue dreams, they seem unattainable. This can be so disappointing and frustrating that, as the narrator laments as the album fades out "I wish I never woke up this morning/Life was easy when it was boring..." When dreams are far away, a life without dreams can be a painkiller, or so the narrator imagines...These simple but powerful words close one of the best albums I've ever listened to.
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>This album gets a 5/5 from me all the way through. It has no weak points, and some very strong points (Spirits in the Material World, Every Little Thing She Does is Magic, Rehumanize Yourself, the last three songs.)
A unique representation of The Police
This album contains several great hits including "Spirits in the Material World," "Every Little Thing She Does is Magic," "Invisible Sun," and "Demolition Man." One reason I bought the CD was to hear "Invisible Sun," which is worthy of being part of film soundtrack, with subdued harmony, humming tones, and echoing reverberations through the chorus. While the songs are laden with ample melody and rhtyhm, the listener may find several parts to be monotonous. The group does include varied tempos, for example, they include a reggae-style take on "One World (Not Three)." The album does have what I consider to be 'filler material,' as many albums do, although this is a unique representation of The Police before they released Sychronicity, and quite a concentrated effort put onto a single album.