Cheap George Frederick McKay: Caricature Dance Suite, William Bolcom Solo; Viola Suite Eguchi/Margolis (Music) (George Frederick McKay, William Bolcom, Margolis, Morris, Eguchi) Price
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| ARTIST: | George Frederick McKay, William Bolcom, Margolis, Morris, Eguchi |
| CATEGORY: | Music |
| MANUFACTURER: | Naxos American |
| TYPE: | Vocal, Vocal Music, Keyboard Music, Chamber Music, Chamber, Classical Music, Classical, Classical Composers, Keyboard, Chamber Music & Recitals |
| MEDIA: | Audio CD |
| TRACKS: | Snickertyskip, Jabbertyflip, Swaggerhop, Burlesque March, Sunrise, A Morning Mood, Looking Upward, Storm Clouds, Caballeros, Sundown, Summer's End, Americanistic Etude, Op.27, To The Blue Eyed Days Of Spring, One April Morning, A Remembered Happiness, Prelude To A Summer Day, Insouciant Proclamation, Naive Pastorale, Athletic Poem, Calisthenics A La Hollywood, A Giddy Pace, Dancing In A Dream, Bunches Of Grapes, Days Of The Week, The Flower Will Bloom Another Year, Every Flower That Ever Grew, Allegro Moderato, Vigoroso E Parlando, Cantante E Poetico, Moderato Scherzoso E Grotesco, Moderato Cantabile, Moderato Marziale, Ritmico E Marcato |
| # OF MEDIA: | 1 |
| UPC: | 636943914328 |
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Customer Reviews of George Frederick McKay: Caricature Dance Suite, William Bolcom Solo; Viola Suite Eguchi/Margolis
A good introduction to this virtually unknown composer McKay was, for most of his adult life, professor of music at the University of Washington. He was the first graduate of the composition program at the Eastman School of Music and his teachers there were Christian Sinding and Selim Palmgren. He was an early teacher of William Bolcom.
The main performer on this disc is the eminent composer/pianist William Bolcom, who is involved in all the performances save that of the Viola Suite. And, of course, he is well-known for his way with a rag; all the better, then, that the first piece, cutely named 'Snickertyskip', comes on like something by Zez Confrey or Billy Mayerl. Indeed, most of the music here is fairly light in nature. And I must say that it also tends to be somewhat generic; character pieces like 'Storm Clouds' sound little like their titles to me. Nonetheless, this music is winning in its low-key, soft-spoken way. It seems, in retrospect, that the only piece that ventures for very long above a gentlemanly mezzo-forte is the Suite for Viola and Piano.
The first piece in 'An April Suite', called 'To the Blue Eyed Days of Spring,' is lushly romantic and stands out from the surrounding pieces by its delectable melodies and jazz-inflected harmonies.
The four songs sung by Bolcom's wife, Joan Morris, are unpretentious but telling. I was particularly moved by 'Every Flower That Ever Grew,' written near the end of McKay's life to an ancient Irish text. Morris's style, well-known from the 20 or more albums that she and her husband have recorded, is quite apt for these gentle, sometimes humorous, sometimes melancholy songs.
The Viola Suite, altogether stronger meat, with anger, irony, wit, near-resignation but ultimately resolute determination is convincingly played by Mahoko Eguchi, viola, and Sanford Margolis, piano.
Naxos is to be commended for their continuing series of recordings of virtually unknown music by American composers.