Cheap Gary Cooper: Farewell to Arms & Meet John Doe Video Price

Cheap Gary Cooper: Farewell to Arms & Meet John Doe (Video) (Frank Capra, Frank Borzage) Price

Gary Cooper: Farewell to Arms & Meet John Doe

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CATEGORY: Video
DIRECTOR: Frank Capra, Frank Borzage
THEATRICAL RELEASE DATE: 03 May, 1941
MANUFACTURER: Madacy Records
MPAA RATING: NR (Not Rated)
FEATURES: Black & White, EP, NTSC
TYPE: Drama, Feature Film-drama, Gift Set, Movie
MEDIA: VHS Tape
# OF MEDIA: 2
UPC: 056775201869

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Customer Reviews of Gary Cooper: Farewell to Arms & Meet John Doe

Two Great Classics
This video 2-pack contains two great film classics. While the prints may not be great, as these are two films which have fallen into public domain, they are very watchable if you don't expect too high a quality. <
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>Irene Dunne and Cary Grant star in George Stevens' tear jerker, "Penny Serenade" and Barbara Stanwyck and Gary Cooper star in Frank Capra's, "Meet John Doe." These are two true film classics, both long neglected. If you just want to see them, and don't mind turning the sound up a bit, then this may be the thrifty way to go! <
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>PENNY SERENADE <
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>An Old Phonograph -- <
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>George Stevens framed this entire film using flasbacks, an old phonograph playing the songs from various stages in the lives of two people who fall in love and are nearly torn apart by tragedy. The screenplay of Morrie Ryskind based on a story by Martha Cheavens is sentimental and heartwrenching. Cary Grant and Irene Dunne make it all seem real and director Stevens gives the film a romantic glow which makes this one of the most fondly remembered films of the 1940's. <
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>The story opens as Julie (Dunne) is getting ready to leave Roger (Grant) because of the pain caused by a tragedy in their lives he can not talk about so that they can begin to heal. She laments that they simply don't need each other anymore. When she finds an old stack of records she begins to trace the various stages of their love through the memories recalled by each song. <
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>Roger sees Julie through the window of the record store where she works, and though he doesn't have a phonograph player, he ends up buying a big package of songs just so he can spend time with her. He pretends he is going her way after work and it isn't long before she becomes "his funny little redhead." There are some wonderful scenes like Julie and Roger sitting in a cabana by the beach reading fortune cookies which gives the story a very romantic atmosphere. <
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>When Roger, who is a reporter, has a chance to go to Tokyo for a few years, the two get married and have a truncated honeymoon on a train which results in them becoming prospective parents. But an earthquake takes their happiness away and prevents them from having another child. Only when Roger gets an inheritance do they move back to the states and consider adoption while he starts the small town paper he has always dreamed of. What follows is warm, sweet and heartbreaking, and will result in Julie standing at the phonograph as she recalls their lives together before leaving. <
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>Whether their love and marriage can be saved is only resolved in the last few moments of this beautiful film. Edgar Buchanan as Apple Jack is absolutely wonderful as he lends both support and humor to this true screen classic. Beulah Bondi is also memorable as the kind Miss Oliver, going out of her way to create a family for two people who love each other. A warm and sentimental film every film lover needs to own. <
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>MEET JOHN DOE <
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>"I've been lonely and hungry for something practically all my life." <
>Long John Willoughby <
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>This Frank Capra film, unlike others he had made, leaned more towards drama than humor. Though there is humor, and many charming moments involving Gary Cooper and Barbara Stanwyck, the tone of the Robert Riskin screenplay, based on a story by Richard Connell and Robert Presnell, has more serious implications than Capra's other films. For that reason, and perhaps because the prints of this film are not as good as the others, "Meet John Doe" sometimes gets unfairly dismissed when Capra's films are discussed. This was the meat in what many call "Capracorn." <
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>Barbara Stanwyck is Ann Mitchell, a reporter soon to be unemployed when her paper is gobbled up by D.B. Norton (Edward Arnold). Desparate to keep the thirty dollar a week salary that keeps her two young daughters and her mom (Spring Byington) afloat, she begs editor Henry Connell (James Gleason) for her job back, but her plea falls on deaf ears. She exits with a column that's a real doozy, pretending she has received a letter from a "John Doe" who, because of the injustice in the world, the state of civilization, and the downtrodden, plans to kill himself at Christmas. <
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>A groundswell of support for John Doe gets Ann her job back, but now she and boss Connell must find a "John Doe." In walks Long John Willoughby (Gary Cooper), a hungry baseball player with a bad wing. He and his pal, Colonel (Walter Brennan), are just hungry enough to play along. Colonel has reservations from the get-go, however, afraid that Long Johm will become a helot--a guy with a bank account. <
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>Long John just wants to earn enough to get the arm he injured pitching a 19 inning game fixed by Bonesetter Brown, but his shy affection for Ann keeps him around long enough to make a radio speech, written from words in her father's diary. His speach spreads the John Doe movement all across the country. It is the crusty Colonel who sees the train wreck coming, however, and takes off. <
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>Clubs start up everywhere, only the "little" people allowed to join. People start treating their neighbors with kindness, showing the spirit of Christmas on a day-to-day basis. D.B. Norton, however, has political aspirations, and sees a way to twist the movement to fit his ambitions. It is Henry Connell who clues in Long John on what is about to happen, letting the air out of his balloon and shattering his smitten image of Ann, with her chestnut hair and great legs.What follows, as the country discovers John Doe was a fake, will lead Long John to a rooftop overlooking the city on a snowy Christmas night. <
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>Stanwyck is wonderful here, as Ann slowly comes to realize she has found a man like her father but may have helped to destroy him. Cooper is memorable as Long John Willoughby, a shy ball player who realizes he has come to stand for more than he ever could have on the pitching mound. Brennan is his usual great character, looking out for Long John as much as he can. <
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>There are some warm and sentimental moments between Cooper's Long John and Stanwyck's Ann mixed in with the social drama, and some charm as well. Cooper's scene with Ann's mom, whose help he needs to ask her daughter to marry him, has a sweetness to it that is long gone from today's films. And the baseball scene in a hotel room, when they play pretend ball, is a classic. <
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>This is a wonderful film about the little guy that sometimes gets analyzed too much. All Capra was trying to do, was remind people that the first John Doe came a long time ago, and people still weren't listening. This is a film that works best if you forget it is a Frank Capra picture, and just enjoy it on its own merits. It can then be placed proudly beside the director's other classics on your movie shelf. <
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>IN SUMMATION: <
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>These are two fine films from the 1940's you don't want to miss. Irene Dunne, Cary Grant, Gary Cooper and Barbara Stanwyck were four of the reasons we watch the movies. These two films are splendid examples of their talents, and fine films every film buff needs to own.

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