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| ACTORS: | Anthony DeSando, Nicholas Turturro |
| CATEGORY: | Video |
| THEATRICAL RELEASE DATE: | 24 February, 1995 |
| MANUFACTURER: | Lions Gate |
| MPAA RATING: | R (Restricted) |
| FEATURES: | Black & White, Closed-captioned, NTSC |
| TYPE: | Feature Film-drama |
| MEDIA: | VHS Tape |
| # OF MEDIA: | 1 |
| UPC: | 031398621133 |
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Customer Reviews of Federal Hill
Under rated gem This movie was filmed in my home town of Providence, Rhode Island in the early 1990's. Back then Providence wasn't looking so good, as it was going through lots of construction. You can see some of the ugliness & gloom Providence experienced back then, in this film. It's a melancholy drama, with hints of oddball humor and plenty of greasy mob guy language. Also you can see enjoyable early footage of some famous actors, and some who SHOULD be more well-known. The portrayals of Rhode Islander Italian Americans is very well done. <
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>The story is fairly simple, but very rich in texture and <
>typical Italian culture (namely the thug stereotypes.) The neighborhood in Providence in which the actors (thug-types) grew up together in, is called Federal Hill, hence the name of the movie. I used to live there growing up, and the scenes on 'the Hill' such as the bakery/deli, and the restaraunt, were very pleasant for me to see. <
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>Needless to say, there is some odd behavior amongst a couple of the main characters, which leads to PLENTY of trouble! <
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>With a good dose of drama, humor, sometimes depressing situations, class, and quality acting, Federal Hill is a well done, low budget, artsy mob-flick.. Under rated indeed! <
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>These days, the downtown area of Providence is beautiful and a lot has been done to make this colonial city a fun place to visit. <
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>The actor who plays Ralphie went on to become a big star on a major network station's police drama.. and the actress who plays the character Wendy in the film, can currently be seen on a home makeover program. <
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>During the end credits of this wonderful film, the very beautiful song 'Run You Away' from the artist Susan Said (susansaid dot com) plays for you to enjoy... this song suits the ending perfectly, as it is very sad. <
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>The previous reviewer was unconstructive in his tearing-down of this wonderful film. I don't see how anybody could dislike it, as it's a pleasure to watch. There is a black & white version, and a color version, I own the color VHS and also a color Laserdisk. It played on cable many times back in the mid-90's. <
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>If you like mob flicks that aren't so 'gang related', but more 'bad decisions amongst buddies'.. then you should check this out. <
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>Thumbs up for a favorite movie of mine, and for great shots of my old stomping grounds! (for some reason there are 2 review pages, one for dvd and one for vhs)
MANY PLEASURES ARE TO BE FOUND HERE.
Providence, Rhode Island, and in particular its neighbourhood of the title, serves as but one among many interesting personalities in this well-wrought feature film debut of its director/scriptor Michael Corrente. Completed in less than one month and having a sparse budget, the skillfully edited work benefits from a forceful narrative drive that includes several parallel plot strings. Five Italian-American friends share the major portion of the scenario, with brothers Ralphie (Nicholas Turturro) and Nicky (Anthony DeSando) having their close relationship jeopardized by the latter's romantic involvement with a Brown University co-ed. At the same time, their cousin Bobby (Jason Andrews) finds himself dangerously in debt and when collection time nears, Ralphie agrees to help him raise the needed cash through an ingenious and illicit scheme. Based upon an early single act play by Corrente, later expanded to a full-length piece, "Ledge Street", this production displays a strong motif dealing with the difficulty of overcoming class distinctions. Shot with black and white stock, appropriate for its mise-en-scýne, the picture was slated by its distributor, Trimark, for colourization to make it palatable for movie theatre audiences, but Corrente did not back away from his chiaroscuro vision and it remained as his perception dictated, although he permitted colour processing (under his oversight) for its video release, it therefore owning an odd distinction of being the only modern U.S. black and white film that had colour added for home consumption. The interlaced lives of the principal characters are strongly portrayed by the cast, Turturro nabbing acting honours with a passionate and layered performance, with only the female lead, in her initial feature, failing to convince in her rýle. Cinematographer Richard Crudo obviously is a creative partner here of Corrente, and there is a great deal of originality within his compositions, while he is able to make something fresh with use of closeups. A feeling is generated that the Federal Hill district has its distinctive persona, and incisive dialogue binds a viewer's attention to Ralphie and Nicky's widely variable states of mind in a film that carves a niche for its cinematic mýtier and for its auteur.
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