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Cheap Farewell to Arms / Movie (Video) (Frank Borzage) Price

Farewell to Arms / Movie

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The 1932 version of A Farewell to Arms owes as much to the shimmering house style of Paramount Pictures as it does the novel by Ernest Hemingway. If Hemingway purists can get past the romanticizing of the book, however, this film offers its own glossy appeal. On the Italian front in World War I, an American ambulance driver (Gary Cooper) falls in love with a nurse (Helen Hayes, before she became the official First Lady of the American The-a-tah). Cooper was a Hemingway friend in real life, and later played the hero of Hemingway's For Whom the Bell Tolls; his boyish simplicity is just right for director Frank Borzage's heartfelt approach. Image Entertainment's DVD release is a stunningly gorgeous improvement on the muddy prints of this film that had been circulating for years, a fitting tribute to the Oscar-winning cinematography of ace cameraman Charles Lang (this is the kind of lush black and white that can capture the glow from a cigarette as it plays across Cooper's darkened face--a breathtaking touch). The jaded battle scenes show the influence of the hit film version of All Quiet on the Western Front, especially in a gripping montage depicting Cooper's progress alone through the war zone. Hemingway would have none of it, of course; he once disdainfully wrote that "in the first picture version Lt. Henry deserted because he didn't get any mail and then the whole Italian Army went along, it seems, to keep him company." This is first and foremost a love story, however, and as such it succeeds beautifully, right through to the remarkably intense ending. --Robert Horton
CATEGORY: Video
DIRECTOR: Frank Borzage
THEATRICAL RELEASE DATE: 08 December, 1932
MANUFACTURER: Madacy Records
MPAA RATING: NR (Not Rated)
FEATURES: Black & White, NTSC
TYPE: Drama, Feature Film-drama, Movie
MEDIA: VHS Tape
# OF MEDIA: 1
UPC: 056775420130

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Customer Reviews of Farewell to Arms / Movie

War is hell. The print I saw looked like hell.
Apparently there are cleaner copies out there. That's good. I first saw this movie long ago (on 16mm) when I read the book but forgot most of it. Gary Cooper & Helen Hayes were great actors even back in 1932. They are the best part of the movie. One of Hemmingway's best novels, did not make a good transition. I'm not sure he knew Cooper personally at this time but did pick him for the role of Lt. Henry. They were close afterwards. Hemmingway didn't like the movie much. I don't remember seeing Helen Hayes very often, her being a stage actress. She is wonderful & gorgeous as Katherine & may have loved Cooper for real as lots of his leading ladies did. If she didn't, that's good acting. It is war & theirs is a really hot, sexual love affair. The war intervenes & separates them. The battle scenes & the montages of Lt. Henry's search through Italy for Catherine was a mess. Were all the scenes shot at night? That made it rather tedious. Adolphe Menjou had a meaty role as Major Rinaldi, Lt. Henry's doctor, best friend & ultimately the source of all his problems. It's on from time to time. Or find a clean copy to own.


5 stars
I think this is the best old school movie i've ever seen and i think it should be updated and remade like,King kong. <
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A Memorable Film in Need of Restoration & Re-Release
The 1932 film version of Ernest Hemmingway's A FAREWELL TO ARMS will never challenge the likes of ALL QUIET ON THE WESTERN FRONT--but while it fails to capture the horrors of World War I it is remarkably effective at capturing the novel's sparse and unyielding prose. A good deal of the credit goes to writers Garrett and Glaizer and director Borzage--but the real interest here is not so much in the cinematic interpretation of the Hemmingway novel as it is in the cast, which is remarkable. <
> <
>Actress Helen Hayes was already among the leading lights of the New York stage when she was lured to Hollywood for a handful of films in the early 1930s--and it is easy to see what all the fuss was about. Plaintive beauty aside, unlike most stage and screen actors of the era she is completely unaffected in her performance and proves more than powerful enough to overcome the more melodramatic moments of the script. She is costarred with Gary Cooper in one of his earliest leading roles, and while the pairing is unexpected, it is also unexpectedly good: they have tremendous screen chemistry, and in spite of the film's dated approach they easily draw you into this story of an ill-fated wartime romance between a nurse and an ambulance driver. <
> <
>The film is also well supplied with a solid supporting cast that includes Adolphe Menjou, Jack La Rue, and Mary Philips, and while clearly filmed on a slim budget--something most obvious in the battlefront sequences--the camera work is remarkably good. Unfortunately, all this counts for nothing unless you can find a print of the film that you can stand to watch. It is sad but true: the 1932 A FAREWELL TO ARMS seems to have fallen into public domain, and the result is a host of DVD and VHS releases that range from the merely adequate to the incredibly dire. <
> <
>I have encountered a number of these releases over the years, and I feel safe in saying that the best DVD presently available is the Delta release; the VHS honors go to the out-of-print Burbank Studio "Hollywood Favorites" version. But this is only in comparison with the unspeakably vile Madacy and Front Row versions, which should be avoided at all cost. Simply stated, there does not seem to be a truly first rate version available to the home market, and you may be better off looking for a late-late showing a local television channel. <
> <
>GFT, Amazon Reviewer

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