Cheap Fallen Angels, Vol. 1 (Video) (Jim McBride, Tom Hanks, Kiefer Sutherland, Tim Hunter, Phil Joanou, Steven Soderbergh, Jonathan Kaplan, Michael Lehmann, John Dahl, Alfonso Cuarón) Price

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Customer Reviews of Fallen Angels, Vol. 1

The first story stars Peter Gallagher as a conman/cardplayer, and reminds very much of the cheap detective stories my father had. In this world nobody really works, everybody cons, even the nice old sweet couple Gallagher meets in a train and tries to win their money. Wrong move, of course, he gets thrown out in the middle of a desert and later picked up by a car driven by a newly married couple: a man who is a Bible printer and his gorgeous wife, Isabella Rossellini, who nags and nags until than man stops the car and.... Gallagher in is the middle of another plot. Unrealistically beautiful and dangerous women, sadistic killers, organized crime - the lot. A real 40's B-movie in 30 minutes.

'Murder, obliquely' is why I wanted to see this. Laura Dern gets invited to meet a friend of her friends, Dwight (Rickman), and immediately knows, this is her first and final love. Though the man doesn't seem to be interested. They get interrupted by Rickman's lover, a well built redhead - and her new husband. In Rickman's mind the thing isn't over, so newlyweds exit after the woman has thrown all Rickman's gifts on his face. And a bit later they are again, apparently, lovers. Until Dern's innocent remark about a canceled concert breaks everything.

'Murder, obliquely', directed by Cuaron, is different from the two other ones. Everything really happens somewhere else. What we see and hear are Dern's narrative and a couple of people reacting to hints. They are always inside, in doorways, half letting someone in but still keeping them out. Very little is said but Dern's narrative. I've never really liked Dern, but this time she was good. And Rickman... There's again that odd mix of soft, slow sensuality, cunning, cold, calculating intellect and a touch of vulnerability and sincerity (which may be even real). One starts thinking: "OK, he's not young and handsome (though I must admit I find his profile intriguing), but he probably could charm you before you realized what is happening, and kill you without anybody noticing you are dead - and he'd probably have a very good and justified reason for doing it, damn it!" So you don't wonder Dern's choice in the end, though you yourself start speculating: what then? is he serious? is he planning something else? Dern's way of repeating: "My first and final love" leaves a whole lot of options. And to me it reminds the end of Francis Iles' novel 'Before the fact', which I've always liked very much. Yes, this is a good buy for a Rickman-fan, though it doesn't give that many minutes of him.

The third one is again a more active story, moving from city to city, from real live celebrities to the mob. Tim Matheson is Howard Hughes - an odd choice - and Gary Busey the guy, who works for him and Michael Cohen, hyperactivelly played by James Woods. Busey, too, is an odd choise for the guy who seems to have a decent heart somewhere, but everybody works rather fine.
The story moves around a blond bombshell, whom both Hughes and Cohen want to find. But she isn't what she appears to be, though she worked as a prostitute. All the marks of a Bogart-type movie are here; the cynical lead character, criminals, mobsters, dead men turning up from all sorts of places, a beautiful, elusive woman, wanted by many and yet seemingly capable to take care of herself and have her own, cunning plans.

Well, I liked these. I've always liked film noir and even with these modern actors (which sometimes make the stories come very close to a parody) and brilliant colours they were well made and amazingly loyal. I even liked the order, with calm, hinting 'Murder,obliquely' placed in between Bogart-style stories. A well deserved 4 stars.