Cheap Europa Europa (DVD) (Marco Hofschneider, René Hofschneider, Salomon Perel) (Agnieszka Holland) Price
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| ACTORS: | Marco Hofschneider, René Hofschneider, Salomon Perel |
| CATEGORY: | DVD |
| DIRECTOR: | Agnieszka Holland |
| THEATRICAL RELEASE DATE: | 01 January, 1991 |
| MANUFACTURER: | MGM/UA Video |
| MPAA RATING: | R (Restricted) |
| FEATURES: | Color, Widescreen |
| TYPE: | Foreign Film - German |
| MEDIA: | DVD |
| # OF MEDIA: | 1 |
| UPC: | 027616884190 |
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Customer Reviews of Europa Europa
Mesmerizing story based on true events¿ Europa Europa is set in the year before and during the World War II in Europe. The story is based on the true events of the young boy, Salomon "Solly" Perel (Marco Hofschneider), son of a shopkeeper in Poland who experienced brutality through the eye of the enemy as he had to disguise himself in order to survive as his heritage was Jewish. Initially Solly escapes the German's wearing a Nazi leather coat with the Swastika on the arm, which becomes his first disguise or act in order to survive. This continues throughout the film where Solly must hide his true identity, which deals with his circumcision, culture, and background. The constant acting by Solly leads him to begin to feel unsure about his true identity as he tries to assimilate into Nazi-German culture and reject himself. At one point Solly's feelings towards his Jewish background are close to hatred as he also struggles with the natural dilemmas of a teenager such as identity and love. Europa Europa is a dark coming of age film depicting the terrible destiny of Solly as he grows up as a pro-Nazi in order to survive and have self-discovery while hiding himself from himself. When the audience stretches their legs during the end credits there will be much room for pondering and contemplation as Europa Europa leaves the viewers with an excellent cinematic experience.
A World Turned Upside Down and Inside Out: Could You Survive
This is one of the best films in the genre--historial film from autobiography. Marco Hofschneider brings to brilliant life the story of Salamon Perel, a German Jew. From the days of Kristallnacht--the Night of Broken Glass, when Jewish businesses were trashed and vandalized throughout Germany, to his final reunification with his brother--to poignant to say more about this here...this is a cinematic masterpiece.
I've seen few films that capture the turmoil of adolescent identity and identification so well. True, the Nazi era is the backdrop, but the themes couldn't be more universal. In that respect, it is also more relevant today, in 2004, than during the 1980s, when it was filmed--especially in America, where the American identity has been deconstructed so as to be hardly palpable. Also, it is equally relevant in Europe, where national distinctions could meld into a Confederacy if not a Union of some power.
Politics aside, this is an intensely personal film, one where the unquestioned identity of youth (German) falls victim to oncoming War and cruel happenstance. Perel must continually revise his vision OF himself and FOR himself, and at one point wishes for nothing more than to be an Nazi, for a beautiful young German girl becomes enfatuated with him. How did he end up in this position, wearing the uniform of the Hitler Youth at an Elite boarding school in Berlin? Or lose his virginity to a high-ranking female Party member while he is escorted by train from the Eastern Front to Berlin, as a Folk Hero (Volksdeutscher Held). Perhaps you think it unimaginable. I do not.
I've seen places in German where the remnants of Jewish culture and tradition are clear as day--such as a former High School for Jews in Berlin--with Hebrew and German inscribed clearly in the stones.
No, though Germany seems to some a heartless pillar of unemotionality, efficiency, heartlessness, the German characters in Europa, Europa are as human as those found anywhere. They fall victim to their personal aspirations, desire to please, deceitfulness, betrayal...simply put, human.
Although current fashion is to think of the period as one of the "banality of evil" (attributed to Hannah Arendt, Holocaust scholar), this film exposes the period as one more of human triumph and tragedy, and that, while we grow into adulthood, our personal identity is as much at the mercy of the passage of time and events as a unique, solitary construction.
See this film! It will draw you into the themes of Life, Love, and Redemption, and be over leaving you desperate for more.
Warning - Not Much Of This Movie Is True
Mr. Perel's story - that is to say, his autobiography - is interesting and compelling. Regretably, this movie has taken literary license to an unfortunate extreme. "Leni," his girlfriend of sorts at the Hitler Youth School, was never pregnant in real life. At the end of the war, he was actually captured by the Americans in his sleep rather than the dramatic capture by the Russians depicted in the movie. He never captured a Russian position as depicted in the movie or otherwise. And, the homosexual German soldier depicted in the movie didn't merely make a casual pass at Perel - he actually tried to rape Perel on a number of occassions, once by trying to knock him out with chloroform (And yet in the end he did keep Perel's secret and they did become friends, as depicted in the movie). Not only was the movie full of drama that never happened, it also cut out significant events which did occur in real life - for example, Perel confronted his classmates and teachers at the end of the war. A very good movie, yes, but it irks me a great deal that so many "facts" were concocted out of thin air, at the expense of many true compelling events. I therefore do not recommend this movie, and instead recommmend Perel's book, and also the book "Hiding in Plain Sight" by Betty Lauer, which was published in March 2004.