Cheap Gidon Kremer Edition Lockenhaus, Vol. 1/2 (Music) (Clemens Hagen, Ko Iwasaki, Markus Stocker, Eduard Brunner, Andre Caplet, Cesar Franck, Leos Janacek, Francis Poulenc, Dmitry Shostakovich, Igor Stravinsky) Price
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| ARTIST: | Clemens Hagen, Ko Iwasaki, Markus Stocker, Eduard Brunner, Andre Caplet, Cesar Franck, Leos Janacek, Francis Poulenc, Dmitry Shostakovich, Igor Stravinsky |
| CATEGORY: | Music |
| MANUFACTURER: | Ecm Records |
| TYPE: | Quintet for Keyboard and Four String Instruments, Octet for Eight String Instruments, Chamber Music for More than Nine String Instruments, Classical, Quartet for Four String Instruments, Vocal, Transcription for Keyboard, Chamber Music, Chamber, Music for String Quartet with Other Instrument(s), Two Woodwinds with Keyboard/Continuo, Song Cycle for Solo Voice and Piano, Classical Music, Keyboard |
| MEDIA: | Audio CD |
| TRACKS: | Quintet In F Minor For Piano And Strings: Molto moderato quasi, lento. Allegro, Quintet In F Minor For Piano And Strings: Lento, con molto sentimento, Quintet In F Minor For Piano And Strings: Allegro non troppo, ma con fuoco, Conte fantastique d'apres une des, Dex melodies extraits de Fiancailles pour rire: Zwei Lieder aus, Dex melodies extraits de Fiancailles pour rire: Zwei Lieder aus, String Quartet No.1: Adagio. Con moto, String Quartet No.1: Con moto, String Quartet No.1: Con moto. Vivo. Andante, String Quartet No.1: Con moto (Adagio). Piu mosso, The Soldier's Tale: Tango -Valse- Ragtime, Concerto en Re: 1. Vivace - 2. Arioso. Andantino - 3. Rondo. Allegro, Two Waltzes For Flute, Clarinet And Piano, Two Waltzes For Flute, Clarinet And Piano, Two Pieces For String Octet Op.11: Prelude - Adagio. Piu mosso. Adagio, Two Pieces For String Octet Op.11: Scherzo - Allegro molto. Moderato. Allegro |
| # OF MEDIA: | 2 |
| UPC: | 781182130425 |
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Customer Reviews of Gidon Kremer Edition Lockenhaus, Vol. 1/2
Lockenhaus Franck compelling but scruffy I spent a lot of money for the Kramer-produced set of interesting performances (and they ARE live performances)mainly to hear the Franck. Kramer himself doesn't play in this performance. The sound is a bit harsh and at times indistinct. The dynamic range is huge; this isn't a recording for anything but dedicated listening, preferably in a large room. The ensemble is often sketchy, sometimes atrocious, and the pianist misses quite a few notes in ways that are all too obvious. That said, the reading itself is full of urgent energy, quirky but effective rhythmic nuances, and above all passion. This ain't a ho-hum performance, but that's probably not a surprise from this group. The audience goes wild at the end. I guess you had to be there.