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| ACTORS: | Peter Sellers, George C. Scott |
| CATEGORY: | DVD |
| DIRECTOR: | Stanley Kubrick |
| THEATRICAL RELEASE DATE: | 29 January, 1964 |
| MANUFACTURER: | Columbia Tristar Hom |
| MPAA RATING: | PG (Parental Guidance Suggested) |
| FEATURES: | Color, Closed-captioned, Widescreen, Dolby |
| TYPE: | Feature Film-comedy |
| MEDIA: | DVD |
| # OF MEDIA: | 2 |
| UPC: | 043396026162 |
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Customer Reviews of Dr. Strangelove (40th Anniversary Two-Disc Special Edition)
"I think you're some kind of deviated pre-vert." Some films have a timeless quality intrinsically inherent with the story, allowing for them to maintain a certain amount of relevance, despite the subject matter, or when they were made. This aspect holds true for many of Stanley Kubrick's films, in my opinion, and is true with this film, Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb.
Directed by Kubrick, written by Kubrick and Terry Southern (Easy Rider), based on the serious novel Red Alert aka Two Hours to Doom by Peter George, and starring Peter Sellers, George C. Scott, and Sterling Hayden, Dr. Strangelove deals in a highly farcical and satirical manner the subject of nuclear proliferation, and proposed responses devised by men of power to perceived threats, whether they be based on reality, or founded from paranoia.
The film starts off with Brigadier General Jack D. Ripper (Hayden), commander of Burpelson Air Force Base, initiating Attack Plan R to his group, a plan created to allow someone other than the president to launch a nuclear counterattack in the event the enemy has managed to disrupt the normal chain of command, thereby preserving our response abilities despite significant loss of leadership. Only problem is, there has been no offensive put forth by enemies of America, and it turns out this issuance was completely unprovoked and the result of one who has basically lost his mind. Group Captain Lionel Mandrake (Seller, in one of three roles), a British officer participating in a officer exchange program, and, subsequently Rippers 2nd in command, realizes this, and must act before the B-52 bombers reach their destinations within the Soviet Union and deliver their atomic payloads, in turn setting off a new doomsday device conceived by the Soviets due to the fact that they were unable to keep up the United States in terms of arms proliferation, which, if activated, would cover the planet in a radioactive cloud for 100 years, destroying all life on Earth. Pretty heavy stuff, huh? One wouldn't think there'd be much humor to be found in a situation like this, but then one would be wrong...
The humor comes in the form of the absolute ludicrosity (it's not a word, as I just made it up) of the situation grown from the intense level of paranoia developed between democratic and communist powers after WWII and how, once things are set into motion, how safeguards meant to protect us basically work against that goal. It's really pretty funny to see what a mutated beast has been born of these fears, both perceived and real. Hayden Sterling is wonderful as the psychotic general with visions of communists infiltrating the very core of our democratic being, with his thoughts on 'precious bodily fluids', and conspiracies by the red menace to undermine and sap our strength. Peter Sellers is perhaps the standout in the film, playing three separate parts with such ability that I often unable to distinguish the actor from the characters within the film, seeing not an actor playing three separate parts, but only seeing three distinct characters in the British officer Mandrake, President Merkin Muffley "Gentlemen, you can't fight in here! This is the War Room", and finally ex-German scientist Dr. Strangelove "Of course, the whole point of a Doomsday Machine is lost if you keep it a secret! Why didn't you tell the world?", advisor to the President. One thing each of the characters does have in common is the Seller's comedic genius. His most memorable roles were those involving the bumbling Inspector Clouseau in the Pink Panther movies, but his skills shine through in his portrayal of three completely separate personalities, one straight-laced (Mandrake), another sort of bewildered but trying to maintain a sense of control (President Muffley), and a third hilariously over the top (Dr. Strangelove). Finally, there's George C. Scott's performance as the scheming, opportunistic, plotting and conniving, but all in the name of patriotism, General 'Buck' Turdigson "Mr. President, I'm not saying we wouldn't get our hair mussed. But I do say no more than ten to twenty million killed, tops. Uh, depending on the breaks". He completely reminds me of his lead role from the film Patton (1970), but in a very perverted, devolved manner. Great support roles include Slim Pickens Major T.J. 'King' Kong as the pilot of one of the B-52's, James Earl Jones as one of his crewmembers, and Colonel 'Bat' Guano as the leader of the force assigned to take control of Burpelson Air Force Base, and recover the recall codes from base commander General Ripper.
All in all, Kubrick has just an amazing style for relating a story to the audience. From his use of different formats of film to evoke a particular mood or convey a sense of feeling, i.e. the documentary style use for the actual fighting footage at the air force base, to the choice of music to enhance the tone set in the various scenes. It all works perfectly to create mock realism in spite of the comedic nature, presenting the essence of a black comedy.
The picture looks wonderful in this full screen format, and you will see that change from time to time as Kubrick used various aspect ratios in the film. As far as special features, there are quite a few of them, including a theatrical trailer, a featurette titled 'The Art of Stanley Kubrick: From Short Films to Strangelove', a documentary titled 'The Making of Dr. Strangelove', original split screen interviews with actors Scott and Sellers (this was done by having the actors answer pre-determined questions, and then local interviewers could be added in later asking said questions, making it look like they were interviewing the actors), promotional advertising gallery, and talent files. Some have called this 'The Greatest Black Comedy of All Time', and I would have little difficulty in arguing that...
(...)
Fluoridation's communist beginnings.
Like most of his later films, Kurbrick's excellent black comedy on nuclear war was filmed in England. Dr. Strangelove is the gold standard of dark comedies and remains funny to this day. Made in the early '60s at the height of the cold war it savagely skewers the paranoia of the era.
Sterling Hayden's portrayal of the pathologically paranoid General Ripper is second to none. His expression of concern towards Peter Sellers with "precious bodily fluids" and their contamination by communist inspired fluoridation of the water system is one of the funniest moments ever put to film.
Ripper's decision to send nuclear bomb carrying bombers towards Russia without releasing the recall code sets up the stage for Dr. Strangelove. The US president attempt to warn the Russians and at the same time preparing for the inevitable with his paranoid and dysfunctional advisors.
There are so many memorable characters. George C. Scott's General Buck Turgidson adds some great humor with his anti-Soviet posturing in the famous "War Room" scenes and with his mistress. Sellers is great in his three roles, Group Captain Mandrake one of the only sane individuals in the film who attempt to get the code from Ripper, President Muffley and the hilarious Dr. Strangelove an ex-nazi scientist who keeps confusing just whom he's working for- the Third Reich or the US.Don't miss James Earl Jones as Lt Lothar Zogg and Slim Pickens as Maj "King" Kong.
Dr. Strangelove is still retains its humor. This due to the excellent casting, comedic and smart scripting and Kubricks direction. Kubrick was always a technical genius (see 2001 or Barry Lyndon), but Dr. Strangelove is also less cold than many of his films can sometimes be. It is his only comedy and one of the great films of all time.
The highest recommendation.
Oh for the days of the Cold War!
Every ideology that seems terribly important to one generation usually ends up seeming idiotic and even disturbingly naive to the following generation.
Think about it. The ideologies of the 18th century - dying for one's prince, duke or loot - seemed insane during the Napoleonic Wars, when nationalism became THE primary motivating factor.
"Pure" nationalism - like the extreme gung-ho attitudes at the beginning of World War I - seemed rather distasteful to the Allied forces in World War II, who fought to liberate peoples from Fascism.
The idea that Fascism would always endure, and was seriously in danger of taking over the world, seemed laughable during the Cold War.
How does the Cold War look to us today? The McCarthy era; Americans truly believing the USSR and the Communists were veritable Antichrists; truly believing that DESTROYING ALL LIFE ON THE PLANET was a feasible prediction about life in the near future; that the world was, always had been, and always would be, characterised by a fight between Communists and Capitalists.
*Sigh*
Dr Strangelove (or: how I learned to stop worrying and love the bomb) is actually MORE funny - and disturbing - in some ways now than it was before. Admittedly I can sort of understand the immense impact of this film - could ANY politial satire have been more timely - but the fact that the "better red than dead" ideology nowadays seems as ridiculous as fighting for your Duke, means that this film can be seen in a new light.
People actually believed that is was better to be dead than Red? (Yes they did). People actually believed fluoridation of water was a communist conspiracy??? (Yes, they did). The Russians actually contemplated building a Doomsday device? (Yes they did!!! Josef Stalin actually started research on such a device, which would have EXTERMINATED ALL LIFE ON THE PLANET for the sake of a politial dispute between Communist and capitalist that today seems absolutely laughable!)
The passing of the Cold War era means that this movie is seriously disturbing. To a new generation, the all-annihilating power of the superpowers of the 1960s appears to have been based on disputes that appear petty in the extreme. Truly this movie makes us wonder what future generations will think of our fixation on modern ideologies; in an era that began three years ago with the late unpleasantness - and which is already making Francis Fukuyama's ideas, from the happy days of the 1990s, seem obsolete. He claimed that history was over; that free market ideology was the ULTIMATE ideology that would finally bring about an end to all future historical events by making us all live in peace.
That is SO 1995...
History is not over. Each generation seriously believes its own era is the ultimate era - that their own era is THE era whose disputes TRULY matter.
Well, history changes, as Strangelove shows us. I seriously hope that this movie makes us moderns think a little further before considering annihilating the world again! At least over something like fluoridation of water...