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Die Walküre (The Valkyrie) is the second of the four operas in Richard Wagner's Ring cycle, and the first of the early curtain, late-bedtime-length operas that inspired the term "Wagnerian" as a synonym for "extremely long." In it we meet a large quantity of the known offspring of the philandering head god, Wotan, including the nine Valkyries--warlike maidens who haul dead heroes to feast forever with the gods at Valhalla--and Wotan's twin children by a mortal woman, Siegmund and Sieglinde. The opera opens with Siegmund, defeated in battle, rushing into the first shelter he finds. It turns out to be the unhappy home of Hunding and Sieglinde. Sieglinde is Siegmund's twin sister, but that doesn't stop them from declaring their love and running off together, right after Siegmund pulls out the sword that their father left stuck in the tree that grows in the middle of the great hall. Brunnhilde, the chief Valkyrie, is first ordered by their father to help Siegmund, but he has to change his mind when Fricka, the goddess of marriage, points out the irregularity of the relationship. Brunnhilde admires Siegmund and tries to save him, but has to settle for saving the pregnant Sieglinde; as a reward for Sieglinde's audacity, Wotan puts her to sleep on a rock surrounded by fire that only a man who has never known fear can penetrate.
Rudolph Sabor's version of the libretto does a wonderful job of capturing Wagner's rhythms and idiom and bringing the whole into accessible English. This translation--which also includes suggestions for further study and comments on the action--would be a useful companion to listening to a recording of the Ring, because it points out when the leitmotifs occur.
| AUTHOR: | Rudolph Sabor |
| CATEGORY: | Book |
| MANUFACTURER: | Phaidon Press |
| ISBN: | 0714836524 |
| TYPE: | 1813-1883, Genres & Styles - Opera, Librettos, Music, Operas, Ring des Nibelungen, Wagner, Richard,, Music / Opera, Wagner, Richard |
| MEDIA: | Paperback |
| # OF MEDIA: | 1 |
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Customer Reviews of Die Walküre
Concern as to the accuracy of the German translation I have been using the Sabor translation of 'The Ring' libretto and,for me,as a German speaker,I have found lots of examples where the English transalation does not appear to reflect the German text and I find that the William Mann and Lionel Salter translations,for me,provide a closer word for word translation of the text.I am surprised that Mr Sabor includes 'accuracy' as one key to his translation - I have found examples where questions become statements with an exclamation mark,different tenses ... the list goes on.This translation is a disappointment.The helpful aspect of the text is the inclusion of 'leitmotiv' by the text and the inclusion of sundry notes,though at times these appear to be fatuous.