Demons of the Mind DVD

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Demons of the Mind

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"This place reeks of madness and decay!" Well, yes, we're in a Hammer horror mansion, so it would. This time the setting is early 19th-century Bavaria, where a baron (hammy Robert Hardy) is desperately trying to cure his grown children of the hereditary affliction that bedevils them. Although it's obsessed with blood, this movie is rather anemic, notwithstanding the sexiness of early-'70s Hammer pictures. It does boast a striking cast: young hero Paul Jones was the lead singer of Manfred Mann, ethereal blonde Gillian Hills is a memorable waif (a role envisioned for Marianne Faithfull), Michael Hordern is a rabble-rousing priest, and Patrick Magee does his usual boiling-teakettle sputtering as a mad mesmerist. There's promise in Magee's weird ideas about a psychological cure for the incest-minded household, but like so much about this film, it's not as much fun as it sounds. --Robert Horton
CATEGORY: DVD
DIRECTOR: Peter Sykes
THEATRICAL RELEASE DATE: May, 1974
MANUFACTURER: Anchor Bay Entertain
MPAA RATING: R (Restricted)
FEATURES: Color, Widescreen
TYPE: Horror
MEDIA: DVD
# OF MEDIA: 1
UPC: 013131192797

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Customer Reviews of Demons of the Mind

"It's in the blood"
Hammer Studios 1972 release of Demons of the Mind wasn't quite what I expected...it does have a number of the markings of a Hammer film, gothic settings, lush scenery, horse drawn coaches, angry villagers, a little blood, and let's not forget the naked women, but it takes a different turn in the type of story presented. There are hints of a physical monster, but the real terror appears to us in a more metaphysical sense.

The movie is very slow going for about the first half, as the movie seems clutch to certain plot elements like a miser to his coins, not sharing much. Patience is needed, but may not be worth the wait for someone expecting a more traditional Hammer horror film in the manner of Dracula or Frankenstein. I recognize and appreciate the effort made to try and expand on the traditional Hammer format, but I just didn't feel this movie clicked entirely with me. I didn't so much mind the slow pacing, but the horror was more obtuse and unfocused, in my opinion.

The story involves a Baron and his semi-adult children and a horrible event that happened when the children were much younger. They seem to suffer some sort of malady, which the Baron is convinced is 'in the blood', so he keeps them drugged up real good and uses archaic techniques of blood letting to try and find the cause, which renders his children pale and weak. There is murder, incest, and a slight mystery involving a subplot about nearby village women being murdered, but the mystery isn't much of a mystery.

Not a bad movie, and I really did enjoy the gothic feel throughout. I also really enjoyed Patrick Magee's (A Clockwork Orange) performance as Falkenburg, a doctor with dubious credentials enlisted by the Baron to assist in helping the Baron cure his children from their 'Demons of the Mind'. Another notable actor in this movie is Paul Jones, lead singer of the 60's rock group Manfred Mann.

Anchor Bay releases an excellent wide screen print of the film, along with the standard trailer and also includes a separate commentary track with the director, the writer, and one of the actresses, of which I have not had the opportunity to listen to yet...and look for the excellent and thorough 'liner' notes in the small foldout inside the DVD case.


Horrible Movie...could it get more boring?
The only good thing about this movie was the scenery. The story makes no sense. It jumps all over the place. One of, if not the the worst Hammer Film I have ever seen.

It's hard to believe that this is the same company and same directer that filmed the great 'To The Devil a Daughter.'

Don't waste your time or money on this one.


A neglected gem
Although often overlooked, this ranks with Peter Sasdy's "Hands of the Ripper" as one of the finest and most unconventional films produced by Hammer in the 1970s. It looks gorgeous - thanks partially to expert cinematography by the great Arthur Grant, and partially to the use of real locations instead of the usual studio sets. Peter Sykes' direction is outstanding; the film's lush visual poetry carries an erotic charge that is a far cry indeed from the embarassed girlie-magazine imagery of so many of Hammer's "sexy" films of the period ("Lust for a Vampire," for instance). The performances (by an exceptionally fine cast) are generally excellent, although Robert Hardy overacts badly. The film also contains some of Harry Robinson's best music, most notably in an early sequence that runs for several minutes without any dialogue at all.

One of the film's most attractive features is the way in which it consistently turns the conventions of Hammer horror on their heads. Wild coach rides, sinister mansions, torch-bearing villagers, a series of monstrous murders of busty barmaids - all the usual Hammer paraphernalia are here, but many of them are put to unconventional or at least subtly different uses. The story itself is equally unusual, with shades of Mesmer and a complete absence of supernatural forces. For all its novelty, however, you may find it a bit dull. But with so many incidental pleasures, who cares? This is a fine and enjoyable film - one of the last really solid efforts produced by Hammer before its gradual disintegration.

The DVD commentary track is definitely worth a listen. It features Sykes, screenwriter Christopher Wicking (as always, an intelligent and refreshing interrogator of the horror genre), and actress Virginia Wetherell, who has only a small role in the film but delivers some of the most interesting commentary. All in all, another fine addition to Anchor Bay's very welcome Hammer Collection.

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