Cheap Death and the Compass (DVD) (Alex Cox) Price

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Customer Reviews of Death and the Compass

feature's a mess -the short is great
I watched the short film that was part of the extras on this disc and was very entertained. It was smart, to-the-point & had a sort of retro black & white foreign film feel while retaining the existential twist that makes it interesting.
Unfortunately,( don't get me wrong, I love many of Alex Cox's films )the feature was over-written, badly cast & had some of the worst recorded dialogue sound I've ever heard for a film.
I wish that someone would release Cox's 'Highway Patrolman' on dvd as this one seems like a wasted effort.

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Skip the Feature, Watch the Short (which is NOT by Alex Cox)
For any aficionado of Jorge Luis Borges' writing, "Death and the Compass" by Alex Cox is a must skip. Any trace of Borges' subtle fantasy and intricate intelligence is lost in the glut of this unsuccessful Terry Gilliam-wannabe. Its post-apocalyptic setting, flashy colors and characters, warped camera angles and close-ups may all stylistically remind viewers of Terry Gilliam films such as "Brazil". Except unlike a Terry Gilliam film, I can't seem to find a point to this movie. There's a complete lack of intelligent dialogue, even the actors appeared stumped by the lack of interesting or realistic lines. All of its flashy techniques and synthesizer sounds give the impression that Cox aimed too hard to make this film an instant "cult" classic. Along the way, the original short story is lost all together. The sole redeeming point of the movie comes at the finale, where an impressive vision of the labyrinthine Triste LeRoy is recreated. I really liked two of Alex Cox' other movies, "Repo Man" - which is about the supernatural adventures of a newcomer in the car repossession business, and "Sid and Nancy". I think both movies have incredible merit, but "Death and the Compass" is a miss.

So why am I giving this DVD five stars? Well, the previous reviewer was correct in that this DVD contains a "lost gem". It's just that this "gem" is not the feature film most would suspect; it is instead the "bonus" short film by Paul Miller called "Spiderweb", also based on Borges' story "Death and the Compass". Though according to the audio commentary by Alex Cox, this 20-minute short film was made in the seventies, it is shot in clear black and white, reminiscent of a 1930s' film. It's steeped in visual symbolism that interpret literary expressions. The entire film is thoughtfully shot and carefully edited. Unlike often-seen student shorts, it feels more like a mini feature film. Like a Borges story, it is short and sweet. And similarly, I will keep my review of it short. For any Borges aficionado, "Spiderweb" is a rewarding treasure find. For any movie aficionado, it is an intelligent adaptation of a Borges story that the author himself would have approved of.

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Continuously Fascinating
At first glance, Alex Cox would seem the least likely interpreter of Jorge Luis Borges. Cox, best known for his Punk/New Wave era classics Repo Man and Sid and Nancy has a messy, overflowing visual style; where as the Argentine master's enigmatic puzzle-box stories are always meticulously constructed. On the other hand, Death and the Compass, one of the great short stories of the 20th century, is a piece drenched in the Kabbalah and the search for order in chaos and it is one of the more curious tenets of several mystical traditions that Wisdom may be hidden in the trash pile; or, as in another of Borges' stories, the manifestation of the omniprescence of God may show up in an unremarkable basement in Buenos Aires.

Cox's film is full of action and life, his sets overflowing with visual detail and just plain junk very reminiscent of Gilliam's sets for Twelve Monkeys (done on a much smaller budget, however). The movie is remarkably faithful to the particulars of the original story. Peter Boyle is very good as the obsessed and unorthodox police detective Lonrott who is way too clever for his own good. Miguel Sandoval is perhaps a bit too eccentric in his performance in the narrative framing sequence added by Cox, and the whole framing sequence may be overly "punched up" with odd sound effects and random jump cuts. But overall it's an excellent if unexpected interpretation of a classic story.

The disc sports a solid anamorphic transfer. There are a few specks at reel changes and some grain in the night shots (not an effect of the transfer, though, this was a fairly low budget film), and some nice extras: commentary from Cox and one of the members of Pray for Rain who composed the lovely gothy/techno vaguely retro-80s score, and an early 30 minute short of Cox's called Spider Web.

This is a lost gem of a movie that deserves a much wider audience. Terry Gilliam fans, in particular, should enjoy it.