Cheap Days of Glory (Indigenes) (DVD) (Rachid Bouchareb) Price

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Customer Reviews of Days of Glory (Indigenes)

Looking at war from a different angle
On one hand you have your pretty typical war story. This movie paints a vivid picture of some violent developments in WWII, specifically with the French battling the Germans. It displays some pretty intense action between the two sides as the brutality of war is exposed. <
>But what sets this unique film aside is the scorching assortment of emotional depth that is boiling within. There was a great deal of racial injustices the Muslim soldiers were forced to deal with from their French leaders. <
>Finally, one soldier confronts the staff sergeant, claiming that "German bullets don't pick and choose". He demanded equal treatment if he was expected to lay down his life for the liberation of France. <
>Another scene I found very powerful--the soldiers were marching through a field when pieces of paper started falling from the sky. The Germans had begun a strategic mental warfare with these notes. They stated that Muslim soldiers weren't born into slavery, and if they crossed over to the German side their lives would be spared. Each one insisted that the French only send you to die. I imagine these mind games must have been tempting for many of those soldiers. <
>Overall, this is an entertaining and educational look at this small piece of history. It was nominated for an Academy award for best Foreign picture. Plus, the entire ensemble cast were recognized at the Cannes Film Festival with an award for Best Actor. This is a gripping tale definitely worth a look.

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Compelling Battles, a Social Conscience, & a Different View of France's Liberation.
Director Rachid Bouchareb made "Days of Glory" to draw attention to the plight of men from France's protectorates and colonies who served in the French military during World War II but who were denied their pensions after 1959, because their countries had won independence from France. The film is very politically charged in France, where its title is simply "Indigenes", meaning "natives". It inspired President Jacques Chirac to finally address the pension inequities. Bouchareb doesn't hide his agenda or his bias: The North African soldiers in the film joined the French army mostly for money, occasionally for opportunity. They fought valiantly and loyally to free France from German occupation. They were stifled by discrimination and quotas during the war and discarded afterward. The specific events and characters in the film are fictional, though some French towns were, indeed, liberated by regiments of mostly North African soldiers. <
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>In 1943, France's African Army recruits soldiers from Algeria, among them a young shepherd named Said (Jamel Debbouze), and from "goumiers" in Morocco, including Yassir (Samy Naceri), who hopes to make enough money for his brother to marry well. In 1944, the 7th Algerian Infantry Regiment, under the command of French "pieds-noir" Sergeant Martinez (Bernard Blancan) and Arab Corporal Abdelkader (Sami Bouajila), win France's first victory against the German army in Italy. They arrive in Marseilles to much fanfare, where their marksman Messaoud (Roschdy Zem) begins a relationship with a French woman (Aurelie Bouab). Abdelkader is increasingly frustrated with the lack of promotion and "liberte, egalite, and fraternite" for African soldiers, inspiring a minor civil rights movement. But the war goes on, and the Regiment will be the first French in Alsace, as they attempt to hold the Germans off until the Americans arrive. <
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>"Days of Glory" won't pack the political punch for Americans that it does for French, but this is a terrific war movie. It tells a World War II story that we haven't seen before, and it features two of the most compelling battle scenes I've ever seen: Flushing the Germans out in mountainous Italy elucidates the fear of the soldiers in their first battle and the utter randomness of who lives or dies. The defense of the Alsacian town is in some ways the opposite, as we know the soldiers well by this time and hope they will survive. The four North African leads represent diverse types: Unsophisticated Said's boyish devotion to his Sergeant, mature Messaoud who is not savvy enough to see the hypocrisy around him, mercenary Yassir whose dedication to his comrades grows, and idealistic Abdelkader who hopes their service to France will advance the position of North Africans. Viewers inevitably sympathize with those most like themselves, but those characters involve us emotionally in the events. In French and Arabic with optional subtitles. <
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>The DVD (Weinstein 2007): "The Making of Days of Glory" (24 min) interviews the director, producer, and writer Olivier Lorelle about researching the film, bringing the story of their ancestors to the screen, and shedding light on the role of North African troops. The cast discusses their preparation and characters. Subtitled. "The Colonial Friend" (8 min) is an animated film by director Rachid Bouchareb about the experience of Senegalese infantrymen who fought for France and met a worse fate than the North Africans. The animation style is a unique, eye-catching black-and-white. No dialogue. English and Spanish subtitles are available for the film.

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Not an Epic - but still a good movie
I would not call this movie an epic, not by a long shot. It is good, yes, the acting in fact is very good - but it is no "Saving Private Ryan". <
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>Much of the fighting is small scale, still good, but not to the beach assault scenes that we have come to expect of great WW2 movie epics. The story to be told, is certainly political, and while it is difficult to get emotionally attached or close to any of the characters in the movie you find yourself angered at the manipulation and lies that are used by the French Officers to coerce and cajole the Algerians to blindly continue the fight for their beloved France. <
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>My only criticism of the movie would be that I found it extremely distracting that one of the main characters, Sai`d (actor Jamal Debbouze) went through the entire war with his right hand stuck in his jacket pocket and I kept wondering why? I later found out that Debbouze, lost the use of his right arm in a childhood accident. But surely, in a war movie such as this you would be able to find ample opportunity to write into the script a reason that would adequately cover such a wound - other than just having the arm super-glued into an army jacket pocket??? I mean to take nothing away from Debbouze's skill as an actor, because I thought he did a great job in the part as Sai`d in this movie, I just think it a shame that rather than allowing me to focus on the character he portrayed so well, my attention was constantly drawn to his damn right hand in that damn pocket!! <
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