Cheap Curse of the Demon / Night of the Demon (DVD) (Dana Andrews, Peggy Cummins) (Jacques Tourneur) Price

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Customer Reviews of Curse of the Demon / Night of the Demon

Maybe the best horror film you've never seen, a true classic
There is really only one thing significantly wrong with the 1957 horror classic "Curse of the Demon" is that the producer insisted the "demon" had to make its appearance at the beginning and ending of the film. The better move would have been to leave the appearance of the monster up to the audience's imagination as director Jacques Tourneur intended, but you know producers. Still, "Curse of the Demon" (originally released in England as "Night of the Demon") is a great horror film. The film is based on "Casting the Runes" by M. R. James, with a literate screenplay by Charles Bennett and Hal E. Chester. The story deals with a curse cast by an evil magician, supposedly based on the self-proclaimed English sorcerer Aleister Crowley. The tone for the film is amply established in the opening sequence where a terrified Professor Harrington (Maurice Dehnam) comes to the home of Dr. Julian Karswell (Niall MacGinnis). Harrington the scientist had led an expose of Karswell's devil cult and made the mistake of telling the sorcerer "Do your worst." Now he wants Karswell to call off the demon, but, of course, it is way too late for that now.

The protagonist in this story is Dr. John Holden (Dana Andrews), a noted American psychologist who comes to England to help with the investigation of the cult. Holden does not believe in the occult, but then Karswell slips him a parchment marked with runes and learns the rules of our little game: whoever holds the parchment will die on an appointed day UNLESS they can pass it on to a WILLING recipient. Sounds like big time fun, right? Holden tries to hold on to his skepticism, but in due course he becomes a true believer. Allied with Joanna Harrington (Peggy Cummins), daughter of the late professor and Holden's obvious romantic interest in the film, the pair try to turn the tables on Karswell.

The star of this film is Karswell as portrayed by Niall MacGinnis, who manages to give nice shadings to his villain. When Holden first meets the man trying to kill him at Lufford Hall, Karswell is dressed up as Dr. Bobo the Magnificent entertaining the local orphans. He even gives Holden a chance to recant his disbelief and when the psychologist becomes even more insulting Karswell summons a cyclone to take the American down a peg. One of the best sequences involves Holden breaking into Lufford Hall only to be attacked by the wizard's demon familiar. Andrews manages the passage from disbelief to understanding and horror adequately, but Karswell steals every scene. Even with the cheesy monster, "Curse of the Demon" is a classic horror film featuring a first rate script, solid performances, and artful direction. This may well be the proverbial best horror film you never heard of.

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Classic film has wit, style and intelligent direction/script
Lost amid Hammer films' color horror films and black & white grade Z monster movies, Night of the Demon was a rare bird; it's intelligent script, sharp direction and strong acting make it one of those underappreciated classics of horror cinema. This supernatural thriller is among director Jacques Tournier's best films.

Once again Tournier demonstrates that it's what we don't see that can be truly terrifying. Yes, the monster ultimately looks a bit chessy by today's standards (it doesn't help that the image of the monster was added at the insistence of the film's producers over Tournier's objections). It's clearly a puppet but the film's powerful and sharp script overcomes many of the weaker elements of the film.

Dana Andrews is a stoic hero and does a decent job but, it's the marvelous performance of Niall McGinnis that really sparkles. He's got an imp's quality and clearly relishes every bit of screen time he's given. Even though he's the villian, he's the most memorable performer.

The transfer is sharp and looks great. It's the first time to my knowledge that Night of the Demon has been presented in its correct aspect ratio. A pity that they couldn't locate the trailers for both versions of the film as it would have been preferrable to the trailers included (for such forgettable films as The Bride). An audio commentary from a film scholar or Tourner expert would have helped the film or, perhaps, any stories from any surviving film crew member or performer (although that's unlikely as the film was made over 40 years ago I'm sure they could have located someone). Also, an audio or video essay on this fine film documenting it's history (or, perhaps, even a copy of the original story/screenplay) would also have been nice.

Still, it's nice that Columbia did such a nice transfer (particularly when compared to the bare bones DVD's of Horror of Dracula and Curse of Frankenstein that Warner has released within the last year). I also like the fact that the British version and US version is included. I grew up watching the US version was impressed with this classic film when it would show up on late night Creature Features programs.

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One the great turning points in horror films
The distributor advertising this DVD as a "Double Feature" stretches the truth a bit. "Curse of the Demon" is merely the shortened American version of the British film "Night of the Demon." The American version runs thirteen minutes shorter and is by far the weaker cut of the film, if still a fine piece of work. It's a nice feature to have the complete American cut on this disk for the sake of comparison with the original, but this is hardly a "double feature." And there's no reason to watch the edited, shorter version when you have the superior British original of one of the seminal horror movies of all time on the same DVD.

"Night of the Demon" hit theaters in 1957 and marked a turning point in macabre cinema. Director Jacques Tourneur had made some important 1940s horror films ("Cat People," "Leopard Man," and "I Walked with a Zombie," as well as the film noir classic "Out of the Past") that moved against the grain of the gothic fantasies that Universal produced during the 1930s. With "Night of the Demon," Tourneur cemented the idea of the modern horror film, where the terrors of the gothic, demonic, and supernatural appear within the realm of the modern, everyday world -- the essentially rational setting of the contemporary times. The success of this film would eventually lead to such movies in the following decades as "Rosemary's Baby" and "The Exorcist," which took place in the recognizable contemporary world, where the invasion of supernatural forces seemed all the more ghastly.

The screenplay comes from the short story "Casting the Runes" by master Victorian ghost story writer M. R. James. (You can find this story in an excellent and currently in-print volume of the same name.) In the story, a professor and practitioner of the black arts, Karswell, has found a way to send demonic forces against his academic foes by passing them a slip of paper covered with magical runes. The movie expands the premise: Karswell (Niall MacGinnis, who played Zeus in "Jason and the Argonauts") leads a witchcraft circle and uses his rune-tracker to send a demon after his opponent, professor Harrington. After Harrington's death, his American friend, psychologist Holden (Dana Andrews), comes to America to learn more, but scoffs at the idea that anything supernatural could lurk behind Harrington's death. Unfortunately for Holden, Karswell feels threatened enough to decide to send his murdering monster after the American.

Tourneur brilliantly films the movie in a split style, dividing between realistic, bland daytime scenes, meant to have an almost documentary feel, and increasingly warped and bizarre nighttime scenes as the curse of the demon moves closer and closer to Holden and it becomes harder for him to deny the truth of what is occurring. The demon itself is a point of controversy among film students. Tourneur was famous for keeping his horrors hidden, and some people believe that he never planned to show the demon at all, but the producer forced him to shove it up front. The appearance early in the film of the full demon might have been an error (it would have worked better to save it for the finale), but its materialization at the end is pretty incredible and it's hard to believe that Tourneur wouldn't have wanted the ending any other way. This is (excuse the pun) one hell of a demon. Designed by Ken Adam (who would later create the sets for most of the James Bond films, as well as "Dr. Strangelove"), the monster looks like it leaped from the freakiest medieval woodcut representation of Hell. The special effects and sounds accompanying it are also eerie and disturbing.

Andrews is a bit stodgy in his part, but Niall MacGinnis makes up for it with his scene-stealing role as Karswell. MacGinnis is both a bumbling, whimsical British professor (complete with a doting and scolding mother), and a cold-blooded sorcerer -- often both in one scene. The ending of the film, involving the passing of the runes, is both funny and incredibly tense, leading to one of the most stunning climaxes in horror films. Peggy Cummins as the love interest is delightfully perky and intelligent, much more so than female leads in most horror films.

The only extra on the disk is the inclusion of the American cut. However, the film is in perfect condition, and is finally shown in the original aspect ration of 1:1.66 (a typical European screen format infrequently seen in the U.S.; it's halfway between the shape of a TV screen and the typical 1:1.85 that most American movies are shot in today). "Night of the Demon" is essential horror film viewing for anyone who wants to understand the development of the genre into its current form. (And I have to repeat it, that's one helluva demon!)