Cheap Crosby, Stills & Nash - Acoustic (DVD) (Crosby Stills & Nash) Price
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$14.99
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| ACTORS: | Crosby Stills & Nash |
| CATEGORY: | DVD |
| MANUFACTURER: | Wea Corp |
| MPAA RATING: | NR (Not Rated) |
| FEATURES: | Color |
| TYPE: | Music Video - Pop/Rock |
| MEDIA: | DVD |
| # OF MEDIA: | 1 |
| UPC: | 603497030026 |
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Customer Reviews of Crosby, Stills & Nash - Acoustic
Long time coming ... I pre-ordered these (Daylight Again & Acoustic) what seems like a lifetime ago when I first heard they were being produced. My mom and I sat down and watched them last night for the first time. Having seen CSN w/Y two years ago, I know first-hand that they just get better & better with age ... which brings me to my point. These are FANTASTIC DVD's -- required for libraries of all their fans. BUT -- the concert footage is nothing to compare with their present sound and stage presence. NEVERTHELESS, I enjoyed them and have watched parts of them again today. There is no greater harmony that these three guys -- and I mean no where. It gives you cold chills up and down your spine. And you do feel like you're there for both performances. Buy both of them now, enjoy them for a lifetime. Oh yeah -- they're on tour so check out their website ... found easily on a simple Google search.
Crosby, Stills & Nash - weren't they always acoustic!
Knowing the street date was June 9th, I stopped off at Best Buy, they didn't have it, but that's not surprising, they didn't have Cat Stevens two weeks earlier. I then went to the local record store and there sat one copy each of CSN "Acoustic" and "Daylight" again. I now own about 100 Concert DVD's, all are classic rock, two weeks earlier I picked up Cat Stevens "Majikat" from 1976, Doobie Bros "Rockin' Down the Highway" from 1996 and Simon & Garfunkel at Central Park from 1981. One of my first DVD purchases about two years ago was a Supertramp show from 1983 and I've been turned off on buying older shows ever since, normally looking for newer concerts because of the audio and video. However recently I picked up the Doors Collection and the 1968 L.A. show that's included is pretty good so I've expanded my horizon. If your a fan of Cat Stevens, his new DVD will blow you away, even though I've held a grudge for his changes in lifestyle and religion it was easy to forget all that. Now, two weeks later I'm sitting down to watch CSN Acoustic & Daylight Again. I start off with the older 1983 Daylight again. I've been a fan since 1969 but have never seen them in person, I own the Woodstock DVD, and I can remember wearing out the Deja Vu record while stationed overseas in 1970-'71 and later the Four Way Street album. First off, the DVD audio and video are excellent, as good as any current DVD recordings. The concert was pretty much as I expected, a good backup band, a mix of old and newer songs, some acoustic, some electric and some with Graham on piano. I didn't know Graham Nash played guitar, it's interesting when they open and you see three guitars standing side-by-side. I would recommend buying this DVD, giving it 4 out of 5 stars. The second DVD, "Acoustic" recorded 1991, I'll probably rewatch more because it includes more of the songs I like. Stephen Stills is plugged in quite a bit of the time, so the main difference is there are no drums or keyboard backup, however CSN is good either way. The audiences on both concert DVD's are really into the band, but on the "Acoustic" DVD the San Franciscan crowd is a bigger part of the event, probably because it's a little smaller venue and the band invites them to be more vocal. Even though it's billed as acoustic, it's an energetic show, I would give "Acoustic" 4-1/2 stars. Do what I did, buy both DVD's.
Terrific Concert Capturing the Sunset of their career
You need to be a bit of a nostalgic hippie, because this is music from a definite time that the hip hop beastie-kid-boyband-covertrash metal punks just aren't going to get. Perhaps those interested in Uncle Tupelo or Wilco or Jay Farrar will want to know where it all came from, but in any case, unless you're over 40, you just aren't going to get it. That's OK. I'd rather you didn't.
For the rest of us, this is a warm, engaging concert propelled by an extraordinarily healthy David Crosby. Crosby was the heart, soul and brains of this outfit, thecreative fire as well as the wizened seer. His inner strength shines through and while Nash and Stills have seen better days as singers and musicians, Crosby continues to age like the most powerful and protean force the world of music has ever known. He hits his marks and covers for both ends of his partners with a voice that is a gift and that has gathered a strength, scope and power with age and experience. No one sings like David Crosby. Inspite of being the one from Southern California, Crosby is the erudite, urbane, witty and philosophically politicized member of the group. He has an incisive mind that comes through in his lyrics, the subtlety of his chord changes. He still writes songs that matter, and his current group, CPR, is every bit the match of this venerable lineup.
But as to the matter at hand, this is a wonderful concert in which each of them performs with a passionate commitment to their music. As many times as I've heard these songs, I love the renditions here. The showis beautifully shot and the Dolby 5.1 sound recreates an incredible acoustic experience. Stills was particulalrly on for the show. His voice has deteriorated the most, but his guitar playing throughout was a model of taste, restraint and finesse. That's quite an accomplishment for Stephen, considering hispenchant for sloppy excess. Nash is still the barefoot lightweight, and he seriously misses the first few harmonies on the opening Deja Vu before adjusting his regester and hitting the mark thereafter. The overbearing "Cathedral" is not as melodramatic as it typically is and "Marrakesh Express" is reworked, reset perfectly. Unfortunately most of his heartfelt stuff comes off as trite, redeemed solely as an excuse to showcase Crosby's incredible talent for infusing the most banal with meaning by force of delivery. Crosby, as I say, is the wheel here.
By this point, they were in the sunset of their careers. Only Crosby and the Canadian Odd-ball have managed to remain relevant in a shifting musical and political world. Here, they glow in the light of all they managed to surmount and survive. Their best stuff still matters, and reminds you that there was once a point to singing.