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| ARTIST: | Charles Ives, Nina Deutsch |
| CATEGORY: | Music |
| MANUFACTURER: | Vox (Classical) |
| TYPE: | 20th/21st Century Sonata/Sonatina for Keyboard, Classical, Classical Composers, Classical Music, Keyboard, March for Keyboard, Music for Keyboard, Music for Organ, Part Song/Glee/Music for Unaccompanied Voices, Suite/Partita for Keyboard, Vocal |
| MEDIA: | Audio CD |
| TRACKS: | Sonata No. 2: Emerson, Sonata No. 2: Hawthorne, Sonata No. 2: The Alcotts, Sonata No. 2: Thoreau, Sonata No. 2: Waltz Rondo, Four Emerson Transcriptions: No. 1, Four Emerson Transcriptions: No. 2, Four Emerson Transcriptions: No. 3, Four Emerson Transcriptions: No. 4, Piano Sonata No. 1: Adagio con moto, Piano Sonata No. 1: Allegro moderato - In The Inn, Piano Sonata No. 1: Largo, Piano Sonata No. 1: Scherzo, Piano Sonata No. 1: Andante maestoso, Variations On 'America', March In G And D - 'Here's To Good Ole Yale', The Bells Of Yale, The Seen And Unseen, The 3-Page Sonata |
| # OF MEDIA: | 2 |
| UPC: | 047163508929 |
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Customer Reviews of Charles Ives: Piano Music
the great piano works on one cd Nina Deutsch gives a sensitive rendition of the important piano works of Ives. Having studied with John Kirkpatrick and William Masselos (who premiered the Second and First Sonatas), Deutsch is intimately familiar with the various conflicting Ives scores.
According to Deutsch, there are over twenty versions of the Emerson movement (of the Concord), and she says Ives never intended to finish it. This performance is based on her own edition of the score.
The problem of the Emerson movement is highlighted in the Four Emerson Transcriptions which are included on the cd. For Ives, Emerson and Beethoven were closely related. The first four notes of Beethoven's Fifth Symphony appear throughout the Concord, but are central to the Emerson movement.
Ms. Deutsch clocks a fast Concord, 38 minutes (about the same as John Kirkpatrick). There is an error on the cd, listing Ives' Waltz Rondo as the fifth movement of the Concord. While it is the fifth track on the first cd, it is a distinct work from the Concord.