Cheap Candyman 3: Day of the Dead (DVD) (Turi Meyer) Price
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| CATEGORY: | DVD |
| DIRECTOR: | Turi Meyer |
| THEATRICAL RELEASE DATE: | 1999 |
| MANUFACTURER: | Lions Gate |
| MPAA RATING: | R (Restricted) |
| FEATURES: | Closed-captioned, Color, Dolby, DVD-Video, Full Screen, Widescreen, NTSC |
| TYPE: | Action, Adult Language, Adventure, Creepy, Direct-to-video, English, Feature, Goth, Graphic Violence, Horror, Horror / Sci-Fi / Fantasy, Movie, Nudity, Ominous, Serial Killers, Slasher Film, Tense, USA |
| MEDIA: | DVD |
| MPN: | D60749D |
| # OF MEDIA: | 1 |
| UPC: | 012236607496 |
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Customer Reviews of Candyman 3: Day of the Dead
What a rediculous pile of poo. You're kidding, right? The only good film in the trilogy is the origonal. How dare you try to continue the story of something that cannot be continued. The orgional was good enough. Leave it there. Just because you want money, don't ruin such wonderfull entertainment. <
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>I didn't even stay awake through all of the movie, it was so bad! I'd rather watch Barney with my 2-year-old!
Further Explored
This third sequel in the terrifyng Candyam series is a further decline, as you can feel more sympathy for the character as it does explain all along- a mob lynched and hazed him, pasting honey on his body and bringing a swarm of bees to eat him alive. It was about inter racial marriage, which again was almost unbearable to watch, and what was even more scary was that this happens in real life. A true old fashioned ghetto which again is the closest thing to a hell on earth.
Candyman 3: The Day of the Dead (1999)
Director: Turi Meyer
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>Cast: Tony Todd, Donna D'Errico, Alexia Robinson, Jsu Garcia, Mark Adair-Rios, Lupe Ontiveros, Elizabeth Guber, Rena Riffel, Ernie Hudson Jr.
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>Running Time: 93 minutes
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>Rated R for bloody violence and gore, sexuality and language.
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>The third in the series derived from a concept by Clive Barker, "Day of the Dead" (they can't even come up with their own subtitle) staggers down the well-trodden path already navigated by the "Halloween" and "Nightmare on Elm Street" movies: that is, taking a decent concept and flushing it down the toilet. The original movie was a near horror masterpiece and relied on atmosphere rather than gore, while the first sequel was bearable if completely routine. This one is just a load of rubbish. Donna D'Errico, from Baywatch (what a spectacle of credibility), stars as Caroline McKeever, the great great granddaughter of the feared Candyman (Tony Todd once again), once a normal man but now an apparition who appears to slaughter everyone around you if you dare to say his name five times in front of a mirror. Caroline says his name five times in front of a mirror and up he pops to murder her nearest and dearest. As the Candyman hacks his way through various bad actors, Caroline teams up with new pal David (Nick Corri) to find a collection of paintings knocked up by the Candyman while he was still alive, which may hold the key to stopping him.
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>There's not a single thing here that isn't scavenged from the first "Candyman" film and every other ropy horror movie produced since caveman days. The screenplay is so lazy it can't even be bothered to connect half the characters to the plot, the photography is bright and glossy, which is at odds with what's supposed to be a dark story, while nothing in the direction adds any atmosphere at all. Anyone could have directed this movie, so little effort has been put in to make it scary, while the ending is an outrageous cop out. No thought has gone in to developing themes or structuring the plot because no one here is talented enough to give this movie any depth beyond having D'Errico running around in a variety of tight vests. The rest of the performances are poor too, although none are quite as bad as D'Errico's pathetic attempts at screaming and breathing erratically. Surely more can be done with characters like the Candyman than the constant repetition of scenes where he appears to stick his hook through someone's stomach. The fact that the makers of this movie think Candyman is so terrifying that the very sight of him just standing there will strike fear into our hearts is a sign that they just can't be bothered even to try something a bit different. Clive Barker may not be the master of horror as every at first claimed him to be, but he's right about one thing: the sequels to his movies are garbage.