Cheap Camera Buff (DVD) (Krzysztof Kieslowski) Price

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QUIXOTIC OBSESSIONS
For the late Krzysztof Kieslowski, celebrated director of RED, WHITE, and BLUE, life is an undivine comedy--and film-making a far stranger farce. No doubt that the absurdities that this Pole faced througout his life afforded him a peculiar brand and blend of pessimism, humanism, and humour which informs his works.In CAMERA BUFF, originally entitled AMATOR in Polish with the implication on the word amateur, the film-maker is Filip, a factory worker. He acquiresan 8 mm camera with the intention of filming his daughter's development. This biographic projects soon develops into other things, such as bearing witness to the society around him. It comes to a point where the authorities cautions him in his filmic projects. Filip's double life takes over and he is slowly becomes isolated from his family and friends. In the end Filip finally faces up to his obsessions. What began as a humourous movie about obsessive cinephilia turns and, later, totalitarian film-making, doubles back into a study of human vulnerablity. Filip's final gesture is revisited by Kieslowski, the man behind the camera, in a scene towards the end of of his last movie RED. The autobiographical is not far away from Kieslowski's meditation on politics and art. Kieslowski started out as a documentarist. Once, it turns out that he may have recorded a murderer stuffing her victim's dead body in a train locker. When the authorities seized the cameras for his documentary, it turns out that the event was not filmed. In addition, Kieslowski offers fragments of a documentary in CAMERA BUFF. This documentary within the movie was once a potential project but was turned down by the censors. Kieslowski not only relates to his characters, the 'not fulfilled' as one commentator puts it, but may be populated by his echoes, shades or twins. Actual incidents and personages intrude upon the fictional world. Stories get repeated with slight variations. Lives are lived simultaneously in different parts of the world. Some are born too soon or too late, depending upons one's point of view, but all are after the same things in life.Kieslowski is a moralist film-maker andhe eschews a heavy-handed moralism for a compassionate world view. No one is entirely evil and we must understand them, he would suggest. And so his characters may seem lost and clueless, but in the end Kieslowski offers them a sense of ambigious redemption and release. Their lives and ours are part of a human comedy afterall.