Cheap Butterflies Are Free (DVD) (Goldie Hawn, Edward Albert) (Milton Katselas) Price

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Customer Reviews of Butterflies Are Free

A BEAUTIFUL FILM....
I watched Butterflies are Free on cable for the first time this past weekend. How did I ever miss this one! It was a very good story, and I thought the acting all around was outstanding. It's the story of a blind man, who is determined to make it on his own, much to the chagrin of his mother, who is portrayed brilliantly by Eileen Heckart. She won the Oscar for Best Supporting Actress for her work here. And along with trying to be independent, he meets a woman who helps to bring him out into the world, and discover new things. Now I knew from the start that Goldie Hawn's character wasn't going to be completely sympathetic, but I guess you just have to see the movie to figure that out. The movie had me hook, line, and sinker. and I was glued to my couch for the whole thing. I really enjoyed this film, and recommend it.

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"Might I Have Seen You in Something Besides Your Underwear?"
The movie "Butterflies are Free" is a comedy/drama which is an old favorite of mine that I have seen in various forms on TV and video for a number of years.I am very happy now that it has finally been put out on DVD.This is basically a filmed play (with a couple of added scenes to "open it up")which explores the meaning of concepts like freedom and independence within the framework of a love story.The story takes place in a San Fransisco loft during those heady, 'groovy' days of flower power.Don Baker (Played by Edward Albert) is young man, blind from birth, who is trying for the first time to break away from his overbearing mother's apron strings by living on his own.One day he meets his new neighbor, Jill, a young, commitment free hippie and wanna-be actress.At first she is freaked out by Don's blindness, but soon they are "getting it on" and she spends the night.The next morning their little private, three room Eden is invaded, when Don's mother barges in unannounced, with the intention of taking her son home.It is within this scenerio that the three characters shout, argue and pontificate about such concepts as 'freedom', 'independence', 'commitment','love' and finally 'letting go'.They all learn a little bit about themselves and the changes they must make to get on with their lives.This is really a wonderful, funny movie that has a lot of heart. The three lead actors do a simply amazing job with their roles.Goldie Hawn is in all her giggly, post "Laugh-In" splendor.Underneath the bubbly persona she shows us a character, who is emotionally crippled and must learn not to be frightened of being loved.Edward Albert does a fine job as the blind, young man who is fighting for his independence.But the real scene stealer is Eileen Heckart (who won a Best Supporting Actress Oscar for this role)who is brilliantly funny as an overbearing, cynical, mother,who obviously loves her son, but must find a way to let go. The script by Lenord Gershe is very fast and funny featuring hilarious exchanges between Albert, Hawn and Heckart's characters. It is filled with lots of one liners that remind me a bit of the comic style of playright, Neil Simon and his comedies such as "The Odd Couple" and "The Sunshine Boys".Some of the hippie, flower power references and language in the movie are a bit dated, but I think it adds a touch of charm and quaintness to the script.Milton Katselas's direction of this film is a little stagey, but it does not detract as the story progresses.The DVD presentation is very clear and the sound quality is not bad for a film from 1972.My only real complaint is that the DVD features bonus trailers, but not for this movie (at least two out of three of them are for old Goldie Hawn films).For an evening of funny, yet thought provoking entertainment I highly recommend this film.

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Very pleasant though a bit too stagey
There are two things that made me really enjoy seeing this film again for the first time in years. One is Goldie Hawn. She was both terminally cute and utterly adorable in this. The past few years I had mainly seen her in films from the past decade or so, and while she has remained extremely attractive, I didn't remember her in her twenties well enough to realize just how much she and her daughter Kate Hudson resemble one another at the same age (or nearly, since Goldie was 27 when she made this, and Kate is not yet that old). Kate Hudson is a chip off the old block if ever there was one. Goldie Hawn has had a fine career, but I always thought it should have been better than it was. She was a truly gifted comedienne, and one of the cutest women to ever walk the earth. Perhaps her sixties connection with LAUGH IN kept people from taking her seriously for many years, but she definitely should have been in more major projects. Even if everything in this film were bad, just being able to gaze at her extraordinary smile and riveting blue eyes would be enough.

A second thing that makes this film click is the remarkable Eileen Heckart. One of the premiere stage actors of her generation, the husky voiced, long-faced Heckart simply never found her place in the movies. While she managed a great stage career, many of us didn't have the privilege of living in New York so as to see her perform. One advantage of the movies is the ability for talented performers to display their talents in every godforsaken corner of the glove. Heckart is stellar as Don's overprotective mother, and it is an utter joy to hear her squeeze out a put down or insult. She won a well-deserved Oscar for Best Supporting Actress in this one.

I am not overly fond of the rest of the film. The problem is that this isn't really a movie: it is a play captured on celluloid. Some film versions of plays manage to transcend the source to make an exciting film. A classic example is TWELVE ANGRY MEN, which takes twelve jurors and locks them in a single room for nearly two hours. But it makes a great film because the camera is so magnificently active, moving agilely from close up to group shot to isolating a couple of figures. The camera in BUTTERFLIES ARE FREE is, however, static and passive. It merely stands in front of each scene and lazily absorbs the action. It doesn't get close and explore what it happening. In other words, the camera isn't an important part of the telling of the story. As a result, it never becomes more than what it was onstage. I also am not fond of Edward Albert Jr., but that is a strictly personal reaction, and not an objective criticism of the film. My final problem with the film is that sometimes, because it is merely a filmed play, it sometimes gets a tad dull in the dialogue. Some of the talk is [not good]. For instance, the scene that takes place the morning after Jill and Don sleep together, before Don's mother shows up, is quite dull. I almost wondered if the reason Goldie Hawn spent the entire scene in her underwear wasn't to make up for the dullness of what the two of them were saying.

So, not a masterpiece, but definitely worth seeing for catching the young Goldie Hawn and for the magnificent Eileen Heckart.