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Scorsese's 200-plus-minute focus on Dylan's earliest years allows for a portrayal of unprecedented depth, with multiple angles: a rich composite photo is the result. The main narrative has an epic quality: it moves from Dylan growing up in cold-war Minnesota through Greenwich Village coffeehouses and the Newport Folk Festival, climaxing in the controversial 1966 U.K. tour that crowned a period of unbridled and explosive creativity. In his transition from Robert Allen Zimmerman to Bob Dylan, we observe him concocting his impossible-to-describe, unique combination of the topical with the archaic, like an ancient oracle. Scorsese was able to access previously unseen footage from the Dylan archives, including performances, press conferences, and recording sessions. He also uses interviews with Dylan's friends, ex-friends, and fellow artists, and, intriguingly, with the notoriously reclusive Dylan himself (who looks back to provide glosses on the early years), fusing what could have turned into a tiresome series of digressions and tangents into a powerful whole as enlightening, eccentric, contradictory, and ultimately irreducible as its subject.
Some of the deeply personal bits remain unrevealed, but Dylan's preternatural self-assurance acquires a slightly self-deprecating, even comic edge via some of his reflective comments. Alongside the arrogance, we see touching moments of the young artist's reverence for Woody Guthrie and Johnny Cash. Joan Baez, in a poignant confessional mood, comes off well, and the late Allen Ginsberg is so seraphically charming he almost steals the show a few times. A crucial throughline is Dylan's hunger for recognition and ability to shape perceptions so that would be singled out as not just another dime-a-dozen folk singer. It's illuminating--particularly for those familiar with the artist's latter-day aloofness on stage--to see his reactions to audience booing in the wake of his "betrayal" in this fuller context. No Direction Home also makes clear--in a way that wasn't possible in D.A. Pennebaker's iconic Don't Look Back--how Dylan's ability to manipulate his persona always, at its core, protects the urge for expression: Dylan's ultimate mandate, as an artist, is never to be pinned down. As Scorsese masterfully shows, the myth around Dylan only grows bigger the more we discover about him. --Thomas May
DVD features: This two-disc set of Scorsese's full two-part documentary includes treats such as Dylan working on a song at his hotel during the UK tour as well as performing several songs as in concert or on TV.
More for the Dylanologist
![]() No Direction Home: The Soundtrack | ![]() Chronicles: Volume One (paperback edition) | ![]() Bob Dylan Scrapbook |
![]() Don't Look Back | ![]() The Bob Dylan Bootleg Series | ![]() The Last Waltz |
| CATEGORY: | DVD |
| THEATRICAL RELEASE DATE: | 21 July, 2005 |
| MANUFACTURER: | Paramount |
| MPAA RATING: | NR (Not Rated) |
| FEATURES: | Color, Full Screen, NTSC |
| TYPE: | Documentary, Movie |
| MEDIA: | DVD |
| # OF MEDIA: | 2 |
| UPC: | 097360310542 |
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Customer Reviews of Bob Dylan - No Direction Home
"Not as represented" "Not as represented" is the phrase used when rating a seller on Amazon. <
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>"No Direction Home" could be validly advertised as concentrating only on the earliest part of Dylan's long career. If it is to be part of a continuing series on the artist, it would be fantastic. But: <
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>The first disk is fascinating. The controversy with the folk purists takes up quite a bit of time. <
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>Unfortunately, the second disk deals with nothing but an old and unimportant controversy. Fewer whining fans and more of Dylan's recent career would have been welcome. Dylan's final impatience at the constant requests for his viewpoints on the whole silly business was very understandable. It ends up being an older fan's documentary about music politics. <
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>The man has moved on. If this documentary was truly about a whole career, why, as my husband said, was there no "Blood on The Tracks"? <
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>When Scorsese finishes the documentary he could just keep Dylan's performances on the second disk and flip the rest. Considering the length of Dylan's career, he's probably going to need the disk space. <
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>The first disk is a treasure -- probably the reason the second disk was such a disappointment.
A Masterpiece
Scorcese hits a home run with this Dylan documentary. I can watch this over and over and over again. It's phenomenal.
Facinating sounds and stories; getting to know about Bob Dylan more!
I bought this DVD for my husband for his Christmas gift, and he has been playing it almost everyday before going to bed. He simply loves it dearly and enjoyed watching and listening to it very much. Somehow, we both just enjoyed it so much and can never get tired of it. Thank you for the fantastic production of this DVD. We think it's one of the best DVD of the time!
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