Cheap Birth Of The Blues/Blue Skies - Double Feature Price

Cheap Birth Of The Blues/Blue Skies - Double Feature (DVD) (Victor Schertzinger) Price

Birth Of The Blues/Blue Skies - Double Feature

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It's a flimsy excuse to romp through more than two dozen Irving Berlin songs, but Blue Skies is good fun nonetheless (and one of the top-grossing films of 1946). Bing Crosby is a restless nightclub entrepreneur, Fred Astaire his Broadway buddy, Joan Caulfield the woman they both want. Ignore the plot and enjoy the numbers, especially Astaire's marvelous "Puttin' on the Ritz," which is breathtaking even before multiple images of Fred are introduced dancing in a row (who needs CGI, anyway?). Bing and Fred flash great showbiz chutzpah in "A Couple of Song and Dance Men," which wonderfully captures the appeal of both stars: Fred's heavenly precision, and Bing's "can-you-believe-they're-payin'-me-for-this?" sense of play.

Bing Crosby founds the first white Dixieland band in Birth of the Blues, a tuneful turn-of-the-century tale--if highly suspect as musical history. Borrowing hot licks from black musicians (Eddie "Rochester" Anderson comments, "Our music sure has gone highbrow"), Bing and his players struggle to invade the straight-laced clubs, succeeding only after songbird Mary Martin joins the band. Martin, in one of her infrequent movie appearances, has fun with Der Bingle jazzing up "Wait Till the Sun Shines, Nellie," a highlight of this breezily enjoyable nonsense. --Robert Horton

CATEGORY: DVD
DIRECTOR: Victor Schertzinger
THEATRICAL RELEASE DATE: 07 November, 1941
MANUFACTURER: Universal Studios
MPAA RATING: NR (Not Rated)
FEATURES: Black & White, Color
TYPE: Musical
MEDIA: DVD
# OF MEDIA: 1
UPC: 025192263422

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Customer Reviews of Birth Of The Blues/Blue Skies - Double Feature

THE BEST AT THEIR BEST!
BLUE SKIES: Bing Crosby and Fred Astaire at their musical and "glorious technicolor" best, singing and dancing to a plethora of Irving Berlin classics. What could be better? Certainly not the insipid copycat F. Sinatra and G. Kelly MGM musicals made a few years later! The "originals" are usually better, and this is surely true in this case. Astaire's dancing to "Puttin On the Ritz" is sublime, and Bing's crooning of "All By Myself" and "You Keep Coming Back Like A Song" to Joan Caufield has, if you look closely, an added debt of feeling for a usual more stoic Bing. Why? It has recently been revealed that Bing and Joan Caufield were having an affair when the movie was made! A must for and any movie musical fan's collection.
BIRTH OF THE BLUES: Although a somewhat standard black & white movie musical typical of the late 1930s, the movie contains a bevy of standard songs and jazz numbers performed by a top notch cast. Moreover, the movie is "spiced" by a young Mary Martin. Bing and Mary's duet to "Wait Til The Sun Shines Nelly" is the highlight of the movie.
IN CONCLUSION, A GREAT AND A BONUS GOOD MOVIE FOR A LOW BARGAIN PRICE. A GREAT AND MUST BUY!


LACK LUSTER MOVIES IN GLORIOUS TRANSFERS
"Birth of the Blues" is the rather unispiring tale of a New Orleans musician who 'discovers' jazz. "Blue Skies" is the completely uninspired musical that mixes low melodrama with some incredibly awful tunes from Irving Berlin. Neither film can lay claim to any sort of greatness, although "Blue Skies" does contain three very dynamic performances. The first of these is Fred Astaire's brilliantly staged rendition of "Puttin' On The Ritz" in which he nimbly dances with 10 copies of himself, using the split screen process. The second musical number of merit is the Astaire/Crosby duet, "A Couple of Song And Dance Men" in which both performers lampoon the other's artistry through a series of skits. The final spark of greatness is "Running Around In Circles", a tender poignant ballad that is wholly wasted on the tripe of this movie's dead end plot.
TRANSFER: "Blue Skies" was shot in Technicolor, and although the original camera negative is nearly 70 years old, there is little in the way of age related artifacts to suggest that much time has passed. Colors are exceptionally bold, vibrant and well balanced. Black levels are...well, black and contrast and shadows are gorgeously rendered. There are no digital artifacts to worry about, although a bit of video noise is present. "Birth of the Blues" is somewhat more problematic. A B&W production, there is a visible grain structure evident throughout the film, as well as scratches and other age related artifacts. In a few scenes there is slight shimmering and edge enhancement. The audio for both movies is MONO but very nicely balanced.
EXTRAS: NONE! What were you expecting?
BOTTOM LINE: If you're a Bing Crosby or Fred Astaire fan than you might want to consider adding this DVD to your collection. While the film's are nothing to write home about, their transfer quality - particularly "Blue Skies" is worth taking a second look!


Blue Skies...smilin' at me...
-and I'm smilin' right back. Three cheers to "Universal" for doing this double feature justice. Both films look and sound wonderful, better than ever. Clearly done with care. "Birth of the Blues" is great fun, featuring excellent and exciting small group dixieland jazz playing. "Blue Skies" is a little hokey-but who cares? Great numbers with Bing and Fred.Not to crazy about leading lady Joan Caulfield though. I just wish they would have cast a girl with more charisma...like Rita Hayworth. Imagine, Fred and Rita dancing in technicolor...don't get me started. Of course, this film contains one of Fred Astaire's best routines-the amazing "Puttin' On The Ritz". Is there anyone on this earth who could rival Astaire's class, timing and smoothness factor in this number? No,there isn't!

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