Cheap Billy Elliot (DVD) (Jamie Bell, Julie Walters) (Stephen Daldry) Price
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| ACTORS: | Jamie Bell, Julie Walters |
| CATEGORY: | DVD |
| DIRECTOR: | Stephen Daldry |
| THEATRICAL RELEASE DATE: | 01 January, 2000 |
| MANUFACTURER: | Universal Studios |
| MPAA RATING: | R (Restricted) |
| FEATURES: | Color, Closed-captioned, Widescreen |
| TYPE: | Feature Film-comedy |
| MEDIA: | DVD |
| # OF MEDIA: | 1 |
| UPC: | 025192113420 |
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Customer Reviews of Billy Elliot
It's all about being able to express yourself. Beginning with an exuberant title sequence, this charming, offbeat, coming-of-age story revolves around Billy Elliot (Jamie Bell), the younger of two sons of a widower coal miner (Gary Lewis) near Newcastle in Northern England. It's 1984, and the National Union of Mine Workers is engaged in a long, bitter strike, marked by street battles with riot police and protests against the busloads of scabs crossing the picket lines.
Following the family tradition, Billy is expected to learn boxing at the Everington Boys Club where, instead, the 11 year-old becomes enthralled by the girls' dancing class, led by a chain-smoking teacher (Julie Walters) who soon recognizes his raw talent. He loves watching Fred Astaire in old movies and is instantly drawn towards the ballet class, but when his macho father and rabble-rousing brother (Jamie Draven) discover he's taking ballet classes, they ridicule Billy - "Lads do boxing and football and wrestling, not friggin' ballet!" - forcing him to hide his slippers under the mattress and sneak off to class. Then come the auditions for the Royal Ballet School and Billy's defiantly joyful, foot-stompin' "I Want to Boogie" sequence.
What makes this heartfelt English import such a gem is the collaboration of screenwriter Lee Hall, cinematographer Brian Tufano ("Trainspotting") and former stage director Stephen Daldry ("An Inspector Calls"), who - despite the simplistic predictability of the plot - create eccentric, lovable characters and evocative imagery. One haunting sequences focuses on a little neighborhood girl dragging a stick along a brick wall, which dissolves into a phalanx of plastic police shields. Another involves the father grimly chopping up Billy's mother's beloved piano for needed firewood. While some of the authentic, heavily accented dialogue may be indecipherable to some, the musical soundtrack, combining classical and pop, is terrific.
In the title role, newcomer Jamie Bell embodies awkward determination, juggling grim reality with a surreal fantasy world, explaining, "Just because I like ballet doesn't mean I'm a pouf!" As Billy's father, Gary Lewis ("My Name is Joe") is tough-yet-tender, and Julie Walters ("Educating Rita") scores as Billy's crusty yet compassionate teacher. ("I feel like a sissy," Billy tells her. "Well, don't act like one," she retorts.) Jamie Draven and Stuart Wells lend strong support. Jean Heywood is touching as Billy's senile grandmother, whom he tenderly cares for and who repeatedly recalls, "I could have been a professional dancer."
While the bleak setting, in the 1984 miners' strike in northeastern England, is reminiscent of "The Full Monty," the energetic mood evokes "Flashdance" - and it was a bit hit at both the Toronto and Cannes Film Festivals. On the 'Lund Movie Scale' of 1 to 10, "Billy Elliot" is an exhilarating 9. Combining comedy and poignancy, it's all about being able to express yourself.
Best Movie of 2000
Billy Elliot is a must-see for anyone who remembers pursuing the seemingly impossible dreams of their youth. Set in a coal-mining town in Northern England during a miner's strike, it is the story of a boy (brilliantly played by Jamie Bell) whose natural talent for dance unfairly characterizes him as gay. But his persistence wins over not only his family, but the striking miners, as well.
The "R" rating is unfortunate and (in my opinion) unwarranted, and is most likely for the frequent use of the "F-word." But the language is realistic and not offensive (and not used in a sexual context), and I had no problems showing it to a Senior High Church youth group.
I found the DVD to be helpful by using the English subtitles, since, although the film is in English, the dialect was often hard to follow. With the subtitles, however, (which I didn't use the first time I saw it), the dialogue was much easier to follow.
Discard your expectations - and enjoy it anyway
You have to ask yourself how lucky Stephen Daldry was to find this particular young gentleman, Jamie Bell, to play the lead role of "Billy Elliot." I can't think of another youthful actor ( much less a dancer ) who could have been so successful in carrying the weight of the world on his shoulders. Julie Walters does an excellent job as crusty teacher. Some of the best scenes in the film are the moments when student and teacher start in on the verbal battles that can leave you laughing and crying at the same time - a wonderful change from the calm, caring, though eccentric teachers of American film. The soundtrack of the film is very well done, as is the choreography for the dance sequences. The father, brother and ( especially ) the slightly loony grandmother are wonderful characters, as are Billy's best friend Michael, and the teacher's young daughter.
Regardless of the media hype ( which actually does Billy Elliot a disservice with it's use of chliched exclimations ), Billy Elliot does have flaws, some of them glaring and very nearly unforgivable. The script often tends toward the normal, the expected, and even the trite. The background of the coal miner's strike is appropriate, but director Stephen Daldry doesn't always make it clear why he dwells on it for quite so long. DVD specific ( I assume ) there are some problems with sound - often the music covers voice, and the volume between scenes is so radical that it's wise to keep your remote in your hand so that you can alternately hear what's being said and avoid bursting your ear-drums.
For all of the above, "Billy Elliot" finds "Moments of Grace" frequently, where you may burst out laughing, or wipe a quick tear from your eye. They are quick, they are short, they are instant, and they are brilliant - and they ARE worth it - every penny and ever moment and every flaw ... most of them thanks to Jamie Bell ( watch out for his smile - it only happens a few times in the movie, but it's a killer, folks. )
Conclusion: Ignore the media. Ignore the hype. Discard your expectations. Get "Billy Elliot" and take it for what it's worth - in my opinion - a wonderful, sweet film, filled with moments of glory that are well worth your time and effort and appreciation.