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| ARTIST: | Dottie West |
| CATEGORY: | Music |
| MANUFACTURER: | First Generation |
| MEDIA: | Audio CD |
| TRACKS: | Let Love Come Lookin' for You, Where Is a Woman to Go, What's Good for the Goose (Is Good for the Gander), Blue Fiddle Waltz, We Know Better Now, Tell Me Again, Eyes of a Storm, Ain't Nothing Like a Woman, Memories for Sale, Lady Blonde and Fair |
| # OF MEDIA: | 1 |
| UPC: | 649751011226 |
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Customer Reviews of Just Dottie Again
Dottie West: The "Shania" of the 70's and 80's! Before the days of Shania Twain, Pam Tillis, and other country beauty queens, there was Dottie West. This woman was the first true groundbreaker of Country Music with saucy, suggestive lyrics, and a sassy, husky style. There's some good tunes on this CD, and it's hardly surprising that many of today's leading ladies of Country cite Dottie as one of their influences. JoDee Messina revived Dottie's "Lesson in Leavin", stalling just short of #1. Personally, I think there should be a tribute album done in memory of this lovely lady. The songs on this CD range from happy to sad, melancholic to jazzy and everything in between. Perhaps Dottie's music was a little ahead of its time. Give it a listen and see why Dottie West was Country Music's first Shania Twain!
Dottie's Last Was One of Her Best
This was Dottie West's last album in 1985 and her only one for the small Permian label (which was distributed by MCA). Dottie was at the peak of her 20-year career in the early 1980's but her hits quickly ended with a terrible album produced by Larry Gatlin which include such stupid songs as "She Can't Get My Love off The Bed" and an almost as weak album produced by Snuff Garrett. In 1984 she left Liberty/United Artists and went to Permian for this album. Unfortunately, the damage was already done to her career, in addition to a new generation of country stars like Reba McEntire then coming into their own. The fact that the silly novelty song "What's Good for The Goose" became the first Permian single didn't help either, nor the fact that this album was scarcely publicized. This album neverthless has some of Dottie's best performances, from "Let Love Come Looking For You" and "Blue Fiddle Waltz", the rockin' "Ain't Nothin' Like a Woman" and the very lovely "Lady Blonde and Fair" which ends the album and is a very poignant song about being passed over for a younger woman, an ironic choice considering country music radio was now getting Miss West the gate (Dottie was 52 when this came out). The album sadly disappeared immediately and Dottie never recorded again, her last six years were a mess of mounting debts and personal unhappiness but her music still lives on as a memory of the days when she was one of the most glorious and celebrated stars in country music.
Dottie At Her Best!
The long awaited re-issue of Dottie West's final studio album "Just Dottie" is no disappointment to the Dottie West fan. Dottie was truly at her best. The album flows from sassy country-pop "What's Good for the Goose" and "Ain't Nothin' Like a Woman" to traditional country "Blue Fiddle Waltz" and "Tell Me Again". Her cover of KT Oslin's "Where is a Woman To Go?" is riveting. However, the high point of this collection has to be "We Know Better Now". You can tell by her voice that Dottie sang what she knew and felt what she sang. Truly Fabulous! If you are not a Dottie West fan, "Just Dottie...Again" is a great place to start.