Cheap Beethoven: Mass in C major, Op. 86 (Music) (Ludwig van Beethoven, Anton Nanut, Pavol Prchazha, Magdalena Hajossyova, Peter Mikulas, Peter Oswald, Jitka Zerhauova) Price
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| ARTIST: | Ludwig van Beethoven, Anton Nanut, Pavol Prchazha, Magdalena Hajossyova, Peter Mikulas, Peter Oswald, Jitka Zerhauova |
| CATEGORY: | Music |
| MANUFACTURER: | Ent. Media Partners |
| MEDIA: | Audio CD |
| TRACKS: | Mass In Major, Op. 86: Kyrie, Mass In Major, Op. 86: Gloria, Mass In Major, Op. 86: Credo, Mass In Major, Op. 86: Sanctus, Mass In Major, Op. 86: Agnus Dei |
| UPC: | 078736427620 |
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Customer Reviews of Beethoven: Mass in C major, Op. 86
A Delightful Surprise! Now and then I sit down and survey multiple versions of the same work in order to do a little pruning of my ever-growing CD collection. So when I got around to Beethoven's C Major Mass, I figured that my old Beecham and Kegel/Leipzig versions would stay, and this Nanut would go by the wayside.
I was wrong. This Nanut is an utterly delightful performance: it's in FAR better sound than the mono Beecham - and it's a more engaging reading than the Kegel (which I DID weed). I had initially picked up this CD because I once heard Nanut give an extraordinary live concert performance of Bruckner's 4th. I had also gotten immense enjoyment out of Nanut's recordings of Beethoven's Piano Concertos 1, 3 and 5 with Dubravka Tomsic (#3 in particular is really magical) on Point Classics and other budget labels (Pilz and Allegretto Vox). So I gave it a try - and now it's the one I will reach for most often.
So don't be like me and jump to the wrong conclusion: just because this reading is on a super-cheap budget label doesn't mean it's not a fine performance. It is!
Equal to the Missa Solemnis in Range and Power
I don't know why Beethoven's Mass in C Major gets as little attention as it does, but it's at least as good as the Missa Solemnis. This recording of this piece is fantastic for two reasons: it's beautiful and it's inexpensive.
The dynamics on the Kyrie are amazing (it goes from a cresendo to a decrescendo on one word-"eleison!"), and the Gloria really is glorious. The Credo shows the power of Slovak Philharmonic Choir and Orchestra (who I'm sure must be really big in Slovakia) and the Sanctus is joyful. The ending Agnus Dei goes from contemplative to powerfully soulful (and the theme finds its way back from the Kyrie) all in the course of six minutes.
The soloists aren't famous names, but they certainly have talent. The way their voices blend and play off each other, specifically on the Kyrie and the Santus, is a credit to the ensemble. This recording is definitely a good edition to any classical or religious collection of music.